This is now on the front page of www.DrDemento.com. It is being presented here as newsworthy and off interest to our members. If you have a demento on-line membership and access to his forum, you may want to also post about this in that forum. This is also being posted in the main forum of www.TheMadMusicArchive.com. -Tim
----- A note from Dr. Demento...
Recently a few people have written scathing online denunciations of Talonian Productions, the company that produces and distributes the Dr. Demento Show.
Talonian is not what some uniformed denouncers have claimed. Talonian Productions is wholly owned by myself. Talonian currently employs a manager, Arthyr Chadbourne, and a webmaster.
For many years the show was supported by national advertisers. The fees they paid supported the entire budget of the show and enabled me to make a living. That's the way radio is supposed to work.
In the past few years advertiser support for the show has evaporated. I've heard various explanations of this, but the most sensible one seems to be that our listenership is spread too thinly among various demographic groups. Advertisers prefer programming that appeals to particular segments (such as women aged 18-34 or men 30-45) so that they can reach listeners prepared to buy their products in a more efficient manner. I was always proud that the show appealed to entire families, but that is starting to look like more of a curse than a blessing.
Therefore, though we still have some fine stations carrying the show, we are not making enough from radio to support it.
For that reason, we decided to launch a fee-based Internet service. We felt this offered a chance for the show to become self-supporting once again, and in addition made it possible for people in areas not served by one of our radio affiliates (which is most of the country, alas) to hear the show.
Many listeners have been happy with this service. Others have complained, mostly to such forums as rec.music.dementia. Most often, they are unhappy that our Internet streams are not free of charge. It may be true, as the old song said, that "the best things in life are free"...but we do have to pay royalties to the creators of the songs we play, and we also have to pay for the website's own operation...and I do have to make a living somehow. Therefore, we charge *a very modest fee for the streaming -- a rate we feel is fair to ourselves and our audience.
Several of the show's radio affiliates stream their own programming, free of charge (the expense is defrayed by advertising). Since we don't share in the stations' ad revenue, we have asked them to discontinue their streams while our show is on. Most stations have been very understanding about this.
I have loved doing this show for 37 years, and have felt incredibly lucky to have made a living from something I love. However, unless the show's financial situation changes soon I will be unable to continue the show much longer.
The first thing that I will say is that this *does* indeed look like Barry's writing. Other letters posted on his website in the past, had, in my opion, looked like they may have been written by his manager for him to sign.
<TimRyanAA-comc...@NOSPAM.net> wrote: >----- >A note from Dr. Demento...
...
>I have loved doing this show for 37 years, and have felt incredibly >lucky to have made a living from something I love. However, unless the >show's financial situation changes soon I will be unable to continue the >show much longer.
I certainly can't argue with that. The show needs to have some kind of revenue coming in to pay, at the very least, for the licensing fees. There's no doubt that Barry's loved doing to show all these years, but he can't be expected to pay all the costs himself so that we get the music at no cost. If things don't change for him and the show sometime soon, I expect it'll be off the airways completely. The advertiser-supported business model has imploded--and that's a shame. Barry's devoted most of his life to the show, and it's certainly meant a lot to me over the years.
If I were working, instead of chronically unemployed for the last couple of years, I'd happily pay to hear the show. ($9.95 a month to hear the shows at 96kpbs would be a very reasonable price--I might even be OK with $14.95 a month.) I think it's absurd that some folks are complaining that Talonian won't give the show away.
Unfortunately, (the lack of) money is definitely a major problem for us right now. I'll go back to figuring out a way to improve the reception from our "local" station (KLOO in Corvallis, 80 miles away from our house in Portland). Our reception used to be pretty good, but dropped greatly in quality about a year ago...and I can only filter out some of the static with Goldwave. But at least KLOO has continued to carry the show each and every week, for more than seven years now.
> <TimRyanAA-comc...@NOSPAM.net> wrote: > >----- > >A note from Dr. Demento...
> ...
> >I have loved doing this show for 37 years, and have felt incredibly > >lucky to have made a living from something I love. However, unless the > >show's financial situation changes soon I will be unable to continue the > >show much longer.
> I certainly can't argue with that. The show needs to have some kind > of revenue coming in to pay, at the very least, for the licensing > fees. There's no doubt that Barry's loved doing to show all these > years, but he can't be expected to pay all the costs himself so that > we get the music at no cost. If things don't change for him and the > show sometime soon, I expect it'll be off the airways completely. The > advertiser-supported business model has imploded--and that's a shame. > Barry's devoted most of his life to the show, and it's certainly meant > a lot to me over the years.
> If I were working, instead of chronically unemployed for the last > couple of years, I'd happily pay to hear the show. ($9.95 a month to > hear the shows at 96kpbs would be a very reasonable price--I might > even be OK with $14.95 a month.) I think it's absurd that some folks > are complaining that Talonian won't give the show away.
> Unfortunately, (the lack of) money is definitely a major problem for > us right now. I'll go back to figuring out a way to improve the > reception from our "local" station (KLOO in Corvallis, 80 miles away > from our house in Portland). Our reception used to be pretty good, > but dropped greatly in quality about a year ago...and I can only > filter out some of the static with Goldwave. But at least KLOO has > continued to carry the show each and every week, for more than seven > years now.
> -- > John Lorentz (1100 shows and counting...)
I don't mind paying either. My issue is portability. I need to be able to download the show and play it on my iPod when I want to hear it, as I have said numerous times.
>I don't mind paying either. My issue is portability. I need to be able >to download the show and play it on my iPod when I want to hear it, as >I have said numerous times.
