I'm pretty certain that you are right about improvements in D/A
conversion. My BD player seems to be one of the "improved" devices. (For
which I am very happy.)
This unit is a single-drawer machine, meaning that I must manually
change discs for playing. This brings about complications that sometimes
arise when something "special" is desired. For example:
The Beecham recording of Mozart's Entführung aus dem Serail (EMI
Références CHS 7 63715 2, two CDs -- a reissue of this exists with the
same layout, inluding the supplement of Mozart arias). Beecham moved
certain numbers around from their places in Mozart's score. (I have a
Dover score of this opera.) For instance, what to do about "Wenn der
Freude Tränen fliessen," an aria for Belmonte near the end of Act 1 ?
This item is usually moved to the start of Act 2 whenever it has been
decided to omit Belmonte's "Ich baue ganz auf deine Stärke," an
exceptionally difficult but lovely number. "Wenn der Freude Tränen
fliessen" is in its place in WAM's score in the Beecham recording, near
the end of Act 1. "Ich baue ganz" is omitted from Beecham's performance,
but there is a recording of it by Leopold Simoneau, the Belmonte of
Beecham's recording, in an appendix to CD2, found in tracks [10] to [14]
of CD2. One need only insert CD 2 and select track [12] to hear this
aria in its prescribed place in Mozart's score. Simoneau is heard
singing, but the accompaniment is provided by Orchestre du Théâtre des
Champs Elysées cond. by André Jouve. (I have no idea about the
provenance of this recording, nor of the remaining five CD tracks that
make up the supplement of Mozart arias on CD 2.) After this, one selects
track [2] to hear the remainder of the act (tracks [2]-[9]. If, however,
one wishes to hear "Wenn der Freude Tränen fliessen" near the end of Act
1, before the quartet, then, upon having heard track [22] you have to
insert CD 2 and select track [1] to hear this number, then extract CD 2
from the drawer and replace it with CD 1 and select track [23] to hear
the quartet that ends Act 1. With a CD changer, such as my McIntosh CD
changer, all this can be easily accomplished by using the player's
remote control. But "individual initiative" is required of the user if
one is hearing this recording on a single-tray BD player such as mine.
(Ah, if only Beecham had simply left well-enough alone... <g>)
BEecham also moves Konstanze's "Martern aller Arten" from Act 1, puting
it into an odd place in Act 2 (CD2, track [5]). To hear this one in its
correct place in Act 1, after hearing CD1, track [16], Konstanze's
"Traurigkeit," one takes CD1 out of the tray and places CD2 into it,
whereupon one selects CD2, track [5] to hear this great bravura aria.
Projects such as the one described above do tend to make life more
"interesting", but there is also the option of just playing the CDs as
they exist and enjoying them. --E.A.C.
David Fox <
davidf...@yahoo.com> wrote:
> D/A conversion has come a huge way in the past 20 years. It has
> significantly improved in the last ten. Chipsets/-algorithms that were the
> exclusive domain of high-end expensive equipment only a few years ago are
> now mass-produced and available for pennies. Your BD player most likely
> has a far superior D/A converter than do your older dedicated CD players.
> The same goes for relatively recent A/V receivers. They have the same
> modern D/A chips. Only a few years ago, it took research to find decent
> D/A conversion with inexpensive audio components. Now it's hard to find bad
> performance.
--
hrabanus