thomas wrote:
> On Tuesday, August 7, 2012 12:48:01 PM UTC-4, Carl wrote:
>> thomas wrote:
>>
>>> On Thursday, February 2, 2012 10:52:23 AM UTC-5, Carl wrote:
>>
>>>> guitarman wrote:
>>
>>>>
>>
>>>>> Mint condition cherry sunburst Mark Campellone Deluxe Archtop with
>>
>>>>
>>
>>>>> built-in Gibson classic '57 pickup.
>>
>>>>
>>
>>>>> Venetian cutaway body with hand graduated top of select spruce,
>>>>> hand
>>
>>>>
>>
>>>>> graduated back of 4A figured maple with matching solid maple rims,
>>
>>>>
>>
>>>>> multi-bound top, back, fingerboard and peghead, single-bound
>>
>>>>> f-holes,
>>
>>>>
>>
>>>>> multi-bound tortoise-shell style pickguard, figured maple neck
>>>>> (one
>>
>>>>
>>
>>>>> piece or laminated with dark center strip), ebony fingerboard with
>>
>>>>
>>
>>>>> side dots and three-piece 'keystone' mother of pearl position
>>
>>>>> markers,
>>
>>>>
>>
>>>>> ebony bridge with full contact base, Deluxe Series peghead inlay,
>>
>>>>
>>
>>>>> Deluxe Series tailpiece of gold plated brass with ebony appliqu?,
>>
>>>>> gold
>>
>>>>
>>
>>>>> Grover tuners with keystone buttons.
>>
>>>>
>>
>>>>> Body: 17? Rim: 3? Scale: 25? - asking $4400
Well, no disrespect to me taken, but misconceptions like those posted on
wide-ranging newsgroups can hurt small luthiers like Mark
It is interesting because I take the word "select" to mean that the luthier
takes the time and patience not only to choose the better woods, but to
bookmatch the two halves as closely as possible.
I think the term "select spruce" may be abused by mass-marketers of guitars
and I have read other posts where players thought it meant "laminated" also.
So you're not alone. But there is a difference in how mass-marketers apply
semantics to sell things to the public, and how an independent builder uses
those same words, where their meaning is more exacting.
Here are copies of the better of the posts I found on the subject, from the
jazz guitar forum:
"Luthier (sic) SELECT the pieces of spuce for each archtop individually,
selection mostly depend (sic) on customer's tone requirement. As you all
know, ofcourse, no similar pieces of the wood exist. So, selection of the
spruce is quite important part of the building of handmade instrument. After
selecting the spruce for top, luthier start the carving process."...
I liked this one also:
"My understanding of the term "select" is that the luthier went out of his
way or really spent time searching for the best possible sounding and best
looking piece of wood for a top of the line, responsive acoustic
instrument."...
There is a difference in all sectors between dealing with chain stores and
mass-producers, than there is with the one-shop private person.
Nothing personal is or was meant by any of these posts. It is, after all,
all just for the sake of discussion and educating each other.