Account Options

  1. Sign in
The old Google Groups will be going away soon, but your browser is incompatible with the new version.
Google Groups Home
« Groups Home
Message from discussion Syfy's "Warehouse 13," "Alphas" season premiere ratings
The group you are posting to is a Usenet group. Messages posted to this group will make your email address visible to anyone on the Internet.
Your reply message has not been sent.
Your post was successful
 
From:
To:
Cc:
Followup To:
Add Cc | Add Followup-to | Edit Subject
Subject:
Validation:
For verification purposes please type the characters you see in the picture below or the numbers you hear by clicking the accessibility icon. Listen and type the numbers you hear
 
Jim G.  
View profile  
 More options Aug 1 2012, 4:02 pm
Newsgroups: rec.arts.tv, rec.arts.sf.tv
From: Jim G. <jimgy...@geemail.com.invalid>
Date: Wed, 01 Aug 2012 15:02:10 -0500
Local: Wed, Aug 1 2012 4:02 pm
Subject: Re: Syfy's "Warehouse 13," "Alphas" season premiere ratings
shawn sent the following on Mon, 30 Jul 2012 17:14:46 -0400:

> On Mon, 30 Jul 2012 14:35:47 -0500, Jim G.
> <jimgy...@geemail.com.invalid> wrote:

> >Rob Jensen sent the following on Sat, 28 Jul 2012 18:21:16 -0500:
> >> On Sat, 28 Jul 2012 15:37:30 -0500, Jim G.
> >> <jimgy...@geemail.com.invalid> wrote:

> >> >Rob Jensen sent the following on Thu, 26 Jul 2012 18:24:38 -0500:
> >> >> On Thu, 26 Jul 2012 14:00:45 -0500, Jim G.
> >> >> <jimgy...@geemail.com.invalid> wrote:

> >> >> >In any case, even at the correct count of 1.13M, my point stands with
> >> >> >regard to Syfy's decision-making. They seem far more interested in costs
> >> >> >than in income these days.

> >> >> Keep in mind that no basic cable channel (or advertiser) gives a shit
> >> >> about total viewers. All they care about is the target demos.

> >> >When you start out with 1.13M *total* viewers, aren't you already in
> >> >trouble even if 100% of your audience is in a target demo?

> >> Not these days. Keep in mind, too, that SyFy owns Warehouse 13 (which
> >> *is* high-rated) and Alphas.

> >EUREKA wasn't owned by Syfy?

> >> Shows that the given channel
> >> owns/produces itself have a lower threshhold for profitability because
> >> the channel isn't sharing any of the profits -- not just from the
> >> original broadcasts of the episodes, but also from all the ancillary
> >> revenue streams such as DVD and foreign -- with an outside studio.

> >> I know that because Eureka *was* cancelled due to its enormous (for
> >> basic cable) budget

> >I keep hearing that, but it's not as if Syfy has ever shared payroll
> >numbers with the audience, or anything. Are you basing this on
> >scuttlebutt, or on something legitimate that you read in a reputable
> >source?

> I certainly don't have any inside information but it is possible that
> the salaries had gone up some just due to the series being in the
> fifth season. Obviously they couldn't demand the huge bumps that
> someone on a #1 show could get but I could see them requesting more
> than what they had been getting just for being jerked around (off air
> for 1.5 years) the way SyFy did.

Yeah, but I guess it's also true that they sorta screwed *themselves*
over even before Syfy got in on the act. IIRC, Salli Whatshername got
pregnant in real life, and essentially the entire cast and crew offered
to delay some things until after she had the baby. (At least I think
that it was entirely voluntary on the part of everyone.) Then, after and
on *top* of that, Syfy started to split up "seasons" into two parts for
some asinine reason. It's amazing that the show retained *any* viewer
interest after all of that.

> >> despite its being SyFy's highest-rated show makes
> >> it seem like budget is the *only* thing that the channel looks at,
> >> but, c'mon, Eureka also had a relatively large cast of both leads and
> >> recurrings (keep in mind, too, that both Wil Wheaton and Felicia Day
> >> were regulars -- despite however they were credited -- in seasons 4,
> >> 4.5 and 5).

> >Yeah, I mentioned soon after the start of the final season that the
> >EUREKA folks weren't doing themselves any survival favors by adding cast
> >members and jacking up the effects budget (as seemed to be the case).
> >That's why, especially after the final horrid (but visually impressive)
> >season, I realized that it was almost as if they were *begging* to be
> >dropped. It's not a good combo when the writing quality nosedives even
> >as the expenses rise. And, frankly, I've never been a fan of what I call
> >"stunt casting," which in this case meant the addition of fanboi faves
> >Wheaton and Day--and especially Day, who sucked from start to finish.
> >(Or maybe it was mostly her Holly character, but either way she sucked.)

> Stunt casting isn't a bad thing if the casting is good. I didn't have
> a problem with Wheaton showing up as a nemesis for Fargo when it was a
> one off thing. Even having him show up a couple times a season
> wouldn't be bad, but adding him in as a regular cast member messed
> with the cast dynamics in a way that didn't work well for me.

He didn't bother me as much since he was a good foil as a character and
a relatively good actor--although his limited shtick and range were
becoming evident as he spreads himself around a bit on different
projects, including EUREKA (unless all of those projects have wanted the
Exact Same Character).

> >> Even if we were to speculate for the sake of argument that W13 and
> >> Eureka have the same VFX budget this year (and IMO, W13 is still
> >> cheaper in that department because the effects of the various
> >> artifacts are largely based on altering characters' behavior than
> >> manifesting as a VFX), the overhead for the talent on Eureka was quite
> >> large.

> >Then write out the actors who insist on trying to break the budget when
> >contract time rolls around. The show survived and did well after Stark
> >left, after all, and he was clearly a major player at the time. Heck,
> >sometimes a change in cast also gives the writers a chance to change
> >direction in certain ways, which itself can keep a show fresh. For
> >example, I would have hated to see them write off Carter, but I could
> >also see how someone new in place of Carter would give them a chance to
> >break away from the somewhat tired pattern of the the dumb-but-nice guy
> >who saves the day every week.

> I don't think he means that someone was requesting a huge bump in
> salary. More likely it's just due to the sheer numbers of people on
> the show. Think about how many people showed up in just about every
> episode plus all of the cast they had in the background. That large
> cast would create a large budget even if they were just getting scale
> (especially by the fifth season since scale salaries go up as the
> years go by.)

Looking at things again, I'm not so sure that the cast *did* increase
all that much. Yes, they added Wheaton and Day, but they also dropped
Zoe and all but dropped Vincent, and they ditched Beverly for quite a
while, and so on...

At the same time, it wouldn't surprise me to learn that everyone was
initially contracted for five "seasons," which would explain some of the
cutesy stuff with season numbering *and* would also explain why Syfy was
looking at some payroll hikes if they committed to a season six. And
given how bad seasons four and five were...

> >In short, there is no need to kill the entire show--and certainly no
> >need to *expand* the cast--if payroll is becoming a concern.

> Very true. Smart writing can avoid a huge regular cast.

I'll have to compare "regular" cast credits from the pilot to "regulars"
in the final season and see if the number jumped significantly. I
suspect that a lot of 'em were "also starring" or less throughout the
show's run.

--
Jim G. | Waukesha, WI
"You will create an evil of your own making." -- Knights Templar Grandmaster Data


 
You must Sign in before you can post messages.
To post a message you must first join this group.
Please update your nickname on the subscription settings page before posting.
You do not have the permission required to post.