Ernic Kamerich
2008/11/18 jerom...@comcast.net <jerom...@comcast.net>- Tekst uit
oorspronkelijke bericht niet weergeven -
On Nov 18, 8:47 am, bill <billkilpatr...@virgilio.it> wrote:
> currently, on youtube, someone is compiling samples of how various
> artists have performed medieval music - saltarello(i) included. in
> order to distinguish one from the other, he's assigned names to them -
> "rain saltarello" and "miracles saltarello" being two examples. is
> there a less subjective method of distinguishing one from the other?
> have they been catalogued previously in any other way?
The usual way of designating pieces such as these is to reference the
manuscript source and folio number(s). For example, British Library
Add. 29987, folio 62r is the first of four saltarelli in this famous
late-14th century Italian manuscript (sometimes informally abbreviated
as "Lo"). Occasionally you will see these four saltarelli simply
numbered, though this too requires that the manuscript source be
identified.
--
Jerry Kohl
the guy who's compiling these song samples - fabio - can be found
here:
http://uk.youtube.com/user/musiclivefolkstudio
... here's his reply to the question asked:
"The Saltarellos have not a title, they all are called simply
"Saltarello", so I need to distinguish one music from another.
To distinguish the Saltarellos' music I've given them the name of the
song in wich I heard them the first time. I knew the first Saltarello
in a song titled "Pioggia" ("Rain") so I gave to the music the name of
"Rain saltarello". I've listened the other one in a song about
Francesco d'Assisi titled "Il trattato dei miracoli""("The treatise of
miracles"), so I called the music "Miracles Saltarello").
There is another Saltarello in my vids that I heard in a medley with
"The Tristan Lament", so I called it "Saltarello di Tristano")."
like fabio, i think we can all come up with names to distinguish these
songs, one from the other - i just wanted to know if anyone had
established a precedent earlier.
regards - bill