On Sep 29, 12:23 pm, "Alphonsus Jr." <
alphonsu...@gmail.com> wrote:
>
> Greetings Larry! Yes, I'm back. And I've gone back to the beginning,
> so doing tremolo will be down the road a ways. But many thanks for thinking of me.
If you stick with it you can have a workable tremolo is less time
than the time since you started writing here. The bad news is there
are no short cuts, and that's good news! You can't cheat to get it nor
can you buy it but you own it like nothing you can buy. Of course this
idea is not new but the truth is that few will do the time and never
find what Hii talks about, how it is a feeling that can be used for
more than just tremolo.
A NYC Cgist visited the island a while back and asked how I did the
nice cross string trills. I asked if he could do a tremolo and he said
no. I said it would be trivial if his tremolo was good. He had a 4
year CG degree and was working on his masters in music education. What
I'm doing is what he wants to do but I think it was a bit of a shock
to find out what the reality of teaching here is like.
From what I have seen in intermediate CGists it seems that many
think they can think their way to a good tremolo and just do not know
how much work it is to find that feeling and sustain the effect then
use it for other things like trills.
In any case, I wish you well on your CG quest and I'm sure your CG
teacher is glad you are willing to do it right this time.