Strange email campaign - BARENBOIM (long but bizarre!)
Michael Volpe
sent to lots of other opera houses and companies. It is long and bizarre but
surely there will be something in here to entertain you all ;-)
I have not a clue what the author is blethering on about .......you might.
_______________
"Dear Barenboim's Berlin and its European friends,
First of all, I apologize for sending this weirdest e-mail, which is long
enough to bother your daily busy schedule. This is a message concerning
DANIEL BARENBOIM and Barenboim's leeches, who were born only to destroy
Barenboim's life, in either way, professional or private.
a.. ELENA BASHKIROVA: Gidon Kremer's second-ex, whose brilliant
prostitution had destroyed Barenboim's professional career during du Pre's
long decline. (Still have no idea about Jacqueline du Pre, a British
legendary Cellist? Please watch commercial film, "Hilary & Jackie".)
b.. WALTRAUD MEIER: Bayreuth's sex-symbol, whose intelligent prostitution
has destroyed Barenboim's professional career after du Pre's funeral.
c.. BASHKIROVA+MEIER perfectly destroyed Barenboim's professional career
before & after June 23, 1999, because the BERLIN PHILHARMONIC decided NOT to
elect Barenboim as their leader because of ME. So many happenings since
then. Even Barenboim's own employees joined the BPO members' plan to destroy
Barenboim's professional career. Only my bimbo-mailing business gave him to
recover his directorship elsewhere including Chicago.
4.. I am NOW chasing Barenboim's Angels, who enjoyed my miserable life to
develop their professional career and caused the entire collapse of European
music society as a result.
PLEASE...
What I need is a public interview of those big mouth, which used to boast
their PERFECT relationship with Barenboim to realize their professional
dream.
As for Waltraud Meier:
1. How many singers have experienced Wagner's Isolde since Tristan's birth?
Among Meier's predecessors, who approved+encouraged this post-modern
Wagnerian singing? I need a specific name. The fact that Bayreuth's
sex-symbol mastered her unique tongue-technique under Barenboim's crotch
still lacks something to prove the entire story WHY Furtwaengler's Germany
had to fail under her red skirt. I just can not understand why. Meier's
public answer will give me more clue to solve Bayreuth-history, which has
hopelessly failed under the skirt of WoWa's second wife, Gudrun Wagner.
Meier should explain the detailed information about her vocal technique in a
historical way.
2. My Meier-posting in Wagnerforum started on September, 2000. Despite all
my hard working, Barenboim's new Tristan perfectly proved his failing during
his American tour. Now, this legendary Isolde should explain the reason of
her big mouth, which used to boast her destiny to become Wagner's heroine
after her life-long Kundry, which should possess natural beauty of authentic
classical repertoire from MOZART to VERDI.
3. Even in this situation, Meier is busy at training her new Tristans
elsewhere in her own dramatic way. Now, she should answer me. What caused
the entire collapse of good voices around Barenboim? Why maestro Barenboim
was/is never able to realize his Furtwaengler dream?
4. First of all, when Waltraud Meier is going to play with Elena Bashkirova
in her Liederabend? Why those bitches, who are in fact a wunderschoenen
couple, have NEVER played together? Just stick around Barenboim and suck all
his bloods to realize their professional dream? AND never give up?
I am afraid there is no more for Meier.
BUT: Waltraud Meier and Elena Bashkirova is inseparable, since their
characteristics are exactly same, from their sound to personality.
Bashkirova's public interview is valuable enough to figure out the
characteristics of Bayreuth's bimbo, Waltraud Meier.
Elena
Bashkirova:http://www.cso.org/mtp_visiting_artists_performer.taf?artistid=eb
ashkirova
1. In her resume, Bashkirova is said to be specially influenced by
Celibidache + Boulez. What specific this bimbo learned from those names? I
need detailed information.
