The C42 was intended for more distant pickups than close-up. I think
that the flatttering comparisons people have made with respect to the
KM84 might be due to the C42's excellent off-axis response tracking,
which is what we were aiming for. It is definitely a brighter sound
than the KM84, particularly close-up, and might be too bright for
some people. EQ helps. But really we were intending it for more distant
pickups like ensemble work, overall stereo pickups, drum overheads, etc.
and in this application the slight HF boost on-axis makes the whole
stereo picture sound more balanced.
--
Josephson Engineering / Santa Cruz CA / www.josephson.com
If you try thm out in that app I would love to hear what you think of em.
Garth~
"I think the fact that music can come up a wire is a miracle."
Ed Cherney
I would say the C42s are brighter than the KM184s, particularly in a
close mic setting (18" to 2').
--
Stephen Boyke
Oops...I think we're hijacking BACK the thread. Sorry: no comment on the
drum OH application.
Regards,
George Reiswig
Song of the River Music
"Stephen Boyke" <sdels...@comcast.net> wrote in message
news:BC353656.83A11%sdels...@comcast.net...
I have a C42 that I am getting ready to try out for our next project,
which is an acoustic/bluegrass/folk album. I usually close mic my
guitar (12-14th fret, 6-8" out with mic aimed toward sound hole). I
realize that experimentation will ultimately tell the story, but are
you suggesting trying the mic further out may give better results? I
stereo mic and have tried my Soundelux U195 at about 18" out in front
of the guitar with my other SD mic close miced.
Thanks.
Tim T
When I say "bright," I think a bump between maybe 4kHz and 8kHz. Someone
else might think bright applies to something around 2kHz. Big difference.
George Reiswig
Song of the River Music
"chetatkinsdiet" <mwood5...@yahoo.com> wrote in message
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mwood5...@yahoo.com (chetatkinsdiet) wrote in message news:<de2778.04012...@posting.google.com>...