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But, it also matters what genre of movie it is. If it is a comedy, then i
can forgive the songs. But, if it hardboiled action flick or an epic drama
about the ruthlessness of the british empire, then i don't want the
characters to suddenly stop acting, look directly into the camera and start
dancing. Who can be afraid of a dancing villain?
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I'd go for the reverse of that if films like K3G come in at 3 and 3/4
hours long whereas Speilberg said he had to remove the all important
first 24 minutes of character establishment of the main character in
Close Encounters because American audiences couldn't take anything
longer than 1 and a 1/2 hours long. The missing minutes certainly
establish why Terri Garr seems to fly off the handle.
I know Ghandi wasn't much on untouchables, but something about all
that jiggling "allure" harkens, as well, to a close-knit Indian
hegemony which disseminates specific culturally established values as
a prerequisite to evocative notions within such overtures romantic
inklings advance. If I'm wrong, sahib, please accept a humble these
heartfelt extensions I send from my heart for any distress I may have
incurred. Do forgive me;- if not, perhaps your sister, my friend,
shouldn't take umbrage were I to propose she dance for me?
So we get off on the right foot and I make myself perfectly
understood, I can watch Chinese and Indian women that dance, together
comparing what seems indulgent in any sense that Chinese woman should
preoccupy a greater bias I feel ought be extendible to slight
differences a nose, its breadth and setting poses, for instances,
characterizes for genetic dispensation beauty, of course, universally
surmounts.