On Feb 23, 11:01 pm, nick <nickmacpherso...@AOL.com> wrote:
> I don't know what to make of the ending but my overall sense is that
> as much as I liked Take Shelter, it's basically, like M. Night
> Shyamalan's movies (but a lot better than them), an extended Twilight
> Zone episode with an ironic twist ending, though in this case, it
> never would have gotten past the network censor.
I don't think Shannon's persona is creepy *enough* (if that would have
helped this prodigiously overpraised non-starter). I liked what rms
says--and IMBD boards are getting MUCH better, if you're lucky enough
to find at least two posters willing to overact with each other, such
as here. The ending did indeed show the family on the same page--but
by that point, enough already with the boring repetitive CGI storms!
Good God, this was...nothing. It wasn't about mental illness (as nick
agrees). It wasn't about "Signs" (what signs? where?). It wasn't about
the (yawn) apocalypse. It wasn't about a damn thing--EXCEPT a
"Revolutionary Road" style, boring, "life in the suburbs will drive
even good men mad" message. In fact, I spent most of the film
recalling a guy from grad school I had a crush on who looked an awful
lot like Shannon, whose father blew his brains out, and who acted as
if he someday would too. Whoa-a-a, the fun never stopped.
I also knew bomb-shelter makers. They were only doing fad stuff from
the 60's. Maybe they were nuts too. RIP.
I am off now to The Story of the Weeping Camel, and then comes As Far
As My Feet Will Carry Me, and then Genghis Blues. I am permanently
done with American film except for my dose of Disney.