Does anybody of you knows a way to paint drawings on a white (or light
coloured) ripstop ? I have tried several paints in spray but the problem is
that the colour is only visible by reflexion and not by transmission i.e. my
drawing is not visible anymore when my kite is flying and the sun (at least
the light ...) passing through ! With a permanent marker, it is better but I
cannot make drawings with shades and interleaving colours ... If any of you
have experienced something (easyly available for a "non-pro") and that stands
water, I would be glad to know it ! Thanks
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Check out http://www.xs4all.nl/~pdj/transfer.htm
I've absolutely no experience with the technique described here, and it's
not exactly painting, but mayby worth a try anyway!
Best Winds!
SvenA
PS
Please let me know the result if you try this!
Be careful with it: I've had several mails from ppl that had problems
with it: small things as logo's are no problem most of the time, but
larger pictures are.
It can be done, but it's very tricky.
Best way is if you can persuade some shop that has a press for making
T shirt transfers to do it for you: but most of them are reluctant to
put ripstop in a heated press....
Back to the original question:
In a german kitemag they recommended the following:
(quote from a 1995 posting to rec.kites)
In the German " Drachen Magazine" ( 3/93 ) there was an article on
painting ripstop. They mentioned an idea from Chris Dunlop (US- Is he
on the net somewhwere? ) who uses a paint that is normally used on
flowers ( Brandname: Master Professional Color Tool - apperantly
available in spraycans in the US )
For Europe they offered Oasis colors ( also spraycans ) as an
aternative. I didn't try those myself but judging from the article it
works well.
Colors stay transparent with those...
Regards, Peter
Peter de Jong <p...@xs4all.nl>
A&F Custom Kites Werkhoven NL
For kitebuilding tips: <http://www.xs4all.nl/~pdj>
Verlin
ddk...@pop.spkn.uswest.net
mart...@webtv.net
--
Verlin & Carol
Delirious Delusion Custom Kites
http://members.tripod.com/~verlin/index.html
List Your Kite Page With D.D. Kites
http://members.tripod.com/~verlin/links.html
Sometimes as an accent to a piece:
http://www.kite.com/kite/kitepics/carl/cdeck01.jpg
Sometimes as a texturing tool to create an effect:
http://www.kite.com/kite/kitepics/carl/pntsaint.jpg
http://www.kite.com/kite/kitepics/carl/pntsode1.jpg
http://www.kite.com/kite/kitepics/carl/tiefight.jpg
I have also done some work with my own system. I do not recommend it
to others as it is quite toxic. It is not too difficult to develop
your own painting technique, and in the process you have created a new
and original look to your work.
You will need to select a paint that is flexible when dry, and a
solvent that will allow it to penetrate the coating on the fabric you
are using. My solution was to build a painting technique effectively
paints the coating of ripstop and not the nylon or polyester fibers.
It was much easier (for me) to get pigment to bind to the coating than
the structural material.
Experiment with pigments and solvents and you will end up with
something that works for you.
-carl
----------------
Carl D. Crowell
www.kite.com
ccro...@kite.com
> Does anybody of you knows a way to paint drawings on a white (or light
> coloured) ripstop ?
<snip>
There was(is?) a periodical published by the AKA called Airborn Art
News. The issues go into a lot of detail about painting and dying
ripstop. I haven't seen it in a while but I assume it's still going out
several times a year.
If you want translucence acid dyes such as Jacquard are probably the way
to go. I think that's Anne Sloboda uses on her art kites. They are
amazing.
The recommended sprays that I recall were the floral paints called
Design Master. I've tried the Design Master stuff and it works fairly
well.
If you want more info contact the AKA or I can probably come up with an
email address or two that work in these mediums.
-Buck
http://users.bigpond.net.au/aka/pb2.gif shows a quadline King of Diamonds I
made using DM. No appreciable reduction in strength of the fabric, but the
templates I made to do the spraying took ages to get organised. Since then
I've also made several butterfiles, using either one or several colours. I
have found that 1 colour actually works better when viewed from a distance.
Peter
sey...@my-dejanews.com wrote in message <6vso28$p05$1...@nnrp1.dejanews.com>...
>Hi any kite builder,
>
>Does anybody of you knows a way to paint drawings on a white (or light