On Tue, 22 Jan 2013 15:56:17 -0800, DLU <
da...@justthe.net> wrote:
>On 1/20/2013 14:18, EvelynVogtGamble(Divamanque) wrote:
>>
>>
>> DLU wrote:
>>> On 1/19/2013 11:01, EvelynVogtGamble(Divamanque) wrote:
>>>> Wow, talk about "Eurotrash"!!!! Seems as though the Met is trying to
>>>> outdo its continental cousins. (I've seen my share of the genre in
>>>> Europe, but this really outdid itself in crapiness - the singing was
>>>> nothing to get excited about, either.)
>>>
>>> Maybe you need to get a new TV and some decent speakers.
>>> Looks like there is noting you have anything good to say about any
>>> performances.
>>
>> I already have both, thank you. (Perhaps my standards are higher than
>> yours - I can remember when singers could SING and sets did not resemble
>> a low-budget high school production in the American Midwest.)
>>>
>>> It was excellent. It was a digital broadcast to theaters a few weeks
>>> ago. Entertaining, well acted, good voices.
>>
>> Clearly you are used to expecting the sub-standard in Met performances -
>> I am not!
>>
>Well I first heard opera at the met in 1956 when we used to get free
>tickets at the USO. I first heard opera at the SF Opera in 1946, so I
>have no idea what your "standards" are whatever that means.
>
>If you are such an expert critic, how come you do not seem to be known
>anywhere except on USENET? As for the sets, so what? How much do you
>donate to the Met every year? What operas have you sponsored?
1830s. The libretto specifies end of the 18th century in Basque
country so no big difference. The Dulcamara could sing (and act) his
part as well as anybody. I would like to see how sets and costumes of
previous eras compare to those of this production. Anybody have links