I've got a late 19th century book of quadrilles that refers to the final
figure of a set of quadrilles as the "breakdown" figure. This figure seems
to have often been a mixer. Since it was customary in those early
quadrilles for each figure to have its own tune, I would make the wild and
unscholarly guess that a lively tune was attatched to the breakdown
figure. Maybe some tunes picked up "breakdown" as part of their name from
their association with the dance figure. Now, someone with real knowledge
could step in here and breakdown my supposition.
Does anyone know of the earliest use of "breakdown" in reference to a
fiddle tune?
Bill Martin
-Gail (looking forward to a big ol "school breaking" myself!)
Jim
Harlan (har...@fc.hp.com)
wrote: : What does "breakdown" mean in old-time and bluegrass music?
: Thanks!
: Jim
: har...@fc.hp.com
You really meant to say: "uttered by Seven Foot Dilly and the Dill
Pickles and their buddies," right? ;>)
k
--
***** ****** ***** ***** ***** ***** ******
Kerry, Sheila, Mirabelle Rose & Louise Marie Blech
blec...@wolfenet.com + http://www.wolfenet.com/~blechfam
"The Old Tunes Are the Best Tunes." -- Luther Davis
: You really meant to say: "uttered by Seven Foot Dilly and the Dill
: Pickles and their buddies," right? ;>)
Oops...you're right...hit him Dilly, hit him!!
> Oops...you're right...hit him Dilly, hit him!!
I wanna hear Soldier's Joy.
I don't believe you can play it!
--
- David Lynch
dly...@mindspring.com
Check out the Old Time Music Home Page
http://www.oldtimemusic.com
"Whooooooooooo!"
--As uttered frequently by Steve Millard whenever Bruce Greene is fiddling.
: > Oops...you're right...hit him Dilly, hit him!!
: I wanna hear Soldier's Joy.
: I don't believe you can play it!
I AM playing Soldiers' Joy...now, go on, get outta here!