Not only is it on VHS, the versions I have rented have been letterboxed
so that the entire frame fits on the TV screen. The letterboxing is very
slight since the movie was not shot in widescreen format, but it is
there nonetheless. Check it out.
----------------------------------------------------------------------------
Joe Charles, cha...@sunshine.Kodak.com, | "I wanna eat an' go home!"--A kid
Eastman Kodak Co., Rochester, New York | I walked by at Disneyworld in '83
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AAAAAAARRRRRRGGGGGGGGRRRRRRRRRRFFFFFFFNNNNNNGGGGGGGG!!!!!
(Sounds of British newsreaders gnashing teeth in envy at Americans who
actually have (legal) access to this sort of thing. Yes, I do know why, but
that doesn`t mean I can`t get extremely annoyed about it...)
--
And these are the words of a supposedly literate student of
English Literature at the University of Warwick...
-------------------------------------------------------------------------------
Paul Hardy/en...@csv.warwick.ac.uk/Willoughby Withnail or Bacchus of the N.T.B.
At midnight (tonight, friday sep. 10) I am going to watch A Clockwork Orange at
the cinema.
--
Yes it's true! I'm really Thomas Skogestad! Wow!
Try me at tho...@kjemi.unit.no
NUKE NORWAY.
(bloody foreigners, able to watch a quintissentially British film when real
live Britons can`t. Grrrrr)
Clockwork Orange is supposed to be a statement about violence and individual
freedom. I wonder whther most people get the message.
I know for sure that in my local art cinema, most viewers of "The Wall"
think of it as just a nice music video, with no message at all.
Many of them just go to see the movie so they can cheer during the
credits....
Alex
--
Alex Lopez-Ortiz alop...@maytag.UWaterloo.ca
Department of Computer Science University of Waterloo
Waterloo, Ontario Canada
> In article <1993Sep10.1...@ugle.unit.no>,
> tho...@kjemi.unit.no (Thomas Skogestad . Kjemiteknikk) writes:
> >At midnight (tonight, friday sep. 10) I am going to watch A Clockwork Orange
> >at the cinema.
>
> NUKE NORWAY.
>
> (bloody foreigners, able to watch a quintissentially British film when real
> live Britons can`t. Grrrrr)
>
> --
Hey, I thought that the movie was never going to be released for T.V. in
whatever shape or form,
or on video. I imagine the version our friend from norway has seen may be a
illicit copy.
That sort of movie has an impact that is definately not for the young.
When it first came here the it was an R21 then in 1991 it was R20 then in
1992 R18 and that
in my mind is where it should be.
> In article <26qjka$i...@garlic.csv.warwick.ac.uk>, en...@csv.warwick.ac.uk
> (Mr P R Hardy) wrote:
>
> > tho...@kjemi.unit.no (Thomas Skogestad . Kjemiteknikk) writes:
> > >At midnight (tonight, friday sep. 10) I am going to watch A Clockwork Orange
> > >at the cinema.
> >
> > (bloody foreigners, able to watch a quintissentially British film when real
> > live Britons can`t. Grrrrr)
>
> Hey, I thought that the movie was never going to be released for T.V. in
> whatever shape or form,
> or on video. I imagine the version our friend from norway has seen may be a
> illicit copy.
Errm, he said "AT THE CINEMA". Next!
-----------------------------------------------------------------------------
Anthony Horan, Melbourne Australia - ant...@xymox.apana.org.au
"I kind of feel like I'm Metallica..."
- Tori Amos on the perils of long tours, November 1992
-----------------------------------------------------------------------------
> > Hey, I thought that the movie was never going to be released for T.V. in
> > whatever shape or form,
> > or on video. I imagine the version our friend from norway has seen may be a
> > illicit copy.
> Errm, he said "AT THE CINEMA". Next!
And I can definitely say that the German pay tv channel "Premiere" is currently
showing ACO...
-- Juergen Weinelt, Germany
o _ j...@sun.rz.uni-wuerzburg.de (preferred)
| (_) \/\/ j...@hcast.adsp.sub.org
' j...@hcast.franken.de
And I can definitely say that I've seen "A Clockwork Orange" on TV in
the USA and on video (both rented and privately owned copies) here in
Norway. Plus, it was just shown in the theater here in town this
weekend... so nyaah, nyaah, nyaah... :-P
-Leif.
