Today' (5th) special session: "Tootey Dil Ki Vyatha"
Jay
today's very special session quoted above.
A listening session on a topic of above & cine music based mostly of
the 40s-n-50s-decades is something very unique...indeed very unique.
Ask me why?
Because, SORROW / GRIEF / PATHOS / nirasha,etc are an INTEGRAL part of
every human being. There can be NO HAPPINESS...never ever; until you
have experienced the former.
This aspect of LIFE has ever-n-always been prompting me for quite some
months and I thought it FIT to project this wonderful part of life
through cine music as entitled above. The very (thought of now)
presence of Deepak Sabnis THRILZ me off-n-on and hope to have some
'real info exchanges' this afternoon on a one2one basis. Other
connoisseurs would also be present.
The reason I am telling this forum is to educate them, MAKE THEM
LISTEN on record. If the LISTENER is a casual one, whatever I feed him
will 'bounce off' & if he/she is a passionate one-n-info seeking
( unlike the many on this forum harping on selective songs / voices /
MDs / song writers / films) melodic enlightenment..then lo !
Jay
5/x
0800 am
surjit singh
Congratulations to both Jay and Chief guest Sahib!
> Jay
> 5/x
> 0800 am
atu...@yahoo.com
At least provide us the list of songs and oblige
Jay
>
> - Show quoted text -
BCSP's "Tootey Dil Ki Vyatha" session of 5/x/09:
================================================
Shri Deepak Sabnis arrived around 1430 hrs at my very small place.
Both of us meeting for the first time, we exchanged greetings and
talked in general.I found him interesting and showed him my library a
few records at random and their condition..and above all the sleeves /
jacket .. the way/ manner in which I have laboured day-n-night to fix/
patch the torn/worn out ones one-by-one to give the entire thing a
pleasing outfit.
I played a 78rpm film record, song SUNG by actress Madhubala,when she
was a juvenile Baby Mumtaz.
Thats for you to guess, please !
==============================
Deepak presented me three(3) CDs,two of a tribute to Anil Biswas & the
third one was HIS OWN FAVORITES and thanked him & his associates for
taking all the trouble in presenting it to me.
The session started at 5.30pm sharp. Here is the list :
1) "Pyar Ki Jeet" - Ek dil ke tukde... Rafi
2) "Fifty Fifty" - Chal diya dil mera todake.. Lata
3) "Dil Ke Tukde" - Dil todake...Rajkumari
4) "Lahore" - Tutey huwe arman... Lata
5) "Manzil" - Dil mera toot gaya...Nurjahan
6) "Kaise Kahun" - Tutey huwe do dil... Zeenat Begum
7) "Dekhojee" - Bansuria, haaye toot gayee... Shamshad
8) "Dada" - Aa jawao zara... Surendra Kaur
9) "Commander" - O bewafa...Asha
10) "Aaghosh" - Kya khabar thhee... Fazal Hussain
11) "Sangeeta" - Na ummeed ho kay bhi... Lata
12) "Malhar" - Tara tootey... Mukesh
13) "Darbar" - Kya paaya maine... Geeta / Talat
14) "Dilruba" - Dil tootna thhaa... Geeta
15) "Ek Roz" - Toota huwa dil ley ke chaley... Durrani
16) "Aansoo" - Tukde uthha ke...Lata
17) "Shahzada" - Bhala ho tera... Asha
18) "Putli" - Koi bedard merey.... Meena Kapur
19) "Mala" - Reh-reh ke sataati hai... Utpala Sen
20) "Poonji" - Ab koi tootey huwey.... Shamshad
21) "Dil Ki Duniya"- Dil ka sahara toda hai... Mohantara
22) "Raat Ki Rani" - Dil todke jaanewaley...Lata
23) "Sartaj" - Jo dil hi todana... Lata / Mukesh
24) "Preet Ka Geet"- Yeh dil ka sheesha choor... Amirbai
25) "Khoj" - Chanda ka dil toot gaya hai... Rafi
26) "Magroor" - Toot gaya haaye.. Shamshad/Rafi/Rajku
27) "Dusri Shaadi" - Toota huwa dil... Zohra
28) "Samrat Ashok" - Toot chukey hain...Amirbai
-----------------
Sanjeev Ramabhadran
> On Oct 6, 3:01 pm, "atu...@yahoo.com" <atu...@yahoo.com> wrote:
>
>
> The session started at 5.30pm sharp. Here is the list :
>
> 9) "Commander" - O bewafa...Asha
>
Is this "Tere Liye O Bewafa" from Chitragupt's "Commander" or is it a
different song?
Sanjeev
Jay
Jay
>
> - Show quoted text -
Since no one knows the answer to my question about the juvenile
actress Madhubala's song as quoted above:
Well: the song : Bhagawan bhagwan... by Baby Mumtaz is from the film;:
"Pujari" ('45) of Ardeshir Irani Prodns.
It was the FIRST FILM in which MD: Hansraj Bahl made his debut. I have
all the records from this film.
Jay
8/9
maheshks
>
> - Show quoted text -
Was her first song....hum ko hain pyaari hamaari galiyyan...basant
(1942) was released on 78 rpm record?