2. What exactly happened inside the BPO toward June of 1999, during which
this bimbo was intentionally praised as a Berlin-Queen? BRAHMS was the best
example. Then what has happened to the BPO after their D-Day? I need more
specific information about her BPO friends, including Ex-Members.
3. After the BPO's D-Day, Wien-Berlin Wind Ensemble wanted to ridicule me
and help Kremer's second-Ex to start her international SOLO-career. They
brought this bimbo to elsewhere EXCEPT Berlin, from SPAIN to AMERICA, where
they thought INFERIOR. Strangely enough, everybody failed under her skirt.
First of all, there was a member-change to start Bashkirova-Wind-Ensemble.
So, what has happened to the Wiener Philharmoniker since then? And why?
4. When Barenboim inaugurated his Middle-East Peace-Project, he risked his
life. Barenboim made it clear that Jerusalem should NOT be a center of his
project. Yet, who is participating in Bashkirova's Jerusalem Festival?
Friends of Kremer + BPO + Mehta + Zukerman. Even Barenboim's own employees.
Now, what is this bitch going to do with her 5th Jerusalem Festival, which
concept is historically unique? I am still asking this bimbo to keep going
with more brilliant plan and to contribute to Barenboim's Israeli high
culture. So, when is she going to purchase her Jerusalem home in Palestine
neighborhood, as she originally planned?
5. How many male chauvinists are involved in this bimbo-battle to make
Barenboim's Angels a real musician? Basically, this historically unique
bimbo-battle could have come up with a happy ending, if Cecilia Bartoli took
care of this bimbo as her accompanist. Finally, the British Guardian decided
to join my bimbo-mailing business to finish this never-ending story about
Barenboim's failing career, from MOZART to BEETHOVEN, VERDI, MAHLER,
SCHUMANN and finally WAGNER.
(http://www.guardian.co.uk/Archive/Article/0,4273,4276217,00.html) This
article is written on Oct 13, 2001. Please, compare it with my open
conversation with Forumites on Oct 11, 2001, which appears in the last part
of my FILE 2. So, when is Bartoli going to prove her big mouth, which
boasted her wunderschoenen friendship with Kremer's bimbo toward the BPO's
D-Day? I do not need this another post-modern vocal technique to realize
Barenboim's Furtwaengler dream.
6. Apart from BEETHOVEN or WAGNER, SCHUMANN was also Bashkirova's favorite
repertoire and it was the main issue in this historically unique
bimbo-battle. Thus, both of Kremer and Barenboim had to perform Schumann in
Barenboim's Israel to prove something-Bashkirova. Their reason was exactly
opposite. Yet none of them played with this bimbo for the exactly same
reason. Now, this bimbo should tell me why. Kremer's second-Ex should openly
explain what is the characteristics of Bashkirova's Schumann.
7. In 1999, even after the BPO's painful decision, this Russian bimbo
interviewed that she did not represent Russian school even during her
Moscow-days. Naturally born an orthodox German musician, she insisted that
she mastered Mozart, Beethoven, Schumann, Brahms and Schoenberg in Russia,
rather than studying too-much of Tschaikovsky or Rachmaninoff. But in these
days, she suddenly became an orthodox Russian pianist boasting Russian
repertoire such as Scriabin, and even Russian musicians start joining this
bimbo. So, when this legendary Russian pianist is going to return to Russia
to prove Bashkirov-version of Tschaikovsky + Rachmaninoff, which is
musically or even technically veee-ery difficult to master? This Russian
bimbo even can not pass the German Hochschule Exam. This is what I heard
from my friends, who spent their youth in foremost German music schools.
Eventually, Ensemble Wien-Berlin and its entire European friends failed to
train Kremer's bimbo and this is what I received from German folks
concerning her recent Berlin performance. Toward the BPO's D-Day, those
Folks had to wonder WHY the BPO members had to FIGHT with this
ausserordentliche vitale Pianistin, Elena Bashkirova. Hope everybody to
study these German articles; (a) "Maerkischer Sand im Getriebe" in DIE WELT
(Dec. 17, 2001)
http://www.welt.de/daten/2001/12/17/1217bk302903.htx?search=bashkirowa (b)
"Gielen dirigiert Sacre" in BERLINER MORGENPOST (Dec. 17). But they do not
offer individual website.
