>I think this must be the only profession where the general public thinks
>that they need no prior knowledge whatsoever to form an opinion, produce
>'art' and actually exhibit it alongside professional and trained artists.
The general public is right in this respect.
> The problem arises when that very
>underdeveloped and ignorant amateur artist happens to be a celebrity.
No, the problem arises when most so called modern artists are as
incompetent as most somewhat talented amateurs.
> Of course I am livid - particularly as
>Liverpool has provided the world with many great artists over the years, not
>only musicians and actors but painters too, who are far more worthy (and in
>need) of a show of such high exposure. The biggest gripe though is not that
>a celebrity has been given this opportunity - because that's inevitible
>these days with much funding being based on 'bums-on-seats' attendance, it's
>just that his paintings are so bloody awful!
Most of the crap hanging in the modern sections of museums is just as
bad. Why shouldn't Paul's hang in a similar place? He's got the
connections.
>--- and now this! A very high
>profile solo exhibtion at one of Englands oldest art galleries, adjacent
>rooms showing Matisse, Cezanne, Constable, Rembrant, Giotto... - great great
>artists. I'm sorry but this really hurts.
I glad it does. I hope similar nonsense kills Modern Academic Art. I
don't think Matisse and Cezanne should hang there either.
>Does anyone agree with me? Or am I just being a bit sensitive?? Are there
>any celebrities that have turned out to be quite good I wonder.
Churchill is as good as any Impressionist. Paul is as bad as any
famous abstract schmierer. He has better connections than most and
abstract schmiering is mostly a matter of connections.
...no skill no art...
Tired of Modern Art? Check out my web page
Thank you for your comments.
"mdeli" <n...@mail.com> wrote in message
news:3ce5bf8c...@news1.on.sympatico.ca...
>Does anyone agree with me? Or am I just being a bit sensitive??
I'm sure there are plenty of REAL artists who will agree with you, "vanity art"
sucks.
>Are there
>any celebrities that have turned out to be quite good I wonder.
The best I've seen is Martin Mull (He has a BFA) but his work is mediocre.
Why shouldn't everyone paint?
Haven't seen McCartney's stuff, but have seen the artwork of novelist Henry
Miller and enjoyed it.
The book "Paint as you Like and Die Happy" by Miller is wonderful.
A few of his child-like watercolors are posted on Maurice Bassett's Henry
Miller website at:
Gus Horne
Yet another who has totally missed the point of what I have written!! I
don't know why some people are so defensive. Why shouldn't everyone plumb
their own house? - why shouldn't everyone build their own cross river
suspension bridge?
Of course anyone can do exactly as they please - It was never my opinion
that non-trained artists shouldn't paint, but that they shouldn't be
rewarded for doing so! I also think it is the duty of a municipal gallery to
exhibit real art that has been produced with passion, sincerity and
expertise. The work of Paul McCartney is derivative, it is shallow and
crude. The public do need educating and unless this exhibition is to
illustrate everything that art is not and should never be - then it is a
travesty of curating and will only fuel an already strong public opinion
that art is valueless and unnecessary.
jolly wrote:
> Of course anyone can do exactly as they please - It was never my opinion
> that non-trained artists shouldn't paint, but that they shouldn't be
> rewarded for doing so!
Sounds like you're jealous. You struggle, you strive, and you get no
respect. Paul McCartney farts paint on paper and they dedicate an
entire planet to his works.
Welcome to the real world. When the slave draws in the dirt with a
stick, no one cares. When the Pharaoh draws in the dirt with his golden
staff, everyone gathers around to watch. This should come as no
surprise to anyone.
"Nik Maack" <nikm...@sympatico.ca> wrote in message
news:3CE8EFD6...@sympatico.ca...
> Yet another who has totally missed the point of what I have written!!
I don't think so.
> they shouldn't be rewarded for doing so!
Why not? Maybe they have "good karma," or something equally preposterous.
Gus Horne
jolly wrote:
> I would love to receive
> a bit more intelligent comment than 'jealous'!!
The bait you use determines what sort of fish you'll catch.
Speaking of catching fish, there's a new dirty word on my website:
SCREW YOURSELF SILLY
http://www.nikart.com/dirty/dirty.html
Just another reminder that this project is open to ANYONE who would like
to submit a dirty word. Even Paul McCartney.
I don't think he was ever known as an athlete,
but Leroy Neiman has made quite a good living
producing poster art that depicts various
sports events. I would guess he is a multi-millionaire
several times over from sales of his reproductions.
