That thing was hard to get through the first time.
Love,
me
http://www.juicycerebellum.com
"It's a site."
> On Mon, 7 Oct 2002 23:58:37 -0400, James Anatidae's fingers viciously
> stabbed at an innocent keyboard to form the now famous if slightly awkward
> haiku:
[snip]
Way to go!
Prakash
The Killing Fields.
Scarred me for life, that film did.
David
The Hitcher.
Yes, yes, I know it is a complete piece of garbage film making, but it
was FAR more effective than anything my mother said in persuading me
never to pick up hitchhikers.
Cheers
Di
--
Dianne van Dulken
http://www.dogmac.com
http://www.cricketwoman.com
Put the cat out to talk to me
--
The views expressed here don't necessarily reflect those of FMC.
The only film I've seen that ever seriously weirded me out was "Blue Velvet."
"Persona" (Bergman) came close.
-----
Richard Schultz sch...@mail.biu.ac.il
Department of Chemistry, Bar-Ilan University, Ramat-Gan, Israel
Opinions expressed are mine alone, and not those of Bar-Ilan University
-----
"How many boards would the Mongols hoard if the Mongol hordes got bored?"
Se7en
czf
-- John Jay Chapman
>The only film I've seen that ever seriously weirded me out was "Blue Velvet."
>"Persona" (Bergman) came close.
I found parts of "The Last American Virgin" scarring -- particularly
the lumpy proletariat.
Strangeland
>Kitt...@encode.com <Kitt...@encode.com> wrote in message
>news:99b66sksb6jn4jim1...@4ax.com...
>>What film left you pale and bothered you
>> for weeks after?
The Cook, The Thief, His Wife, and Her Lover
Hana no Kaitou
http://peachcoloredsky.keenspace.com <--- Archives up.
http://members.fortunecity.com/animeg3282/ <---Fancy Lala Club! Back to
original page.
http://groups.yahoo.com/group/fancy_lala <mailing list for Lala fans
<no...@nospam.att.net> wrote in message
news:3da32c0d...@netnews.attbi.com...
:>The only film I've seen that ever seriously weirded me out was "Blue Velvet."
:>"Persona" (Bergman) came close.
:
: I found parts of "The Last American Virgin" scarring -- particularly
: the lumpy proletariat.
I thought that "The Last American Virgin" was basically disgusting. What's
interesting is that the original Israeli film on which it was based isn't
nearly as bad as you would have expected -- probably because it was set in
the late 1950's (or was it early 1960's?) and has a kind of period charm.
(At least it had enough charm to spawn, if you'll pardon the expression,
something like eight sequels about the further adventures of the three boys
that American audiences were spared.)
-----
Richard Schultz sch...@mail.biu.ac.il
Department of Chemistry, Bar-Ilan University, Ramat-Gan, Israel
Opinions expressed are mine alone, and not those of Bar-Ilan University
-----
"an optimist is a guy/ that has never had/ much experience"
: When I was 7 years old the original 1950's era Body Snatchers freaked me out
: completely! I spent weeks searching the house for alien pods before going
: to sleep at night.
Except that it's when you're asleep that they come and get you. Did you
never figure out that your parents are pod people? Most kids realize that
when they get to adolescence.
-----
Richard Schultz sch...@mail.biu.ac.il
Department of Chemistry, Bar-Ilan University, Ramat-Gan, Israel
Opinions expressed are mine alone, and not those of Bar-Ilan University
-----
The gardener plants an evergreen whilst trampling on a flower. . .
Tom Keener
email me if you want my email address
> >What film left you pale and bothered you
> > for weeks after?
Star Wars: Episode I - The Phantom Menace
Brian
My all time most disturbing flick was Eraserhead. Another salesman and
I were working at Crazy Eddies and we each rented a copy of the movie.
I didn't see him again for two days. When I saw him I said he looked
like hell and he said he couldn't sleep. I looked like hell too. We
agreed that it had to be Eraserhead as I was also unable to sleep for
two nights. That crying baby still haunts me to this day!
Another film that's worth a mention on the subject is The Wicker Man.
Ed.
The Clinton Chronicles
Agreed. I absolutely hated that movie. Still, over the years,
disturbing images from the film would come back to me at the oddest
times. Maybe eight years after seeing it, it came back to a local
theatre and I went to see it again. Ten minutes into the film I
remembered how much I hated it and walked out, something I rarely do.
I accidently saw "the Incredible Shrinking Man" when I was about eight
years old. That completely freaked me out.