8. First of all, Barenboim.... (my note - the author makes some serious
allegations about Barenboims sexual conduct here - not sure I should publish
them in a public forum!!)
Well, it has been months ago when I started this mailing business and I am
somewhat sure part of my mail recipients already know this historically
unique happening.
Along with this message, I used to send 5 attached FILES, which consist of
my open-letter to institutions, Forumites, German Ex-President Richard von
Weizsaecker, who is Barenboim Fan #1 in Berlin, and Dr. Philip Gossett, who
is an internationally renowned Verdi-scholar and Barenboim Detractor #1 in
Chicago. PLUS detailed information about Ensemble Wien-Berlin. Also my
collection of Forumites' opinion about Barenboim's Leeches. Presently, how
many Forumites do you think are sharing my open letter? Wagnerforum,
Opera-L, Mahler-list, New York Times Music Forum, and Plus-Alpha. We talked
about Barenboim's life and music, especially WAGNER. Strangely enough,
everybody seems to welcome my Barenboim-message.
But unlike Spain, Portugal, Canada or even America, I do not think
Barenboim's European friends, especially Germany, need it. This is where
Barenboim's Angels started their brilliant prostitution, developed
professional career and achieved utmost fame. Now, I find that not only
Eschenbach's Northern German ensemble + Bychov's Middle German ensemble, but
also Gielen's Southern German ensemble joined this historically unique
bimbo-battle. I am still curious. Who made a perfect ensemble with Kremer's
bimbo? Oh, my...
Yet, Barenboim's Germany is also where I found the most exact description
about Meier's post-modern Wagnerian singing: "Sie sei kein Mezzo, aber nur
ein fauler Sopran." I am still curious. Who is this anonymous German critic?
Therefore, I do not think that sending my Barenboim-FILE will affect your
German opinions about Barenboim's Angels. A Fan-club is always Fan-club. A
pure music-lover never follows PR-machine in whatever situation. First of
all, my primary concern is to establish Meier-Opera-Company accompanied by
Bashkirova-Ensemble. And Nancy Mehta is always ready for enjoying their
money+fame. So, where is the best place? You know better than I do. Surely,
Berlin is not the place. Berlin is Germany's Hauptstadt and should represent
German high culture in the purest way.
My name is Mrs. Daniel Barenboim.
If you have any problem to deal with my Barenboim-message, please contact:
James D. Holzhauer jholz...@mayerbrown.com
Mayer, Brown & Platt
Attorney for the Chicago Symphony Orchestra and Daniel Barenboim
Sincerely yours,
Jiwon
P.S.1:
I was supposed to send it on Thursday, December 27, 2001. But I did not want
my bimbo-mailing to destroy my favorite sex-symbol, Marlene Dietrich's
Centennial anniversary. No one would believe this, but for me, Dietrich's
Centennial anniversary is much more important than Verdi's. Thus, I am still
mad at Barenboim, who never allows me to study something my favorite.
However... I must confess. Studying Germany also could be a real fun. I now
start realizing what really means The Federal Republic of Germany. BR, HR,
MDR, NDR, ORB, RB, SR, SFB, SWR, WDR... But I still can not figure out what
means ARD (A??? Runtfunk Deutschlands, provably;-)) Thus, my first mail
recipient will be ZDF on Dec. 29, which will uebertragen Barenboim's
Silvesterkonzert unter dem Motto "Aufforderung zum Tanz". Thus, it would be
terrific, if ZDF introduce my mailing business in "Silvesterkonzert im ZDF".
