On 08-02-2012 19:30, Ty Ford wrote:
> On Mon, 6 Feb 2012 23:04:39 -0500, hmm wrote
> (in article<jgq7t0$ngb$
1...@speranza.aioe.org>):
>
>> Hi I don't know if it is the right place to ask so please tell med where
>> to ask if this is the wrong place
>>
>> I need a boom pole fore ENG-recording on the fly, it have to bee stored
>> on my backpack and take a beating on the job
>>
>> what about K-tek 79ccr or Rycote A5 or any better?
>>
>> What shock mount can hold both my k6/me66 or EV-re50?
>>
>>
>> Best regards
>> hmm
>
> How much pole to you need?
>
> If you're only doing run& gun, probably a 9 or 12 footer will do.
>
> I got a 16 foot carbon fiber K-tek, because I do different things and wanted
> a light pole with a big reach. With 16:9 studio shots, I can still lock down
> my pole in a stand, reach the talent and still be out of frame.
>
> I have a shorter K-tek, a 9 footer with internal cord that collapses small
> enough to put in carry on luggage, but I've never used it.
>
> Regards,
>
> Ty Ford
>
> Regards,
>
> Ty Ford
>
> --Audio Equipment Reviews Audio Production Services
> Acting and Voiceover Demos
http://www.tyford.com
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http://www.youtube.com/watch?v=yWaPRHMGhGA
>
Hi
It is for the moments where you have to record sound from a hard to
reach source, like a person surrounded by journalists ;-)
Or places where you just want the extra space or want to get the mike
above a crowd, but i have to put it on my backpack and maybe running
whit it so i don't want it to get cough in anything while on my back.
The best would be a 1 foot to 20 feet but i don't exists.
About the shock mount, I have to change the mike wary fast and have to
have a 22.5 mm/Ø to 25.4 mm/Ø mike on it
Regards Hmm