"If Blockbuster continues to offer only Pan & Scan versions of
major movies from Warner, or any other studio offering widescreen
and P&S, please consider NOT renting anything from them."
> Are you being facetious? I couldn't find anything on imdb.com for this...
>> : I found parts of "The Last American Virgin" scarring -- particularly
>> : the lumpy proletariat.
>
>now there's a malaprop for the ages...i assume you meant to write
>"protagonist"? ;)
I was punning on the Marxist concept of the lumpen proletariat in my
reference to the fat (lumpy) boy who is aimless, thoughtless,
untrained & wholly unenlightened (the lumpen are the vulgar plebs who
can neither control nor contribute to their means of production; they
are theoretically unemployable).
It was a weak, silly pun -- but it was intentional.
A little film from New Zealand (I think) called 'The Ugly' - saw it at a
Midnight Madness a few years back, and was afraid to walk home that
night.
--
Kewl
...proud member of the 'bastions of indie-rock geekitude'...
The Clinton Chronicles provides evidence of Clinton's activities as a
drug dealer. This, I believe, is a different drug operation than the one
originally set up by Eisenhower and Queen Elizabeth in the 1950s.
IIRC, it also documents Clinton's activities as a multiple murderer
(Foster was apparently only one of his victims).
Some 1970s movies that will shock and stay with you are:
The Candy Snatchers
Thriller (aka They Call Her One Eye)
The Sinful Dwarf
Another 70s film "Lemora: A Child's Tale of the Supernatural"
(http://us.imdb.com/Title?0070300) was released under a variety of names. It
was eventually released to VHS in America with an interview with the
director. It is a film that can stay with you and even haunt your dreams
years later. I don't know if it is the lousy titles or the fragments that
people remember seeing late night on tv that cause them only to recall bits
and pieces. It's not a GREAT film but it does stay with you.
<<A little film from New Zealand (I think) called 'The Ugly' - saw it at a
Midnight Madness a few years back, and was afraid to walk home that
night. >>
I rented this a few months ago. Good movie.. disturbing but good. Yes It's from
New Zealand.
-Sasha
------
"We're creatures of the underworld. We can't afford to love. " -Harold Zidler
<<The Hitcher.
Yes, yes, I know it is a complete piece of garbage film making, but it
was FAR more effective than anything my mother said in persuading me
never to pick up hitchhikers>>
Ooh and the french fry scene! Creepy! But Rutger Hauer was so frighteningly (is
that a word even?) sexy in that movie. But I would not pick up John Ryder..
Rutger Hauer.. yes but not his character in "The Hitcher" :-)
: My all time most disturbing flick was Eraserhead. . . .
: That crying baby still haunts me to this day!
You must have really loved "E.T."
-----
Richard Schultz sch...@mail.biu.ac.il
Department of Chemistry, Bar-Ilan University, Ramat-Gan, Israel
Opinions expressed are mine alone, and not those of Bar-Ilan University
-----
I did not write the words attributed to me by "gb" (whoever he or she is).
-----
Richard Schultz sch...@mail.biu.ac.il
Department of Chemistry, Bar-Ilan University, Ramat-Gan, Israel
Opinions expressed are mine alone, and not those of Bar-Ilan University
-----
"Logic is a wreath of pretty flowers which smell bad."
James Anatidae wrote:
>
> Kitt...@encode.com <Kitt...@encode.com> wrote in message
> news:99b66sksb6jn4jim1...@4ax.com...
> >What film left you pale and bothered you
> > for weeks after?
> >
> > For me, ORDINARY PEOPLE and THE EXORCIST
> > did the trick.
> >
> The Vanishing (the original European one, not the American remake). I
> watched it over a week ago and I still have a feeling of unease.
AUDITION (2000), directed by Takashi Mike. Dread-inducing from the
start, and if you can sit straight through the excruciating last
forty minutes without liquor, a bong, or _anything_, you are a good
one.
C.
**
And then, of course, there's "Das Boot".... the most claustrophobic movie of
all time, the one that sent me and hubby running to the car afterwards to
run down all the windows and just drive around for over an hour, breathing!
Sally
>I did not write the words attributed to me by "gb" (whoever he or she is).
'Fess up, Richard!
Perry Noid wrote:
Wait until you see WW3 - The Shrub legacy.
Bob
Ahh yes! Is this the video that was once peddled by that fat moron, Jerry
Falwell?
Kids
-B.
