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Message from discussion El Cid to Be Shown at AFI and ArcLight
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Robert DiMucci  
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 More options Jan 29 2008, 2:30 am
Newsgroups: rec.arts.movies.tech
From: Robert DiMucci <rdimu...@erols.com>
Date: Tue, 29 Jan 2008 02:30:11 -0500
Local: Tues, Jan 29 2008 2:30 am
Subject: Re: El Cid to Be Shown at AFI and ArcLight

Robert DiMucci wrote:
> Some version of El Cid is scheduled to be shown at the AFI Silver
> Theater (Silver Spring, Maryland) and the ArcLight Theater (Hollywood)
> on Monday, January 28th.  It is described as a "Special HD Digital
> Presentation of the Digitally Restored Wide-Screen Epic."  I take it
> that this will be a projection of the version that is being released on
> DVD on January 29th.  Since there is no HD version being released
> currently (only standard DVD), I wonder if this presentation is actually
> going to be in High Definition, or whether they are just going to
> project the commercial DVD?

Monday evening, January 28th, the American Film Institute's Silver
Theatre showed a high definition video version of "El Cid." Each
attendee received a copy of the 40-page program reproduction that will
appear in the DVD boxed set. The screening was preceded by remarks from
Mike Clark, film critic for USA Today, and by a spokesman for Genius
Productions who worked with the Weinstein Company on producing the DVD.

The picture quality was only so-so. The left-most portion of the picture
was somewhat blurry. The theater management attributed this to
"keystoning" of the picture. I'm not entirely sure what that means, but
I believe that it has to do with the projector being off axis with the
screen. Otherwise the picture was OK, with good color. Even at its best,
however, the picture was not up to the 35mm print I saw at the AFI in 1993.

Regarding the music--another mixed bag. The sound was excellent, the
music bright and clear. But the AFI dispensed with the overture in its
entirely, perhaps reasoning (incorrectly as far as I was concerned) that
after the speeches, no one would be interested in listening to a
4-minute overture before the start of the film proper. At the
intermission point, following the final notes of the first act (and true
to the DVD mastering), the entr'acte immediately began. The entr'acte
played completely through, while the intermission card stayed on the
screen. Only then did the house lights come up. Following the
intermission, the second act began without further introductory music,
with Rodrigo bursting through the doors of Alfonso's throne room. At the
end of the film, the choral exit music was properly played.

Despite its limitations, I fear that this may be the best "El Cid" we
may ever again see. I despair that any good 35mm prints remain. On a
brighter note, the spokesman from Genius stated that the AFI may have
future video showings of the other Bronston films as they are released
to DVD, starting with "The Fall of the Roman Empire" in April. As I have
only see FOTRE on a 27 inch screen, this will likely be my only chance
to see it on a 40 foot screen.


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