Ubiquitous sent the following on 5/7/2013 4:19 AM:
> What did you watch?
WAREHOUSE 13 (SYFY, 9 PM) / Parks and Rehabilitation
[Pete and Claudia investigate a series of earthquake-related accidents.]
A dude in Oregon gets swallowed up by the ground courtesy of an unseen
bad guy with an artifact, and Pete and Claudia get to the scene before
the body has even been pulled from the ground. I'm telling you, that's
some speedy transport that they have going on for them. But I'm kinda
glad for it, because it had me thinking about something other than what
a stupid jackhat Pete was being once again. Ugh. Just painful stuff to
see and hear. Again, who in the world thinks that that's a good way for
the character to be behaving? Oh, well. Back to the story. We hear about
tearing up the forest for cellphone towers as if cellphone towers can't
be added without doing the tearing up. We learn that Ranger Rick landed
a federal job despite a criminal background, and he did it by simply
changing his name. Nice background check there. And his motivation is
ultimately beyond stupid. "I loved him and I stuck a knife in him," says
the one eco-chick to Claudia, in reference to Ranger Rick's brother in
what was surely supposed to be a script moment of extreme profundity.
And what the heck, for this show ... it probably was. Back at the
warehouse, Artie is acting like an idiot in stereotypical ways
associated with loss, so the quality of the writing is no better in that
part of the story. And we learn that Steve and his calm calmness are a
good (and calm) replacement for Leena's previous ... calm. And Artie
finally listens to Leena's prerecorded I-know-the-risks message and it's
all okay now, as if he didn't already know everything he needed to know
before playing that message. Bottom line: making Pete "funny" is a bad
idea. Making Claudia serious is arguably a worse idea. And making Artie
mope and be a downer isn't entertaining (even though he has the chops to
pull it off to at least some degree).
Grade: D+
BATES MOTEL (A&E, 9 PM) / A Boy and His Dog
[A mysterious stranger causes problems for Norma; Bradley is not happy
when rumors spread at school; Dylan and Remo go on a fateful road trip;
Norman takes up a grisly hobby.]
We learn that our little town is apparently not too little to have its
own newspaper. In this day and age? Huh. Go figure. So who did the due
diligence for Norma when she bought the hotel? Did she not have a lawyer
handling the transaction? Because if there *was* a lawyer, I know whose
feet *I'd* be holding over the fire right about now if I were Norma. On
another front, Norman takes up taxidermy and has Scraps stuffed. So now
it's still an annoying little lap dog, but at least it's much quieter,
so it has that going for it. Emma spreads the news that Bradley rattled
the headboard with Norman. As a result, Bradley gets upset with Norman.
As a result, Norman gets upset with Emma. As a result, Emma apologizes
and hugs Norman and tells him that, of all things, she feels safe with
him. HAHAHAHAHAHAHAHA. Ahem. In other "go figure" news, school reps
determine that Norman needs therapy, so ... Norma runs away. Then, in a
session with both Norman and Mother, it takes the therapist about .0001
nanoseconds to determine the problem and voice it, so ... Norma runs
away. Later, Norma follows the wackadude from #9, who in turn catches
her stalking him, so ... Norma runs away. And this one had me LOL'ing.
Honestly, there are times when I think that this show is just a parody.
Or at least they're directing [the Norma actress] to play it as one.
Elsewhere, Dylan is off to pick up some "trimmers" who will process the
pot that's being grown in Twin Pines. Or wherever we are. Along the way,
he gets into a bar fight with his new partner, who just may have an
alcohol problem. Then they bond. Then Dylan deals with an over-aged
guitar-playing hippie in the best way there is to deal with a over-aged
guitar-playing hippie: by ditching him on the side of the road. Works
for me! (And made me think of Bluto and ANIMAL HOUSE for a moment.) Back
on the home front, Norma crosses paths with #9 guy at the hotel again,
so ... Norma runs away. Again. Then a beat-up Dylan brings the vanload
of trimmers to the hotel and Norma is so happy for the business that she
doesn't even ask about Dylan's facial souvenirs from the bar fight.
Gotta love that maternal instinct. But she did offer to take him to
dinner (since Norman was off two-timing her with that Emma slut, and all
that). All in all, I'm still having fun with this show, but it's getting
harder and harder to take it seriously. So it's more ha ha fun than
creepy fun. There are just so many things coming out of left field (I'm
seeing shades of LOST and it's early tendencies to throw all sorts of
things at the wall) and there are too many scenes that are coming across
more as parody than as anything remotely serious or scary to me.
Grade: B-