I'm 31 and I just saw it a few weeks ago. There should be a law
requiring everyone to watch ROSEMARY'S BABY before publicly praising
something like THE BLAIR WITCH PROJECT.
> <sch...@gefen.cc.biu.ac.il> wrote:
>
> > : I found parts of "The Last American Virgin" scarring -- particularly
> > : the lumpy proletariat.
>
> now there's a malaprop for the ages...i assume you meant to write
> "protagonist"? ;)
or lumpen proletariat?
p
> Clean Shaven, hands down.
>
> aemilia
Helter Skelter
Blue Velvet
Pulp Fiction
Seven or Se7en
Night and Fog [though it was a documentary]
Freaks
One Day in the Life of Ivan Denisovich
p
And all heartily despised by me with the exception of "Night and Fog"
and "Freaks" which I haven't seen. Each and every one had been
enthusiastically endorsed by brother-in-law and sister-in-law .. a
great rift developed after that because I would no longer accept their
opinion on ANYTHING! But it's slowly healing! :-)
pg
>
>I'm 31 and I just saw it a few weeks ago. There should be a law
>requiring everyone to watch ROSEMARY'S BABY before publicly praising
>something like THE BLAIR WITCH PROJECT.
absolutely. it is one creepy movie. even now (and i'm in my 40's) i don't think
i'd watch it again.
>
>And all heartily despised by me with the exception of "Night and Fog"
>and "Freaks" which I haven't seen
Blue Velvet was very different, but it didn't creep me out. i actually kinda
liked it. i'll agree, Helter Skelter left a lasting negative impression though.
Did you feel it was dread-inducing from the start? I liked the almost
sappy romantic-comedy scenario, and although there are hints at
something sinister building up througout, you can't be prepared for what
happens.
Miike's VISITOR Q is a disturbing look at an incredibly disfunctional
family, and even more shockingly, the harsh and brutal actions of each
member are strangely redeemed by the end.
If you're looking to be disturbed, or at least shocked, any of Miike's
films are worth tracking down.
>Kitt...@encode.com <Kitt...@encode.com> wrote in message
>news:99b66sksb6jn4jim1...@4ax.com...
>>What film left you pale and bothered you
>> for weeks after?
>>
"The Little Girl Who Lives Down the Lane". Both the Jodie Foster and
Martin Sheen characters...
Ooo, I remember that. It was a good movie as I recall (haven't seen it in
about 150 years.)
Urotsukidoji (The Wandering Kid), the first animated film rated NC-17. Demon
spawn from hell whose destructive powers could only be awakened through the
perpetual raping of nubile women. Absolutely no heroes or anti-heroes in the
film, just villains fighting worse villains. But I still love how absolutely
SICK it is; it makes Heavy Metal look like Care Bears 2: The Next Generation.
... said Alan S Emerson.
>>
> The Vanishing (the original European one, not the American remake). I
> watched it over a week ago and I still have a feeling of unease.
>
>
What is that? IMDB doesn't seem to know it....
Begotten (German?)
Man Bites Dog (French)
Tetsuo: Iron Man (Japanese)
All pretty disturbing. Begotten just blew my mind though, that is the
product of a disturbed artist.
My sociology professor showed us "Night and Fog" in college... I
thought I understood the horrors of the Holocaust until I saw this
film. There's something about seeing mountains of human hair in
warehouses, and bins full of gold wedding rings that bring home the
sheer number of victims like no amount of print in the world ever
could.
jean
A flash of light, a cloud of dust, and... What was the question?
I'm kind of torn between: THE LAST HOUSE ON THE LEFT
and Mae West's SEXTETTE
Bill
"The Sins You Do By Two and Two, You Must Pay for, One by One"
Ever thought about the 'beauty' of a carcrash and its impact on the
victims??? You will after watching this film. The book by J.G. Ballard is
also worth reading, there you'll get a better glimps into the mind of
Vaughan (Elias Koteas) and his 'perversions'.
Donnie Darko
Director: Richard Kelly
Cast: Jake Gyllenhaal, Drew Barrymore, Patrick Swayze
After the first 20 mins I thought I'd better turn it off befor I fall
asleep, but then it got better and better, until the end strikes you with a
hammer. Unfortunaly I didn't watch the director's cut, which had an extended
end.
Memento
Director: Christopher Nolan
Cast: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano
One of the best movies ever, also with an ending that left me uneasy.
Some more:
Series 7 - The Contenders
Visitor Q
Flatliners
The Sixth Sense
Avalon
American History X
8MM
>Kitt...@encode.com <Kitt...@encode.com> wrote in message
>news:99b66sksb6jn4jim1...@4ax.com...
