Tony's right about Self Portrait, it is great (with a small g). I
really like it, with the exception of the garbled Like A Rolling Stone
and She Belongs To Me from the Isle Of Wight, and The Boxer which must
be a joke, no? It has similarities with the Basement Tapes (yet it's
nowhere as good) in it's sprawling collection of songs and ancient feel
of some of them, and Down In The Groove, which also is patchy with some
great stuff in there. Take A Message To Mary and It Hurts Me Too are
great to play on guitar. I also like All The Tired Horses, an
audacious start to the album. I don't care if Bob sings off key on
Copper Kettle, it sort of suits it! There's also the outrageous fiddle
on Blue Moon, some of the album is funny in a good way. It's as though
he intentionally means to make a low key record. It's also yet another
album that sounds significantly better on vinyl. My copy has a promo
stamp and a 59'II price sticker (how much is that?) - I assume it's an
original edition - and sounds superb in comparison with the CD. I
think this is a real problem with the music market and downloads etc -
so many albums sound better on vinyl. Then there's the cover -
definitely a classic, but quite scary when you look at it. Perhaps Bob
could publish a book of his paintings to follow up Drawn Blank. As an
artist myself, I'd definitely say he has a unique talent. We've
stopped into the 18th Street Coffeehouse in Santa Monica (owned by Bob
according to Down The Highway) a few times in the past, and there's a
pretty good painting that looks like one of Bob's sitting on a shelf
above the bar, next to the Longlife herbal teas.