anim8rFSK sent the following on 5/22/2013 7:39 PM:
> In article <kniv45$e5r$
1...@dont-email.me>,
> "Jim G." <jimg...@geemail.com.invalid> wrote:
>
>> Ubiquitous sent the following on 5/21/2013 4:39 AM:
>>> What did you watch?
>>
>> WAREHOUSE 13 (SYFY, 9 PM) / The Sky's the Limit
>> [Mrs. Frederic introduces Artie to Abigail Chow, the new B&B manager.]
>>
>> This week, Pete and Myka hear about a weird death in Las Vegas and get
>> from South Dakota to the scene before investigators are even done
>> interviewing witnesses at that scene. Amazing. Just amazing. That's just
>> a very speedy jet, or something. And their investigation turns up a
>> granddaughter who is using an artifact
>
> That despite them knowing what it is, and despite her having a chain
> holding in in her decolletage, pointing right at it, it never occurs to
> either of them where it's hiding ...
You're not suggesting that Pete and Myka are dense, are you?
> to put some magic in the life of
>> her beloved and aging and in-need-of-a-boost grandfather. The best part
>> of that story line
>
> was the granddaughters legs
I had to look her up to see where I remembered her from. She played the
seriously cute Eden in the first season of HEROES.
> was the awesome deadpan face that Myka gave Pete when
>> Pete "offered" to spend a few days investigating the strip club side of
>> the story. But for the most part, Pete was back to being stupid and
>> annoying Pete.
>
> oh yes
>
> BTW, I know you liked last week's monochrome adventure, but did it
> bother you at all that the solution to escaping came from one of Pete's
> stupid hunches? I keep hoping they forgot about those ...
I also liked how one of them (Pete?) pointed out to the other one what
they needed to do, and that if they didn't do it, then they'd be trapped
there forever. Then, just minutes later, the other one (Myka?) pointed
out the same thing to the other one. Because, you know, the audience is
too stupid to grasp the danger without it being pointed out *twice* in
rapid succession by the two of them. Let's dumb it down, and then dumb
it down some more.
> Elsewhere, Claudia and Jinks are off in London checking
>> out the local horseracing scene and some dead jockeys.
>
> They got there in the same amount of time it took P&M to get to Vega$.
Maybe, but it's not as obvious when there's not crime scene tape and
cops in the background who are pretending to interview witnesses.
> Meanwhile the big Evol of the season is both sitting outside the
> Warehouse in a car in plain sight watching it with binoculars, which
> flags *no* security checks in any way, and bumping into Claudia in
> England (having apparently just eaten the entire craft services table
> herself, see below) so either she can be in two places at one time, or
> she's got a teleporter too)
She was in both places? I missed that.
> This one had an
>> artifact user whose motives were a bit over the top.
>
> I dunno; sucking the adrenaline out of people hurting animals doesn't
> seem to be that big a deal. Did they ever explain the origin of his
> artifact?
>
> And back at the
>> warehouse, Mrs. F. has a pshrink take over the B&B so that she can do
>
> An incredibly hot pshrink
That never hurts. :)
>> some work on/with Artie, who still can't seem to grasp that he wasn't
>> responsible for what he was doing while under the earlier influence of
>
> nor will he ever
It's just been an incredibly lame and stupid and overwrought story line
for far too long already. Leena's dead, Artie. You--the real *you*
you--didn't do it. So get the hell over it already. You're not that
stupid. Miss her terribly, sure. I'd expect that. Be angry and bitter
about it, sure. I'd expect that, too. But this self-imposed guilt?
Completely bogus and incredibly stupid.
>> an artifact. Yeah, this story line is annoying me already. Not that I
>> expect Artie to just forget about it and move on, but because they're
>> going *way* too far the other way with it, and Artie just isn't that
>> stupid. Or wasn't, at least not until this stupid story line.
>
> yep
>
> And on an
>> unrelated note, Scagliotti needs to back away from the commissary
>> goodies on set. She's way to young to have the lower half of a
>> 50-year-old woman who has given birth five times.
>
> Meow!
Well, like I often say, TV and movies are a visual medium, and she got
the role at least in part by looking young and appealing. And looking
like someone surgically replaced your bottom half with the bottom half
of a much thicker woman is probably not a good thing for her.