Greg Miller
--
*-------------------------------------------------------------*
* Ronald Lee Todd M.B.A., C.P.A. *
* Unemployed for six years, mistake of being an accountant. *
* From the Socialist People's Republic of Kalifornia, *
* the Seventh worst state for business, *
* Ayn Rand was right *
*-------------------------------------------------------------*
Francis A. Miniter
Ron Todd wrote:
> If it is a job you enjoy, it isn't slavery.
>
> william mitchell wrote:
> >
> > I thought that Canada had outlawed Slavery.
> > "Greg Miller" <filmr...@hotmail.com> wrote in message
> > news:55bfe96e.02010...@posting.google.com...
> > > If you can work in Canada and don't need a lot of money but are
> > > interested in about the coolest job you will ever have please respond
> > > to to our E-mail account. <snip>
Bert
Mike
On Wed, 09 Jan 2002 17:06:28 -0600, brou...@yahoo.com wrote:
>filmr...@hotmail.com (Greg Miller) wrote:
>
>>This job is likely most
>>suitable to a younger person
>
>...who is still young and naive?
>
>That's the second time you've posted a want ad recently. If you're not
>getting droves of responses, maybe you should consider paying a decent wage.
>If you can't afford to pay a decent wage, maybe you don't need to hire
>somebody.
>Perhaps it is indentured servitude.
>
>Bert
>
Only if you have false teeth.
---
Richard Knoppow
Los Angeles, CA, USA.
dick...@ix.netcom.com
>If it is a job you enjoy, it isn't slavery.
If it's something you enjoy, don't do it as a job.
Regards,
John S. Douglas Photographer & Webmaster
Website ------------------- http://www.darkroom-pro.com
Formulas,Facts and Info on the Photographic Process
=======================================
"william mitchell" <bmit...@home.com> wrote in message
news:tq__7.499$0c.6...@news1.rdc1.fl.home.com...
Greg Miller
Greg Miller
--
Greg Miller
I am going to side with my distant colleague Greg on this one. I can
assure everybody out there (without needing to get so nasty) that the
job would be a dream for any like-minded young individual to Greg (or
myself). The area is such a highly specialized technical niche of
photographic science that I seriously doubt if any of the other
posters could even comprehend the position.
(Why do you think only 3 labs in the world offer such comprehensive
services?)
This is with the sole exception of Francis Miniter, who from previous
posts here clearly knows his subject.
If people have snide comments to make about the simple process of a
job offer from a reputable and higly capable entrepreneur in the
Photographic industry, I suggest they find an alt group to do it in.
Certainly by UK standards the salary is not high, but the position is
a junior one, and one with future prospects, not a CEO or anything
likewise.
When these disgruntled posters can tell me the exact constituents to
the gram of C-41 and E-3 chemistry without consulting endless
websites, newsgroups, papers, and manuals, then I might be willing to
lend a more sympathetic ear.
Have a nice day in the ol' US of A,
Dominic Roberts, 'Process C-22'
http://www.processc22.co.uk
'Process C-22' - Recovering Your Memories
-----------------------
> > >>This job is likely most
> > >>suitable to a younger person
> > >
> > >...who is still young and naive?
> > >That's the second time you've posted a want ad recently. If you're not
> > >getting droves of responses, maybe you should consider paying a decent wage.
> > >If you can't afford to pay a decent wage, maybe you don't need to hire
> > >somebody.
> The first was sent with a E-mail address that I can not access.
> Apparently you have no idea about running a small business. The job
Greg Miller
>> (Why do you think only 3 labs in the world offer such comprehensive
>> services?)
Because there is a very, very, very small market.
This reply is not solely aimed at poor old John, but as an
informative, hopefully helpful addition to my previous posting.
The name of our game is breaking all the rules, be it correcting
colour shift in thirty-year old E-4 film by altering the chemistry
mid-process, or boosting gamma by upto 500% in C-22 film developers.
I formulate ALL my own chemistry, and not just developers. We use
unique bleaches, hardening baths, backing removers, dye stabilisers,
and post processing treatments. Control strips are nigh on useless in
this twilight world, we utilise temperature change for its beneficial
effect, not as a method of control.
Until very recently I had never corrected an image in Photoshop. Can
anybody else predict dye levels when developing colour neg films by
inspection? Thought not. How about predicting colour shift after
Colour Slide First developer? Try receiving a blank cassette and
working out the age and process from the colour of emulsion, spool,
label etc. Any error could destroy somebody's memories.
