On 24 May 2012, "RichL" <
rple...@yahoo.com> wrote in
rec.music.beatles:
> This is what throws me off when I try playing the song with the
> d-u-d-u-d-u pattern. If my foot comes down on beat one while
> playing a downstroke, it wants to come down other times when I'm
> playing a downstroke.
So... tap your foot half as fast, 1 and 3.
> Using a d-d-u-d-d-u pattern makes it easier
> for me to keep my foot in sync with my playing, but then the
> playing is awkward as all hell.
That would be much too hard for me. There's not enough time to get into
position for the second downstroke. The whole relaxed jangadajangada
thing depends on constant up and downs. Otherwise I think it would
sound stiff and uneven.
> Honestly, if I'm singing the song in addition to playing it, I'll
> simply skip the "2" in your above count. Down - (skip) - up -
> down - (skip) - up. Like a shuffle rhythm.
Cheater! You're not the only one, though - I saw another amateur clip
on youtube where they did that, too. I think it's a reasonable musical
solution to the problem. I still prefer the jangadajangada.