The re-make of The Man Who Knew Too Much is annoying dreck and how
anyone would sit through it twice needs some serious drug therapy.
It's a terrible film.
William
www.williamahearn.com
EK: Well, I wouldn't quite go that far.0
It has elegant visuals, but a really tubby script.
DD was admittedly annoying enough to make drugging her an act of mercy
for the audience.
Agreed, and I don't think Hitchcock really thought his re-make was
better - Hitch always had his eye on the bottom line and he was hardly
going to say "Sorry folks but I did it better the first time."
Dave in Toronto
> It has elegant visuals
It does? Where? In the piss poor rear projections? It's a garbage
film. Rotten putrid nothings re-raked for what? I'm sick of Hitchcock
apologists making excuses for this dreck. It's a nothing film with
nothing going for it. Not smarts, not intelligence, not suspense. It's
a terrible film.
William
www.williamahearn.com
Yeah, well, que sera, sera.
--
Bill Anderson
I am the Mighty Favog
William
www.williamahearn.com
Oh, it's the one with THAT tune. Then it CAN'T be very good?
W: It does? Where? In the piss poor rear projections? It's a garbage
film. Rotten putrid nothings re-raked for what? I'm sick of Hitchcock
apologists making excuses for this dreck. It's a nothing film with
nothing going for it. Not smarts, not intelligence, not suspense. It's
a terrible film.
CK: Your calm, evenhanded spirit of civil open discussion is really
admirable. Anyone who doesn't agree with you is automatically a
Hitchcock apologist, and deemed an advocate of poor rear screen work.
Any further badinage with you would be a waste of words...
Check with William. He seems to be the one around here most invested in
The Man Who Knew Too Much.
>> Yeah, well, que sera, sera.
>>
>And that is the extent of the defense. And also the source of the
>annoyance. Doris Day totally sucks in this film. Out of her league and
>out of her audience. There is nothing in this film that is valuable in
>any context or in any currency. It is Hitchcock at his worst -- save
>the silliness of Marne -- and there is no defense. None. It's a bad,
>bad, bad, bad, world that Hitchcock presented and only the die hards
>buy into it.
But the song won an Oscar.
--
"In no part of the constitution is more wisdom to be found,
than in the clause which confides the question of war or peace
to the legislature, and not to the executive department."
- James Madison
And your response is as silly as you think mine is. So don't waste
your words as I think or I'm pretty sure I'll get to sleep either
way.
William
www.williamahearn.com
William
www.williamahearn.com
No love for Bernard Herrmann's prelude? Or his cameo? Or his version
of "Storm Cloud Cantata"?
They can exist outside the film. In this case, I think Hermann's
talents were wasted on material that didn't merit them.
William
www.williamahearn.com
--
--
Dennis/Endy9
~Some will sink, but we will float. Grab your coat. Let's get out of here.
You're my witness, I'm your Mutineer.~ Warren Zevon
--
I feel better now.
William
www.williamahearn.com