Jay
>
> - Show quoted text -
Indeed yes. Mahesh.
HMV N26031 : Tumko mubarak...Chorus (though rendered by Parul Ghosh /
chorus on record) from BASANT('42).
A juvenile Madhubala aka Baby Mumtaz did act in this film (I have not
seen the film) & PRESUMING her presence in the picturisation...still
does not prove that her juvenile voice is presesent or discernible
either in the sound track or on the HMV record.
On RECORD one canidentify a male voice leading the chorus and carried
on with a clear Parul Ghosh voice /chorus. Nowhere in the entire
record is Baby Mumtaz's childish voice discernible.
Under the circumstances, I FEEL that PUJARI ('45) under Hansraj Behl
is the first ever song rendered by the actress, a juvenile
Madhubala( Baby Mumtaz).
Jay
11/9
maheshks
>
> - Show quoted text -
Jayji,
She sang two songs in her first movie Basant (1942) independently
and perhaps those were not issued on any record or cassette.
(i) humko hain pyaari hamaari galiyaan and
(ii) mere chhote se man main chhoti se duniya re
The low resolution video clips can be downloaded from here:
email id : rmim...@yahoo.com
password: 12345678
Aditya
'juvenile' voice. The record version, however, were in Parul Ghosh's
voice.
http://in.youtube.com/watch?v=wawdQKs7VJ0
http://in.youtube.com/watch?v=WZ-R2bn76bk
Aditya
On Oct 11, 5:58 pm, Jay <sjh...@gmail.com> wrote:
> > - Show quoted text -
>
> Indeed yes. Mahesh.
>
> HMV N26031 : Tumko mubarak...Chorus (though rendered by Parul Ghosh /
> chorus on record) from BASANT('42).
>
> A juvenile Madhubala aka Baby Mumtaz did act in this film (I have not
> seen the film) & PRESUMING her presence in the picturisation...still
> does not prove that her juvenile voice is presesent or discernible
> either in the sound track or on the HMV record.
>
> On RECORD one canidentify a male voice leading the chorus and carried
> on with a clear Parul Ghosh voice /chorus. Nowhere in the entire
> record is Baby Mumtaz's childish voice discernible.
>
> Under the circumstances, I FEEL that PUJARI ('45) under Hansraj Behl
> is the first ever song rendered by the actress, a juvenile
> Madhubala( Baby Mumtaz).
>
> Jay
> 11/9- Hide quoted text -
Jay
> password: 12345678- Hide quoted text -
>
> - Show quoted text -
Yes, you are CORRECT indeed !
I listened to the 2 numbers of BASANT ('42) on YOU TUBE.
Both the songs are in Baby Mumtaz'a voice. Thats right.
Jay
12/9
Deepak
news:44b0755b-238b-4abf...@k36g2000pri.googlegroups.com...
> BCSP's "Tootey Dil Ki Vyatha" session of 5/x/09:
> ================================================
>
> Shri Deepak Sabnis arrived around 1430 hrs at my very small place.
> Both of us meeting for the first time, we exchanged greetings and
> talked in general.I found him interesting and showed him my library a
> few records at random and their condition..and above all the sleeves /
> jacket .. the way/ manner in which I have laboured day-n-night to fix/
> patch the torn/worn out ones one-by-one to give the entire thing a
> pleasing outfit.
>
> I played a 78rpm film record, song SUNG by actress Madhubala,when she
> was a juvenile Baby Mumtaz.
>
> Thats for you to guess, please !
> ==============================
>
> Deepak presented me three(3) CDs,two of a tribute to Anil Biswas & the
> third one was HIS OWN FAVORITES and thanked him & his associates for
> taking all the trouble in presenting it to me.
Actually, the Anil Biswas Commemorative has 4 CDs (2 CDs in each jewel
case). This set was from a previous RMIM meet in Denver and I took it for
Jay, thanks to Vish, who made it available at my request.
Jay played a cassette tape that he had recorded previously from his 78's. I
had not heard 26 out of the 28 songs. The audience included some 5-6 of the
regulars (from Dombivali, Kalyan, Dadar). It was nice meeting all these
folks. Jay was very courteous host and tolerated my difference of opinion
from time to time. He was curious relative to what happens in RMIM meets. I
described it as best I could. I should have pointed him to the reports that
are posted to RMIM (which do a much better job of describing what happens).
Jay was very keen to know if there are ever any "listening sessions" of the
kind he hosts. He was disappointed to hear that there are none (like the
one's he hosts) during the RMIM meets. Basically, Jay's listening session is
like a radio program, except it is live. He introduces a song with his
commentary and then plays it. Of course, he treats his guests to tea and
snacks.
Jay firmly believes that every one must go thru some pain in order to enjoy
the music (sort of like, people don't value what they get easily). As a
rule, his concept of sharing music is limited to listening session. He has
made a few exceptions when he made some rare songs available through Prof
Saheb's web site.
We had some spirited discussion (with some hot exchanges) on different
topics including approaches to enjoyment of music. But all in all, it was
very educational visit for me personally. The session ended with lightening
and thunder and rain showers (literally).
Thanks for the session Jay...
Deepak