>>What film left you pale and bothered you
>> for weeks after?
>>
>> For me, ORDINARY PEOPLE and THE EXORCIST
>> did the trick.
>>
>The Vanishing (the original European one, not the American remake). I
>watched it over a week ago and I still have a feeling of unease.
>
Ringu and Ringu2 in the original Japanese. I've shown it to people
all the time for years, and it continues to freak them out long after
watching it. We'll see how the Hollywood version comes out as "the
Ring"
>Crash
>Director: David Cronenberg
>Cast: James Spader, Holly Hunter, Elias Koteas, Deborah Kara Unger, Rosanna
>Arquette
>Book: J.G. Ballard - Crash
>
>Ever thought about the 'beauty' of a carcrash and its impact on the
>victims??? You will after watching this film. The book by J.G. Ballard is
>also worth reading, there you'll get a better glimps into the mind of
>Vaughan (Elias Koteas) and his 'perversions'.
>
>
Love the scene where Roseanna Arquette, previously busted legs in a
stainless steel pin & splint contraption, lowers herself into the
leather seat of a brand new Mercedes.
...after telling the car salesman that she wants to see if she can fit
into a car made for a "normal" body...and then she catches the metal of her
brace on the leather of the seat, and the sound of the expensive upholstery
ripping turns her and James Spader on so much that they have to run out to
his car and screw. Amazing scene in an amazing film.
But I never thought of it as "disturbing". I can't quite imagine why
anyone would. Some would consider it distasteful, I guess, and no doubt
enough people think it's pornographic; but to me a disturbing movie is one
that gets under your skin, that troubles you, like "The Vanishing" or
"Requiem for a Dream".
Robert Matthews
First off: my english isn't that good, but I hope you understand what I mean
:)
What I find disturbing in this film is the 'evolution' of the characters.
When you look at the Ballards in the beginning of the movie they seem like
'normal' people with an very excesive sexlife. Then there's the crash, James
Ballard lies in hospital with major fractures which will most likely leave
scars. While telling him about the crashed car Catherine gives him an intim
wash, but he rejects her -> the wounds don't turn him on, in fact it's the
opposite.
The next important scene is the crash of James Dean. James seems very
confused by the act he just watched, he doesn't understand the meaning
behind it. And: it doesn't turn him on.
Then, the scene with the mercedes you just explained. He get's turned on by
the way the seller touches her and the position she's sitting in. What I
find important is the following scene, where they get busy in the car. James
get's attrackted to the big scar on her leg.
Then, also Catherine gets attrackted to Vaughan, especially to his scars.
Another Scene that I find important is, when they are all sitting in front
of the TV watching crashvideos and giving each other a wank. As the movie
moves on the Ballards seem more and more turned on by scars, blood and other
deformed material. In the same way they get turned on less and less by the
'untouched' human body, like befor.
There're much more scenes where you can watch the change in their attitude
and lust towards the violence and its destructive forces.
In the end, after Vaughens death, they imitate him, they get turned on by
the thought how he died and want to follow him, to get the ultimate sexual
kick. Also the sentence with which the movie ends is imo very important:
"Maybe the next one, maybe the next one." Thats the exact same sentence that
comes up in the beginning of the film, as James and Catherine talk about
their sexual achievments of the day (as you might remember, she didn't
come). For me that's a sign that they will go even further in their
methodes, until they'll also die in the search for the ultimate kick.
What I find disturbing is the fact how your surrounding gets into you and
your behaviour and you might don't even notice it (indicated by the last
sentence of the movie). Would I have gone the same path James did? It's like
James and Catherine got brainwashed by the presence of all the destructive
forces they are first exposed to, until they finally provoke those forces
themself.
Chris
"Psychic Sphincter" <dva...@empire.gov.galaxy.far.far.away> wrote in message
news:laucqusj33ub4qi8b...@4ax.com...
"8MM" actually disturbed me since the way the original film was, um,
filmed had a very realistic feel to it and that mixture of morbid
curiousity and disgust was well-balanced :)
All the "Faces of Death" series (maybe they don't count since they weren't
actually films). Reality is our own worst nightmare. *shiver*
All the "The Dentist" series freaks the hell out of me. Probably due to my
fear and hatred of denistry.
and no, it has nothing to do with the fact of Jennifer Lopez (err, J-Lo)
is in it. :-P
>Oh, also forgot to mention "The Cell." To this day, I still haven't been
>able to figure the hell out of that movie...