There are a large number of programs that will let someone record streaming audio and convert it to MP3 files. Goldwave (which what I use to edit audio files) will handle that with no problem, and I think that are some free software options what will handle the task also (but I've been happy with Goldwave, which I originally bought to handle the processing of the 400+ cassette tapes of Dr D shows that I used to have--they're all on CD-ROMs as MP3 files now).
Seems like he looks in on this site from time to time. And I'm glad that he confirmed my assertion that Talonian is, indeed, his corporate self, taking a bit of 'mystery' out of it all.
As a 'informed denouncer', few understand better than me the concept of getting older and then having the revenue that fed one's livelihood vanish for explainable but no less nasty reasons. As 'Talonian', he has a manager and a webmaster. Didn't they tell him the net was a way to bring his show to everybody who couldn't hear it on radio- a vast new market that should be seen as an opportunity to find new fans and reestablish contact with old ones (like me) who lost the show because of greedy corporate station owners?
There were piles of cash to be made if it was done correctly. If he had a well designed and user friendly site, hordes of new 'dementoids' would descend on it and buy all the products he could possibly think of selling- including a reliable high quality stream of the show. This would solve the problem of revenue loss elsewhere. How difficult would it have been to set up such a site if he already had qualified people to do it? Not very, I expect. Since it was done so badly, it may have been his people and not us who were 'uninformed'.
Instead of seeing the internet as an opportunity for more revenue, he saw it as a threat to the revenue that remained, turned on his fanbase by attacking sites like this one, which began as a 'tribute' site and eliminating the streams of his show either with threatened legal action or by conveniently 'forgetting' to provide new shows to stations that streamed it. A rather unethical business practice, if ever there was one. All this bad faith he was generating combined with what many see as poor service on his site has brought about the mess he's in now.
The Doctor Demento Show need not end. A few gestures of good will such as making peace with sites like this, allowing streaming again so a whole lot of fans like me can hear it and a reworking of his site- including the sale of a high quality stream or better yet, a podcast of the show (192kbps or more) could make it all commercially viable for years to come. He need only listen to his fans instead of...whoever he's listening to now, make a few adjustments and things will be fine again. It's something any good 'corporation' would do.
> >I don't mind paying either. My issue is portability. I need to be able > >to download the show and play it on my iPod when I want to hear it, as > >I have said numerous times.
> There are a large number of programs that will let someone record > streaming audio and convert it to MP3 files. Goldwave (which what I > use to edit audio files) will handle that with no problem, and I think > that are some free software options what will handle the task also > (but I've been happy with Goldwave, which I originally bought to > handle the processing of the 400+ cassette tapes of Dr D shows that I > used to have--they're all on CD-ROMs as MP3 files now).
On Oct 6, 1:03 pm, "Tim Ryan" <TimRyanAA-comc...@NOSPAM.net> wrote:
> This is now on the front page ofwww.DrDemento.com. > In the past few years advertiser support for the show has evaporated. > Therefore, though we still have some fine stations carrying the show, we > are not making enough from radio to support it.
> For that reason, we decided to launch a fee-based Internet service. We > -Dr. Demento
I think that the Dr. Demento show could become a fee-based podcast. That is the current model of internet broadcasting. I just feel that the $2 per show may be a bit too expensive. I've never subscribed to a pay-podcast before, but what _is_ a typical fee for one?
On Sun, 07 Oct 2007 04:02:06 -0700, goo...@josephsons.org wrote: >I think that the Dr. Demento show could become a fee-based podcast. >That is the current model of internet broadcasting.
Is it to be a podcast or audio on demand?
There's a difference between audio on demand and download and listen. I notice that in some cases the BBC has audio on demand with the comedy program's music and podcasts with the music removed.
One may be able to record AOD either by using something like Total Recorder which records stuff going out to the sound card or by using a packet sniffer to get the streaming URL and then using a program which can download using the various streaming mechanisms (e.g. Mass Downloader or NetTransfer)
It appears that Real Player is cacheing its streams somewhere (e.g. if you hit pause on an AOD file you may have no network activity when you are listening again) but I'm not sure how one can save the cache. I would guess that Real has tried to make this difficult.
On Oct 7, 10:44 am, peterpuck9 <peterch...@hotmail.com> wrote:
> I don't mind paying either. My issue is portability. I need to be able > to download the show and play it on my iPod when I want to hear it, as > I have said numerous times.
I didn't realise it was such an issue for many people, I have always directly saved the streams to mp3 no conversion required. You get an m3u which points to the actual mp3.
> I think that the Dr. Demento show could become a fee-based podcast. > That is the current model of internet broadcasting. > I just feel that the $2 per show may be a bit too expensive. > I've never subscribed to a pay-podcast before, but what _is_ a typical > fee for one?
$2 per show in and of itself is not that expensive for a 2-hour show.
It's the $2 per show for 24kpbs quality, and the difficulties in downloading it, that I take issue with.
Now if the podcast version was 128k, that seems more reasonable. That would be approx. 110MB, which is reasonable with today's broadband speeds. Hell, even 96k wouldn't be bad.
...though I still say that the reason why advertising is drying up is because of the "no stream" policy and the fact that many stations take issue with that. CBS Radio (back when they were Westwood One) ran into that issue a few years back, and their shows suffered and started hemmoraging affiliates because of it (case in point Tom Leykis -- I was listening to that show religiously back then, and I had a bit of inside info, which is how I noticed the issue at that time). Now that CBS Radio is allowing streaming again, they've rebounded.
Advertisers like internet exposure! If the show were to allow streaming, and pitched to advertisers as "potentially worldwide exposure" for their ads regardless of demographic, then advertisers should be busting down Talonian/Dr. D's doors to get in!