On May 31, 10:05 pm, "Obveeus" <
Obve...@aol.com> wrote:
But it's like they set up this relatively logical idea that makes
sense. K is in love with O and life is good. Boris kills O and K is
fated to a lifetime of sullen loss, hence he acts the way he acts.
But in the new version of reality, O survives, and the movie ends in
the diner with Alice Eve in old age make-up showing up with the
grandkids and one last reprise of the "this coffee tastes like dirt"
joke. That would make sense but they don't do that.
But instead they bring in the little J, even though that plotline
makes no sense on any level (for one thing, why would this information
be withheld from the grownup J? And that's not even getting into how
in the present day it would make J about fifty, with K being about 72,
and they're both still field officers so the MiB organization must
have no upward mobility). It's like with all the plot problems and
working minus a script, everything had to be about Will Smith, even if
the main psychological question of MiB is established early on: why
does K act the way he does?
But I liked the three main performances but as entertainment, when
they went back in time it lost its momentum. The first half hour or
hour or so is pretty good though.