--
Leif Kj{\o}nn{\o}y (in LaTex-ese, that is). lei...@lise.unit.no
GS d- -p+ c++ l m* s++/++ g+/- w+ t- r++ (x+) (GeekCode version 0.3)
Save the Whales -- from Greenpeace. Trust noone, keep your harpoon handy.
Cerebus for Dictator!
My 2 lire:
"8 1/2" and "La Dolce Vita" (Fellini, early '60s)
two absolute Fellini classics with the incomparable Marcello M.
Required viewing.
"Swept Away" (Lina Wertmuller, mid-'70s)
a working-class communist man and an arrogant aristocratic woman get
stuck on a desert island together. Lots of gender- and class-warfare.
Lots of sex. I actually find this movie very, very funny. Might spark a
heated discussion on gender roles, depending whom you see it with.
"Seven Beauties" (Lina W. again)
Much more somber than "Swept Away", it's about a street hood who
joins the army in WWII and gets captured by the Germans. He will do
ANYTHING to survive, no matter what the cost to his pride.
"The Bicycle Thief" (Vittorio DeSica, late '40s)
An unemployed man struggling to feed his family is offered a job (and
hence dignity) for which he must have a bicycle. Then the bicycle is
stolen, and he combs the city searching for it. Devastating. THE classic
of Italian neo-Realism.
"Umberto D." (DeSica again)
About a little old man who is alone except for his dog. Would make an
excellent but EXTREMELY depressing double feature with "Bicycle Thief".
Another neo-Realist classic.
"Roma, Citta Aperta" (Roberto Rossellini, mid-'40s)
AKA "Rome, Open City" or just "Open City".
Shot during wartime, almost documentary-style, about a group of
anti-Fascist resisters. Another classic of early Italian cinema.
IMHO avoid anything by Pier Paolo Pasolini. Some think he was a genius, I
just think he's proof that poets shouldn't make movies.
I recently rented Lucino Visconti's "The Damned" (about early Nazis) which
I found very flawed but compelling. Several years ago I saw his "Ludwig"
which was certainly more polished but, at about 4 hours long, quite a
bore. Does anyone know why Visconti seems drawn to German subjects? (I am
thinking also of his filming of "Death in Venice"). *k*
--
-----------------
Kristen Mirenda
mir...@panix.com
"Only connect..."
And for us fellow Brits, I have access to a NTSC-PAL converter.... ;-)
--
Andrew Wong.................................E-mail: C.H.A...@bradford.ac.uk
-----x-----
Available for after-dinner functions, bar mitzvahs, desktop publishing,
karoke nights, computer graphics, escort services and much much more.
'Volere Volare' is relatively new, from the same crew who made 'The Icicle
Thief'. It's reminiscent of Roger Rabbit in the use of live action mixed
with animation, but instead looks at the effect turning into a 'toon has
on a human being. Although I didn't like it, the friends I saw it with
loved it lots, so I don't dismiss it at all.
Wasn't 'The Seventh Seal' Italian? I haven't seen it, but it's supposed
to be the best film ever made.
Then watch "Icicle Thief" a most interesting takeoff from this movie. Was "Diva"
Italian? Even if it wasn't you should check it out.
-------------------------------------------------------------------------------
Bob Erkamp A L B E R T A
--> It Could Happen <-- R E S E A R C H
erk...@arc.ab.ca C O U N C I L
-------------------------------------------------------------------------------
>>"The Bicycle Thief" (Vittorio DeSica, late '40s)
>> An unemployed man struggling to feed his family is offered a job (and
>> hence dignity) for which he must have a bicycle. Then the bicycle is
>> stolen, and he combs the city searching for it. Devastating. THE classic
>> of Italian neo-Realism.
>Then watch "Icicle Thief" a most interesting takeoff from this movie. Was
>"Diva" Italian? Even if it wasn't you should check it out.
Actually, I was psyched for "Icicle Thief" (I love a good parody) but
I was very disappointed. As for "Diva", it's French (Jean-Jaques Bieniex,
circa 1982), and yes, I've seen it many times -- I've even got the poster
on the wall behind me. A very stylish and funny film -- and this from a
person who HATES French film. *k*
Try "Allegro non troppo". Quite wonderful animation. Tongue
in cheek take-off of "Fantasia".