I usually work 15 hour days, and I know Greg has mentioned a 9am to
5am shift. Steve Dock is famously busy. We all have a long backlog
of work.
My point is that there are lots of old films out there, just only
three people with the skill and research background to act upon it.
Perhaps we may be mad, but somebody has to do it, and (I think) we
enjoy it. We all work long hours with relatively low profit margins,
and dream of honourary photographic fellowships.
Having an 80 year-old lady thanking you for recovering images of her
long-passed husband is far better than putting up with pompous
professional photographers who cannot be pleased no matter how many
E-6 5x4's you "push/hold/pull/hold/can't you dev it any quicker?" for
them.
The Customer is paramount - as in a standard lab we cannot make
mistakes, but these images really CANNOT be taken again and our
service reflects that level of care.
My point (again) is that I personally look forward to every phone
call, every envelope, every morning, every time I hang that film up to
dry. How many disillusioned posters muttering "can't have a job you
enjoy" can comprehend this?
Until the next time my friends and colleagues in rec...
Dominic Roberts, 'Process C-22'
------------------------------
What is with people who feel a need to comment on stuff they know
absolutely nothing about. John what do you know about my market? You
don't say maybe it's a small market. No, in fact you seem quite sure
like you read it in a book or perhaps heard it one the evening news.
The next time I have to figure out the inverse square of the quantum
logic co- efficient I'll be sure to contact you. I'm sure you will
have the answer. Why do we need to hire more people? Maybe because we
have a lot of work to do. Maybe from that you may be able to connect
point a to point b and determine that perhaps the market may not be
very, very, very small. Perhaps it is only your lack of comprehension
of my market that is very, very, very small. Shape up friutcake.
P.S. We process between 200 to 600 rolls each month each requiring
special handling and we are the small guys on the block. Rocky
Mountain does 8 to 10 times that volume.
Well, given the fundamentals of microeconomics and the information
you've already given us in this thread, it's a pretty reasonable
assumption. You make a small profit margin and you can't afford to pay
even what's paid to a color printer in a good custom lab; yet the supply
of your service is quite small. It sure *sounds* like the demand for
your service is small; and if it is not, then you ought to be charging
more money.
Now, maybe there's more going on here than I grasp, but the basic
assumption doesn't seem unreasonable to me.
--
Thor Lancelot Simon t...@rek.tjls.com
But as he knew no bad language, he had called him all the names of common
objects that he could think of, and had screamed: "You lamp! You towel! You
plate!" and so on. --Sigmund Freud
> When these disgruntled posters can tell me the exact constituents to
> the gram of C-41 and E-3 chemistry without consulting endless
> websites, newsgroups, papers, and manuals, then I might be willing
> to lend a more sympathetic ear.
Even if the manuals are on your shelf?
--
Paul Repacholi 1 Crescent Rd.,
+61 (08) 9257-1001 Kalamunda.
West Australia 6076
Raw, Cooked or Well-done, it's all half baked.
EPIC, The Architecture of the future, always has been, always will be.
Assumption have been a real big problem with this post. People assume
that I am out to find a nieve young thing to exploit. If I could just
go out and hire a good color printer and pay him/her a good wage that
would be great but a good color printer does me little good. What I
require does not exist. They must be extensively trained. It is
during this period where I will have to be spending a lot of time with
them that I will not be giving an outstanding wage. That will be
about four to six months. It is not uncommon for a person wanting a
highly desirable job to work for a year or two with no salary at all.
It's called an internship and this is a highly desirable job; of that
I am confident. Not a single person has made reference that in
exchange for this sacrifice the person will be making, they will be
given run of the darkroom and may also if they like exploit it for
profit in down time. Is there not some kind of value to that. Let's
not forget there is a wage at this job and that wage is well above
minimum wage for our region, and also don't forget that we are not
asking for a person with any kind of experience. Another thing to
keep in mind is that you can by a house in this area starting at about
15 000 dollars U.S.. That is to say the wage provided will not leave
the person living in any kind of poverty. The only requirement is
that they must really enjoy the work and this is easy work to enjoy if
you like working in a darkroom. It is not production work and it is
not at all mindless. You open time capsules for a living. How boring
is that. If all that constitutes a good job is the salary you should
go work for a collection agency. It gets very furustrating when I
honestly feel that I am pressenting a outstanding oppertunity for
someone with a passion for darkroom work and all that happens is that
I get beat down. Have I gone to hell or something. This makes no
sense. When did offering a good job to a group of people that have an
interest in that type of work become such a terrible thing.
