A good way to check this sort of thing is to search Gutenberg, the project
that's creating on-line versions of public domain texts. If they've got
it, you can snarf it.
http://sailor.gutenberg.org/by-author.html
--Z
"And Aholibamah bare Jeush, and Jaalam, and Korah: these were the
borogoves..."
Hey...Rudyard Kipling, Jules Verne, Alexis de Toqueville.
Cool...
It is a good yardstick but not always correct.
For instance Peter Pan is still copyright in the UK (and will not
fall out of copyright due to a special arrangement).
Also a number of the authors that are free of copyright in the US are still
in copyright in the UK (and most of western Europe).
Take for instance H.G. Wells - there are many examples of his works
in the Gutenberg collections.
However Wells died in 1946. The law was changed from Life+50 to Life+70
in 1995. This means all of Wells' works will be copyright to 2016
--
Andy Leighton => an...@azaal.dircon.co.uk
"... January is your third most common month for madness" - _Sarah Canary_
Good point. The Gutenberg has a note about this, and they claim their
version is public-domain in the US, but "they are not a lawyer".
> Also a number of the authors that are free of copyright in the US are still
> in copyright in the UK (and most of western Europe).
>
> Take for instance H.G. Wells - there are many examples of his works
> in the Gutenberg collections.
>
> However Wells died in 1946. The law was changed from Life+50 to Life+70
> in 1995. This means all of Wells' works will be copyright to 2016
Hrm, that law -- I assume you're talking about US law -- was changed in
1998, not 1995. (See
http://www.public.asu.edu/~dkarjala/legmats/S505-final.html)
And the law was previously changed in 1978, from some different set of
rules I don't remember, so Wells falls under exceptions from that earlier
set. If I read this guy's page correctly, the (current) rule for works
published prior to 1964 is "95 years from date of publication" -- the
author's lifetime is irrelevant.
God damn it, we really need rec.arts.int-fiction.copyright-threads, and it'd
get more traffic than raif and rgif together.
Same could be said for Muldoon threads, only they're actually relevant and
haven't been done a trillion times before.
--
+-----------------+---------------+------------------------------+
| Gunther Schmidl | ICQ: 22447430 | IF: http://sgu.home.dhs.org/ |
|-----------------+----------+----+------------------------------|
| gschmidl (at) gmx (dot) at | please remove the "xxx." to reply |
+----------------------------+-----------------------------------+
No.
I was replying to a relevant point, and I was posting information that I
don't believe has been discussed in previous copyright threads.
This wasn't directed at you alone, but at the copyright thread in general.
Sorry, but I'm *really* sick of having one every two weeks.
Cool! I'd been thinking of adapting a short story to IF as a coding
exercise to try out some ideas, but dreaded having to retype it. As luck
would have it, there it was!
Thanks for the pointer :)
Kathleen
--
-- Excuse me while I dance a little jig of despair.
Sent via Deja.com http://www.deja.com/
Before you buy.
>"Andrew Plotkin" <erky...@netcom.com> wrote in message
>news:823cbt$fq1$1...@nntp9.atl.mindspring.net...
>> Gunther Schmidl <gsch...@xxx.gmx.at> wrote:
>> > Will you PLEASE. STOP. THIS. RIGHT. NOW.
>>
>> No.
>>
>> I was replying to a relevant point, and I was posting information that I
>> don't believe has been discussed in previous copyright threads.
>
>This wasn't directed at you alone, but at the copyright thread in general.
>Sorry, but I'm *really* sick of having one every two weeks.
So ignore such threads, or configure your newsreader to ignore them for
you, or get a newsreader which is capable of doing so.
--
Ross Presser
ross_p...@imtek.com
"And if you're the kind of person who parties with a bathtub full of
pasta, I suspect you don't care much about cholesterol anyway."
> This wasn't directed at you alone, but at the copyright thread in
> general.
> Sorry, but I'm *really* sick of having one every two weeks.
So use restraint and don't read them, or employ a killfile.
--
Erik Max Francis | icq 16063900 | email m...@alcyone.com
Alcyone Systems | web http://www.alcyone.com/max/
San Jose, CA | languages en, eo | icbm 37 20 07 N 121 53 38 W
USA | 397 days left | &tSftDotIotE
__
/ \ The more one is hated, I find, the happier one is.
\__/ Louis-Ferdinand Celine
Nope, EU/UK law - it is far more relevant to me as I live in the UK (and in
the post I was talking about the UK and EU).
It will also affect US IF authors if they are thinking about uploading
their work to if-archive.
>1998, not 1995. (See
>http://www.public.asu.edu/~dkarjala/legmats/S505-final.html)
>
>And the law was previously changed in 1978, from some different set of
>rules I don't remember, so Wells falls under exceptions from that earlier
>set. If I read this guy's page correctly, the (current) rule for works
>published prior to 1964 is "95 years from date of publication" -- the
>author's lifetime is irrelevant.
That can't be right (even for the US) - the Gutenberg project includes
_The War In The Air_ which was first published in 1908 in Britain
(and probably later than that in the US).
http://www.benedict.com/basic/public/public.html seems to indicate
that anything published more than 75 years ago in the US has had its
copyright period expire.
As many (hi Gunther) have noticed, copyright is a complex and somewhat
uninteresting subject. It is however vital to understand the rules
if you want to write IF treatments of literature.
It is also vital if you want to write a play, a radio play,
a screenplay, a short story adaptation, or just about any
other sort of treatment of the literature. There is nothing
specific to IF about the discussion.
Such a justification for saying this discussion is on
topic for r.a.i-f is like saying "Good grammar and spelling
are important if you want to write IF, so that justifies
long involved discussions of grammar and spelling".
And don't tell me to get a smarter newsreader. That
argument is patently false, as taking it to its logical
conclusion would result in a single newsgroup containing
every thread in Usenet. The newsgroup line is the primary
way of divvying up threads based on *content*. Use it.
If you want to talk to some particular person, email them.
If you want to talk to a couple people who have been
posting about the subject matter on a specific newsgroup,
post a pointer to the newsgroup that you've diverted the
thread to; anyone who wants to talk or read about it will
go there.
Sean B
news.readers.philosophy
and crossposted to
rec.offtopic.threads.rant.rant.rant
Your argument becomes absurd the moment you posted it to this group.
*sigh*
John
Sean T Barrett (buz...@world.std.com) wrote:
> Such a justification for saying this discussion is on
> topic for r.a.i-f is like saying "Good grammar and spelling
> are important if you want to write IF, so that justifies
> long involved discussions of grammar and spelling".
> And don't tell me to get a smarter newsreader. That
> argument is patently false, as taking it to its logical
> conclusion would result in a single newsgroup containing
> every thread in Usenet. The newsgroup line is the primary
> way of divvying up threads based on *content*. Use it.
> If you want to talk to some particular person, email them.
> If you want to talk to a couple people who have been
> posting about the subject matter on a specific newsgroup,
> post a pointer to the newsgroup that you've diverted the
> thread to; anyone who wants to talk or read about it will
> go there.
--
John Holder (jho...@frii.com) http://www.frii.com/~jholder/
<jholder> do you like FreeBSD?
<hal> I need to get the ISDN line running so that I will tell it to pass over
me and replace my SuSE box with FreeBSD.