>watch "Icicle Thief" a most interesting takeoff from this movie. Was "Diva"
>Italian? Even if it wasn't you should check it out.
It was French. Jean-Jacques Beinex (sp?) Good movie.
James
--
MINE MINE MINE ... these opinions, that is.
Chris Vaz
cvzqc@cunyvm
>As for "Diva", it's French (Jean-Jaques Bieniex,
>circa 1982), and yes, I've seen it many times -- I've even got the poster
>on the wall behind me. A very stylish and funny film -- and this from a
>person who HATES French film. *k*
^^^^^
Pray, why?
--anindya
---
Steve C.
==> A wise man once told me - There ARE NO Wise Men !
- Just fools who think they are.
---------------------------------------------------------------
I understand you need someone to do work.
I don't do work, but, I know this guy who does.
-Vladimir Taltos
---------------------------------------------------------------
I totally disagree with this opinion. Pasolini was a great director.
Maybe you should watch his movies more carefully. "Teorema", "Edipo
Rei", "The Gospel..." are very good, poetic and intelligent movies. I
agree that he might be politically uncomfortable, but that's the price
to pay for original and intelligent ideas...
As for other italian directors I would recommend Antonioni, Fellini (my
favourite movie from him is "8 1/2"), Tavianni, and also Bertolluci.
-------
Paulo Gamelas
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
cvp...@zeus.ua.pt
"We all are born mad. Some remain so." Samuel Beckett
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Firstly, Mediterraneo, a film set in the second world war where a platoon of
useless Italian soldiers land on an island where there are only women,
children and old men.
Secondly, Il Ladro Di Bambini (The Stolen Children), without doubt the best
film I've seen this year. It charts the relationship between a young
carabinieri and two children that he's taking to a children's home.
SHAGGY
Simon Gleave, E-Mail s...@ssru.city.ac.uk Phone +44-71-477-8000 x 4129
Computing Officer, LS Support Group, Social Statistics Research Unit,
The City University, Northampton Square, London EC1V 0HB, UK
Hey, I saw the film on the big screen, not on video. I saw at the so called local
filmclub. They require membership thus it is classified as a closed private
showing, and anything can be shown. But the film had norwegian subtitles, so I
guess it means the ACW is not banned in Norway. But then a hech of a lot og other
films are.
--------------------------------------------------------------------------------
Eric Nixdorf ENET: COOKIE::NIXDORF
Digital Equipment Corporation INET: nix...@etre.cxn.dec.com
301 Rockrimmon Blvd. S. nix...@etre.enet.dec.com
Colorado Springs, CO 80919 TELE: (719) 548-3063
FAX: (719) 548-3459
Disclaimer: The opinions expressed are my own and in no way should be taken
as representative of my employer Digital Equipment Corporation.
--------------------------------------------------------------------------------
: Actually, I was psyched for "Icicle Thief" (I love a good parody) but
: I was very disappointed. As for "Diva", it's French (Jean-Jaques Bieniex,
: circa 1982), and yes, I've seen it many times -- I've even got the poster
: on the wall behind me. A very stylish and funny film -- and this from a
: person who HATES French film. *k*
Well, this just goes to show that it's all a matter of taste. I loved
ICICLE THIEF, and found it both intelligent and hilarious; I recommend it
highly. On the other hand, I found DIVA pretentious and too deliberately
"arty."
--
Dr. Timothy R. White, Dept. of English Lang & Lit, Natl Univ of
Singapore 10 Kent Ridge Crescent, Singapore 0511 phone (65) 772-3936 fax
(65) 773-2981 e-mail ell...@leonis.nus.sg
STUFF DELETED
>Hey, I thought that the movie was never going to be released for T.V. in
>whatever shape or form,
>or on video. I imagine the version our friend from norway has seen may be a
>illicit copy.
>That sort of movie has an impact that is definately not for the young.
>When it first came here the it was an R21 then in 1991 it was R20 then in
>1992 R18 and that
>in my mind is where it should be.
It has definitely been released in video cassette in the US because I watched
this movie in the University of Delaware Library.
Siva
--
-------------------------------------------------------------------------------
| Sivakumar Subramaniam Electrical Engineering, Computers,|
| Email: ssub...@dante.nmsu.edu Tennis and Star Trek make my life.|
-------------------------------------------------------------------------------
Mike Borshuk
bor...@server.uwindsor.ca