Greg Miller
Film Rescue International
So ? I did that much in a week when I ran a lab in
Atlantic City, New Jersey during the Miss America pageant.
And that's small potatoes.
Don't get me wrong, I give you guys credit for doing
something you must love to do. Frankly I hope one of you
writes a book about the techniques so that I can purchase
it. But be honest. It's a niche market that is only going to
get smaller as the amount of old films (pre C-41) disappear.
On 11 Jan 2002 22:11:32 -0800, filmr...@hotmail.com (Greg
Miller) wrote:
Greg,
I think you are taking this all the wrong way. I'm
sorry if my post rubbed you the wrong way but frankly here
in Tennessee (NOT the highest paying area in the U.S. ) the
average hamburger flipper makes $8US/hour. But then the
average home sells for around $100,K and the average car for
around $16,K. So if you're making less than $20,K/year, your
below the poverty line. And that had better be including
benefits as the cost of medical here in the states can
easily run over $350/month per person for good coverage.
BTW, what are taxes like in Canada ? Here in the
States you can kiss 16-25% of your pay goodbye and still
have to pay 8.25% sales tax on the food you eat.
Unfortunately the laws of economics dictate to us all.
While your investment in your prospective employee will be
considerable, your employee is also investing the one
commodity that s/he has only so much of. Time.
I wish you the best and hope that you find someone
worthy of working with your company.
Yes I know that comparitive to the conventional market the volume is
small potatoes but of those roll that you processed how many needed to
be clip tested, how many had to be loaded onto developing reels under
water, how many did you have to set up new analyzer channels to get a
decent print, how many did you have to attempt printing onto a myriad
of different papers to get a decent print, how many did you have to
manufacture a new carrier to fit into your enlarger, how many hundreds
of control strips did you have to run just to get one process running
the way you wanted, so forth and so on. In a given city there may be
a thousand places changing oil and only one place building custom
engine parts. Your Atlantic City job was changing oil.
\
> Don't get me wrong, I give you guys credit for doing
> something you must love to do. Frankly I hope one of you
> writes a book about the techniques so that I can purchase
> it. But be honest. It's a niche market that is only going to
> get smaller as the amount of old films (pre C-41) disappear.
This is an endless market. Not only do we get as many films from the
forties as the seventies but old formats are dropped and eventually
everyone stops processing them. For example 126, disc and Kodachrome
roll film. Not to mention what may become of c-41 a ways down the
road. Even if c-41 continues on for an eternity I am way more likely
to get something out of a decade or two old c-41 film then most anyone
else. The same goes for old B&W. I am better at this then your
average technician because I have the experience of thousands of rolls
of old film processing and I have a desire to constantly be trying to
improve the process. This you can't learn in a book. We are already
getting a lot of this work.
Sorry for the name calling in the last post. I'm just getting a
little frustrated. We're just looking for someone we want to work
with. It is all very innocent.
All the best
I don't assume anything about your intentions. I *do* think you're way,
way out of line offering a very low wage for skilled work, without any
kind of explanation, and then yelling at anyone who points out that the
wage you're offering is pretty low.
With the explanation you provide afterwards, it makes more sense; hell,
when I was an art-school undergrad the offer might actually have appealed
to me -- though the fact that you're paying significantly less than
McDonald's would still have given me pause. And if $8CDN/hr really is all
you can afford to pay, but it's true, as you say, that there is a virtually
limitless market for your services, then I'd have to stand by my original
conclusion: you are charging significantly too little for your work.
Do, however, please keep in mind that all of this explanation you provided
was provided *after* the fact, and that *before* you provided it you yelled
at all and sundry who questioned the low wage you were offering. I don't
really think the rest of us are out of line, here; any more than I think
you provide conventional photoprocessing services I could obtain from
Kodalux.
We have to know exactly what result we need to achieve from any given
roll at any given time. Conventional developers and processes are
fine for new material, but it's a whole new ball game for outdated
film.
The only reason I use the formulae is as comparison to my own
chemistry. It is handy as a rule-of-thumb to predict gamma and colour
shift.
My point (and you all know it really) was that people in glass houses
should not throw stones.
I only peruse those 1970's manuals for the nice tobacco-grad shots...
=)
Dominic Roberts, 'Process C-22'
http://www.processc22.co.uk
-------------------------------
Paul Repacholi <pr...@prep.synonet.com> wrote in message news:<87d70gq...@prep.synonet.com>...