What about "Aufforderung zum Bimbo-Mailing"? If Bashkirova's Jerusalem
Festival destroys Barenboim's professional/private life one more time, I
will break this bitch's neck. (By then, breaking her fingers won't be
enough.)
If... if anyone needs my mailing list, please use Wagnerforum,
http://www.festspiele.de/deutsch/forum/index.html
If you provide your full+exact information in Wagnerforum, I will send the
entire mailing list to you. Thanks. But basically those German folks, who
used to receive my daily e-mails, has EVERYTHING, including my
Barenboim-Files: leser...@tagesspiegel.de; le...@welt.de;
leser...@berlinonline.de; te...@berliner-morgenpost.de;
gesell...@bz-berlin.de;
Matthew B. Tepper
news:a5lsto$lfr$1...@newsg2.svr.pol.co.uk:
> I was sent a couple of emails from someone calling themself "Jiwon".
> It was sent to lots of other opera houses and companies. It is long
> and bizarre but surely there will be something in here to entertain
> you all ;-) I have not a clue what the author is blethering on about
> .......you might. _______________
> "Dear Barenboim's Berlin and its European friends,
Just a lunatic babbling. Toss it into the bozo bin where it belongs.
If somebody who has had his professional career "destroyed" can wind up as
Music Director of the Chicago Symphony Orchestra, then I fervently wish
that one of those named personages would kindly do the same for me!
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
To write to me, do for my address what Androcles did for the lion
Top 3 worst UK exports: Mad-cow; Foot-and-mouth; Charlotte Church
Terrymelin
a few minutes and had not taken their medication for a few days.
Terry Ellsworth
Michael Volpe
might entertain for the sheer passionit contains!
"Matthew B. Tepper" <oy兀earthlink.net> wrote in message
news:a5m4c...@enews2.newsguy.com...
Beth
> > It was sent to lots of other opera houses and companies. It is long
> > and bizarre but surely there will be something in here to entertain
> > you all ;-) I have not a clue what the author is blethering on about
> > .......you might. _______________
> > "Dear Barenboim's Berlin and its European friends,
>
This person has posted trash like this in other forums. I think it is
best to just ignore it.
Beth
Mike Richter
>
> I was sent a couple of emails from someone calling themself "Jiwon". It was
> sent to lots of other opera houses and companies. It is long and bizarre but
> surely there will be something in here to entertain you all ;-)
> I have not a clue what the author is blethering on about .......you might.
Similar rants appeared a year or so ago. They were comparably widespread
and incomprehensible. No translation into a human language was offered
and many of us had hoped that the author had found an appropriate
institution in which to explore the subject.
Apparently, our hopes were ill-founded.
HenryFogel
>From: Mike Richter mric...@cpl.net
>Date: 2/28/2002 9:47 PM Central Standard Time
>Message-id: <3C7EF9CB...@cpl.net>
>
>Michael Volpe wrote:
>>
>> I was sent a couple of emails from someone calling themself "Jiwon". It was
>> sent to lots of other opera houses and companies. It is long and bizarre
>but
>> surely there will be something in here to entertain you all ;-)
>> I have not a clue what the author is blethering on about .......you might.
Jiwon is a female Korean french horn player who studied for a brief time at
Northwestern University, and who had been harrassing Mr. Barenboim and the
Chicago Symphony Orchestra by email -- we actually had our attorney threaten
her with legal action which stopped her from sending the emails to the CSO; she
now apparently is sending them to the rest of the world. Mr. Barenboim would
appear to be the object of a rather involved fantasy life of hers.
Henry Fogel
Evelyn Vogt Gamble (Divamanque)
is certainly not English!)
Evelyn Vogt Gamble (Divamanque)
"Fantasy" lives are okay (so long as you KNOW they're
fantasy) but when you try to involve other people in your
fictional life, the distinction between "real" and
"imaginary" appears to be getting too thin. I'd say the
lady needs help!
>
> Henry Fogel