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Message from discussion Quickly fixing science fiction
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Robert Carnegie  
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 More options Oct 10 2012, 9:24 am
Newsgroups: rec.arts.sf.written
From: Robert Carnegie <rja.carne...@excite.com>
Date: Wed, 10 Oct 2012 06:24:53 -0700 (PDT)
Local: Wed, Oct 10 2012 9:24 am
Subject: Re: Quickly fixing science fiction

On Tuesday, October 9, 2012 8:38:28 PM UTC+1, James Nicoll wrote:
> I got sent something from one of my mystery editors that was all about
> the complicated relationships adults can find themselves in. The failure
> for any crime to materialize early on added considerably to the tension
> as it looked like it was building to an enormous trainwreck of carnage
> and needless tragedy or at least it would have been building to that
> had it actually been a mystery and not a mainstream novel about the
> complicated relationships adults can find themselves in. It was engaging
> but in my case only because I was reading it as the wrong genre.

All of us here have similar expectations when /you/ tell a story...

If a mystery story or science-fiction story or superhero story
doesn't have characters' wellbeing and expectations on display
at /all/, then it's an abstract thing that many readers will
find unsatisfactory.  But if the story is /mainly/ about something
else, then those elements can be sketched in, just as we don't
need to know very much about how the spaceship's faster-than-light
engine works.  A moderately experienced reader can imagine the
parts that aren't in detail, or, at least, recognises how they count.
Or, a story can put the personal feelings in foreground and even
just sketch in the mystery or sci-fi stuff.  And after all, if
we're preparing ourselves to go live in the future, or to acquire
super-powers - or, for many of us, we've already done at least the
first of those - it's also important to explore how that's going
to /feel/.


 
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