>I have been going over this tune and while it is easy I just wondered if
>anyone plays it much. I heard it on my Howard Robert's record and
>thought I should add it to my list of tunes to memorize. One thing about
>these 32 bar tunes I find them easy to memorize. I really don't recall
>alot of recordings of this so what I thought I better check on how much
>it is played.
Why? If you like it learn it. It is a great tune anyway and plays
well on guitar. I don't think you should worry about whether a song
is widely played as a prerequisite for learning the tune. That kind
of mentality will just keep everyone playing the same tunes out of the
same book. Learn as many tunes as you can, yes, so obviously that
means learning the common standards, but also listen for good obscure
tunes to learn and transcribe if necessary so that you can build your
own book. This practice will not only enhance your own songbook, but
if you play out/around then it will help broaden the repertoire of the
local jazz scene.
_________________________________________
Kevin Van Sant
Jazz Guitar
For a comprehensive index of internet jazz resources:
http://www.pobox.com/~onestopjazz
_________________________________________
Mark Cleary wrote in message <34D4EC...@dave-world.net>...
>I have been going over this tune and while it is easy I just wondered if
>anyone plays it much. I heard it on my Howard Robert's record and
>thought I should add it to my list of tunes to memorize. One thing about
>these 32 bar tunes I find them easy to memorize. I really don't recall
>alot of recordings of this so what I thought I better check on how much
>it is played.
>--
>Mark Cleary makes music on the finest guitars made.
>" HOLLENBECK GUITARS the for the ultimate in tone and playability."
I like that tune a lot. You can find out how often a song has
been recorded at the ASCAP Clearance Express web site, at
http://www.ascap.com:80/ace/ACE.html
"Gone With the Wind" as a title has been used for several different
pieces, including the movie theme, but the one we know as a standard
has been recorded by:
VAUGHN SARAH
TORME MEL
KAEMPFERT BERT
MONROE A
MORAN PAT
GLAMANN BETTY
MARIAN MC PARTLAND TRIO
WASSERMAN ROB
DAVIS J
DALE S
ROSENTHAL TED
CARTER B
PREVIN ANDRE
ROBERTS HOWARD
ROBBINS MARTY
WINTER B
VAUGHN S
SIMS Z
GOULET R
GETZ STAN
TATUM-WEBSTER
SULLIVAN M
ODAY A
MONTGOMERY W
SWING CONNECTION
TAYLOR BILLY
FITZGERALD E
HENRY E
MCLEAN J
DAMONE VIC
MAY B
KANAWA K T
DUPREES
MC KENNA DAVE
CONNOR C
TATUM ART
RADLY JAMES
HAYES RICHARD
DAVIS MEL
ADAMS JERRY
REYS RITA
BECK PIA
FRIGO JOHNNY
ALVINO REY ORCH
KISSEL BARNEY
COLLINS AL
BREGHT RONNELL
STEIN L
COHEN A
MULLMAN JACK
HAYMES D
DAY D
HARPER T
PEKINS T
NELSON D
MONRO M
WHITNEY M
DOMERUS ANNE/GROUP
D ROME FRANK
CAIOLA AL
MC DANIELS G
COOPER JACKIE
JENKINS GORDON
RANDALL F
DICK HAROLD
DE FRANCO BUDDY
OTIS C
COSTA DON
KANAWA KIRI TE/NELSO
LEE PEGGY
CANNON CHRIS
HOLIDAY BILLIE
BUTLER BILL
ALLEN STEVE
LONDON JULIE
SHEPPARD SISTERS
HAYMES DICK
BROWN GEORGE
TERRACE PETE
WESS FRANK
WESTON PAUL
WARREN ERNIE TRIO
SAROFF/COOL ONES
KATZ DICK/SMITH DEREK/ORTEGER
SOMERUS ANNE
KOLLER HANS QUINTET
KING MORGANA
FITZGERALD E
NEWLEY T
FATHA HINES
EVANS B
BRUBECK D QUARTET
MAGIDSON/WRUBEL W
PEPPER A
FATS NAVARRO
NERO P
WILLIAMS ANDY
SINATRA F
BENNETT T
CHRISTY JUNE
PREVIN A
JAZZ MESSENGERS
Also by Bob Longmire, but the cassette has yet to go platinum.
Ella is listed twice here, I know one of them is with Joe Pass.
^^^^
--oo Bob Longmire
> ^ ^
` at dot com
Anyway, the CD is a collection of songs with various guitarists. Sco
plays on Gone and Nardis. Other guitarists are Mike Stern, Mick
Goodrick, Leni Stern and Gene Bertoncini.
The rhythm section consists of Winard Harper and Leon Parker.
Another Harvie Swartz record that is pretty cool is "Arrival". John
Abercrombie and Mick Goodrick on guitars, and Marvin Smitty Smith on
drums. Swartz seems to prefer to work with guitarists, so he's alright
in my book.
--
Rod Furlott
http://home1.gte.net/furlott/index.htm
>"Gone With the Wind" as a title has been used for several different
>pieces, including the movie theme, but the one we know as a standard
>has been recorded by:
>
> Also by Bob Longmire, but the cassette has yet to go platinum.
>Ella is listed twice here, I know one of them is with Joe Pass.
>
Also, Kiri Te Kanawa (!!!!) is listed twice.
Marty Robbins?!?!
I'm amazed, but then I've always been easily amazed.
--
Regards,
Stan
I don't hear it much, but it is in Vol 1 of the NRB. Another great
recording is on The Incredible Jazz Guitar of Wes Montgomery. If
you don't have this album, you need it. John Scofield plays it
on Harvie Swartz's "In a Different Light", as a guitar/bass duo.
Very nice. Sco is playing an old Gibson ES125 (or something similar)
with no distortion. He sounds like a JJG guitarist, almost.
* there is also a version on Wes tribute album by;
Farlow,Ellis,Campell,Raney........
Scofield does a great cover of this tune somewhere in my cd collection.
Can anyone recall what this is on?
John R>
In <34d607d4...@news.mindspring.com> kvan...@pobox.com (Kevin
Van Sant) writes:
>
>On Sun, 01 Feb 1998 15:41:50 -0600, Mark Cleary
><maj...@dave-world.net> wrote:
>
>>I have been going over this tune and while it is easy I just wondered
if
>>anyone plays it much. I heard it on my Howard Robert's record and
>>thought I should add it to my list of tunes to memorize. One thing
about
>>these 32 bar tunes I find them easy to memorize. I really don't
recall
>>alot of recordings of this so what I thought I better check on how
much
>>it is played.
>
Yes. I forgot that this is where the Sco interpretation of GWTW is
located. Great version. As Rod points out, this is a great cd for
guitar features.
BTW, Schwartz is also the bass player, I believe, on the excellent Pat
Martino video "Live at Ethel's". Check that one out too if you can.
John R>
>in my book.
>
>--
>Rod Furlott
>http://home1.gte.net/furlott/index.htm