My take of that movie--J. Lo gets to dress up in weird, fantastical
outfits.
>and no, it has nothing to do with the fact of Jennifer Lopez (err, J-Lo)
>is in it. :-P
>
*****************************************************
"Of course the people don't want war. But after all,
it's the leaders of the country who determine the policy,
and it's always a simple matter to drag the people along
whether it's a democracy, a fascist dictatorship, or
a parliament, or a communist dictatorship. Voice or no voice,
the people can always be brought to the bidding of the leaders.
That is easy. All you have to do is tell them they are being
attacked, and denounce the pacifists for lack of patriotism,
and exposing the country to greater danger."
Herman Goering at the Nuremberg trials
> > Kitt...@encode.com <Kitt...@encode.com> wrote in message
> > news:99b66sksb6jn4jim1...@4ax.com...
> > >What film left you pale and bothered you
> > > for weeks after?
>
> Se7en
>
> czf
Yes ... that would have been my answer.
~ Bret ~
Damn right!
I liked the film so much I bought the script.
Childs and MacReady might still be propped against the door frame like ice
pops but which one carries the Thing?
It would be easy to run a parallel to the Alien saga where the big guns come
from the mainland and want to take it back with them but veil it in so many
differences that most people would not see the parallel.
Richard.
>The Changling:
"The Changeling" is a wonderful movie. It makes you turn around
sharply several times to see whether anyone is behind you. But aren't
we drifting from the original idea of the topic of "disturbing film"?
Or maybe we all just interpreted "disturbing" differently.
--
The rising pitch of every shrill claim on attention ...
-- Jacques Barzun
dan
"Tazz" <dbr...@houston.rr.com> wrote in message
news:3dab7ba3....@news-server.houston.rr.com...
'Born on the Fourth of July'
'The Deer Hunter'
Seven
The Forbidden Zone
Session 9
The two scenes that "got" to me were scenes that it took me two viewings to
"catch". The first scene is of bodies laying on a table or slab. The
bodies are sideways to the camera so that all you see is an image of many
bodies laying side by side. The next scene is a bushel basket with heads
in it, like apples in a basket. It wasn't until the second viewing that I
realized that the scene with the bodies laying side by side, those bodies
had no heads, the heads were in the basket in the second scene. I cannot
get those scenes out of my head.
p
>Kitt...@encode.com <Kitt...@encode.com> wrote in message
>news:99b66sksb6jn4jim1...@4ax.com...
>>What film left you pale and bothered you
>> for weeks after?
>>
>> For me, ORDINARY PEOPLE and THE EXORCIST
>> did the trick.
>>
>The Vanishing (the original European one, not the American remake). I
>watched it over a week ago and I still have a feeling of unease.
>
Most disturbing film I've seen is a small straight-to-video film
directed by Eric Stanze called SCRAPBOOK. It's one of the most
absolutely brutal things I've ever seen, so much so that most people
probably wouldn't be able to take it. But the violence is never for
exploitation's sake. The film was so haunting, I didn't get to sleep
at all for a couple nights.
loucyphre
"I like it. It's a statement."
- (Linnea Quigley, "Return of the Living Dead")
"It's all these booze-addled British boys with their Viz-style
rough-and-tumble pub-style blabbering and bullshitting about fucking
sheep and 'getting pissed' and 'tits' and 'arse'. It used to be such a
polite, congenial place, did alt.horror."
- (Dr. Phibes, alt.horror, 12/16/01)
Well terrifying wise, it's definitely Texas Chainsaw. But pure
disturbing, Eraserhead. Around the same time Faces of Death came out,
and that was pretty close. Of course now I've become jaded and and
can laugh at them today.
MC
PattiJ
"Bill" <henry...@aol.com> wrote in message
news:f427b84e.02101...@posting.google.com...
It succeeded in disturbing me so efficiently, that this is one of the
few films on tape I am not going to upgrade to dvd...
Martin
I liked the sequel, State and Main Bites Dog.
John Harkness
LOL! LOL!
Of course it's "Man Bites Dog"...
Martin
I'll go with Heavenly Creatures.
--
Reverend Paul (ULC)
Edina: A mosquito's never bitten you for god's sake.
Patsy: The last mosquito that bit me had to check into the Betty
Ford clinic.
--Absolutely Fabulous
Kirk
"Paul Antonissen" <redd...@yahoo.com> wrote in message
news:reddzoff-E076DD...@news.west.cox.net...
