Miriam Licette - soprano
Muriel Brunskill - alto
Hubert Eisdell - tenor
Harold Williams - bass
Recorded by Columbia in their Petty France studio on March 16 and 17,
1926
There is a fair amount of surface noise from this set, I used an
equalizer sparingly while copying the discs, but I think that the ear
quickly adjusts to this. Enjoy
Greg
Greg - Thanks so much for posting this important set. Listening now as
I type. I have an old Japanese LP of this, but have not heard it in
years, and I don't remember it sounding so clear.
We appreciate the effort on this, especially the pitch problems that
so many early Columbias had.
- Bill
Bill,
Many thanks for your kind words. You mentioned this performance on
your Coates post, thought it would be interesting to compare
performances. I'll be posting more of these Columbia Beethoven
symphonies in the future. Thanks again,
Greg
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
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To write to me, do for my address what Androcles did for the lion
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I don't have it in my collection, but I know where I can find a copy.
The flip side is the Fire Music from Walkure - I think.
> On Oct 19, 4:15 pm, "Matthew B. Tepper" <oyþ@earthlink.net> wrote:
>> A fascinating performance indeed, which I've already had in some earlier
>> editions on LP and CD. By any chance, would you have the "Arlésienne"
>> excerpts Weingartner recorded for American Columbia in 1914?
>
> I don't have it in my collection, but I know where I can find a copy.
> The flip side is the Fire Music from Walkure - I think.
That would be great if you could transfer and share it here. The "Walküre"
excerpt is a much lower priority, in my opinion -- it was on one of those
Columbia "The Sound of Genius" compilation LPs, and is presently available on
an Arbiter CD.
--
Matthew B. Tepper: WWW, science fiction, classical music, ducks!
My personal home page -- http://home.earthlink.net/~oy/index.html
My main music page --- http://home.earthlink.net/~oy/berlioz.html
Some US pressings of this are cleaner than others.I own one from the
late 30s,that sounds a lot better than the (black) one I heard from
the Viva-Tonal era.I have some blue shellacs on Weingartner,but this
ain't one of them.I recently bought the 1950 Lp transfer of the Brahms
#2,also quite good,but my favorite Weingartner disc ,is my Lp test
pressing of the "Hammerklavier" orchestrations.I've bookmarked
this,and will download it when I can,to see how you did on it.
Roger