>Apparently you have never heard of "Begotten".
>This is the movie, that at one of it's screenings a sober person had a
>psychotic episode.
>
>Kirk
>
Oh shit. Thanks for the reminder on that steaming goat turd.
John Harkness
Unbound I
Check out my new book about The X-Files at
http://www.trafford.com/robots/02-0625.html
<gro...@ameritech.net> wrote in message
news:3dc3208d...@news.qwest.net...
> Videodrome was most distrubing. Specifically the scene where he puts a
> video tape into his stomach through a slit cut into his belly.
-----------== Posted via Newsfeed.Com - Uncensored Usenet News ==----------
http://www.newsfeed.com The #1 Newsgroup Service in the World!
-----= Over 100,000 Newsgroups - Unlimited Fast Downloads - 19 Servers =-----
>Has anyone here seen "Salo"? Definitely the "most disturbing" (if not most
>disgusting film) ever made. I saw it in the theater when it opened. It's on
>Criterion DVD. This is the worst, hands down.
It's not disturbing at all. It plays like a version of Monty Python
run by the radical left. As a comedy, it can't be taken seriously.
Passolini hated the right wing, and this was his shrill, ludicrous
portrayal of them.
-Rich
"If Blockbuster continues to offer only Pan & Scan versions of
major movies from Warner, or any other studio offering widescreen
and P&S, please consider NOT renting anything from them."
And, if you've seen the last episode, you know what Monty Python thought
of Pasolini...
Derek Janssen ("The Third Test Match")
dja...@rcn.com
----------
In article <l72bsugrnp1vb48u4...@4ax.com>, Richard
<rande...@aol.com> wrote:
> On Sun, 3 Nov 2002 01:30:44 -0800, "L" <mycro...@hotmail.com> wrote:
>
>>Has anyone here seen "Salo"? Definitely the "most disturbing" (if not most
>>disgusting film) ever made. I saw it in the theater when it opened. It's on
>>Criterion DVD. This is the worst, hands down.
>
> It's not disturbing at all. It plays like a version of Monty Python
> run by the radical left. As a comedy, it can't be taken seriously.
> Passolini hated the right wing, and this was his shrill, ludicrous
> portrayal of them.
> -Rich
>
"Ludicrous", huh? It was Fascism that Pasolini was attacking, not your
beloved "right wing". Unlike you and me, Pasolini experienced the virulent
evils of Fascism first hand, and the fascist strain runs strong in Italian
politics to this day (do a search on the "Northern League"). Pasolini's
appropriation of De Sade (you are familiar with De Sade, of course?) was a
superb metaphor for the fascist mindset, which elevates brutality,
dehumanization and repression to the level of government policy.
anal ladies world record did the trick for me
mind boggling
A brief search of the web has revealed that it's Adventure IV, titled
(aptly!) "The Man Without A Face".
When I was a kid, this terrified me so much that I still get spooked
out by the memory of it!
As an adult, I'd say Blair Witch got me jumpy and Cube psyched me out.
On 10 Oct 2002 07:39:39 -0700, henry...@aol.com (Bill) wrote:
>"fiziwig" <fiz...@starband.net> wrote in message news:<st5p9.2118$my7.67...@twister2.starband.net>...
>> <no...@nospam.att.net> wrote in message
>> news:3da4fcfd....@netnews.attbi.com...
>> > On Mon, 7 Oct 2002 23:58:37 -0400, "James Anatidae"
>> > <pars...@citcom.net> wrote:
>> >
>> > >Kitt...@encode.com <Kitt...@encode.com> wrote in message
>> > >news:99b66sksb6jn4jim1...@4ax.com...
>> > >>What film left you pale and bothered you
>> > >> for weeks after?
>> > >>
>> >
> JACKASS
It took me three hours to realize that you weren't calling John
Harkness a jackass.
--
John Stone -- TWENTY
COLUMNS!!!!!!!!!!!!!
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>"initech" <ini...@officespace.com> writes:
>
>> JACKASS
>
>It took me three hours to realize that you weren't calling John
>Harkness a jackass.
>
>--
>John Stone --
He wasn't?
John Harkness
>"initech" <ini...@officespace.com> writes:
>
>> JACKASS
>
>It took me three hours to realize that you weren't calling John
>Harkness a jackass.
Bwahahahahahaha
I can see how that mistake could be easily made...
Cheers,
Todd "And I'm not saying John is a jackass either :-) " McNeeley
.
email: mcneeley at enteract dot com