For those who are slavering to see his work:
It's his OFFICIAL Web site!
> i got to go to Anthony Quinn's studio once. And he did paint a lot. Some of
> it i liked some of it hoh humm
He had passion.
The argument for calling Quinn or McCartney "artists" is not as tenuous as
it would be for other people.
It's not like, suddenly, Bill Gates picked up a paint brush and immediately
got a show at the Guggenheim.
Gus Horne
But it is rather like, suddenly, David Hockney picked up a cello
and immediately got a show at the Royal Opera House!
> But it is rather like, suddenly, David Hockney picked up a cello
> and immediately got a show at the Royal Opera House!
And your point is . . . ?
That it couldn't happen?
Or that it shouldn't happen?
--
How Long is a Chinese Name - Heist
"jolly" <ma...@keithsgallery.co.uk> wrote in message
news:XC5G8.433$vhi2.8...@news2.randori.com...
>I think this must be the only profession where the general public thinks
>that they need no prior knowledge whatsoever to form an opinion, produce
>'art' and actually exhibit it alongside professional and trained artists.
The general public is right in this respect.
> The problem arises when that very
>underdeveloped and ignorant amateur artist happens to be a celebrity.
No, the problem arises when most so called modern artists are as
incompetent as most somewhat talented amateurs.
> Of course I am livid - particularly as
>Liverpool has provided the world with many great artists over the years, not
>only musicians and actors but painters too, who are far more worthy (and in
>need) of a show of such high exposure. The biggest gripe though is not that
>a celebrity has been given this opportunity - because that's inevitible
>these days with much funding being based on 'bums-on-seats' attendance, it's
>just that his paintings are so bloody awful!
Most of the crap hanging in the modern sections of museums is just as
bad. Why shouldn't Paul's hang in a similar place? He's got the
connections.
>--- and now this! A very high
>profile solo exhibtion at one of Englands oldest art galleries, adjacent
>rooms showing Matisse, Cezanne, Constable, Rembrant, Giotto... - great great
>artists. I'm sorry but this really hurts.
I glad it does. I hope similar nonsense kills Modern Academic Art. I
don't think Matisse and Cezanne should hang there either.
>Does anyone agree with me? Or am I just being a bit sensitive?? Are there
>any celebrities that have turned out to be quite good I wonder.
Churchill is as good as any Impressionist. Paul is as bad as any
>I think this must be the only profession where the general public thinks
>that they need no prior knowledge whatsoever to form an opinion, produce
>'art' and actually exhibit it alongside professional and trained artists.
The general public is right in this respect.
> The problem arises when that very
>underdeveloped and ignorant amateur artist happens to be a celebrity.
No, the problem arises when most so called modern artists are as
incompetent as most somewhat talented amateurs.
> Of course I am livid - particularly as
>Liverpool has provided the world with many great artists over the years, not
>only musicians and actors but painters too, who are far more worthy (and in
>need) of a show of such high exposure. The biggest gripe though is not that
>a celebrity has been given this opportunity - because that's inevitible
>these days with much funding being based on 'bums-on-seats' attendance, it's
>just that his paintings are so bloody awful!
Most of the crap hanging in the modern sections of museums is just as
bad. Why shouldn't Paul's hang in a similar place? He's got the
connections.
>--- and now this! A very high
>profile solo exhibtion at one of Englands oldest art galleries, adjacent
>rooms showing Matisse, Cezanne, Constable, Rembrant, Giotto... - great great
>artists. I'm sorry but this really hurts.
I glad it does. I hope similar nonsense kills Modern Academic Art. I
don't think Matisse and Cezanne should hang there either.
>Does anyone agree with me? Or am I just being a bit sensitive?? Are there
>any celebrities that have turned out to be quite good I wonder.
Churchill is as good as any Impressionist. Paul is as bad as any
+ "jolly" <ma...@keithsgallery.co.uk> wrote:
+
+>I think this must be the only profession where the general public thinks
+>that they need no prior knowledge whatsoever to form an opinion, produce
+>'art' and actually exhibit it alongside professional and trained artists.
+The general public is right in this respect.
The general public are in a position to comment on a whole range of
professions about which they have little intimate knowledge. For example,
I don't need to study medicine to know that a surgeon removed the wrong
leg in an operation. I don't need to be a carpenter in order to know that
a crooked, leaky roof isn't up to scratch. I don't need to be a mechanic
to know I've got a problem when my car won't start.
Art is no different. The average punter might not know the hows and whys
of art but that doesn't mean they are in no position to pass judgement on
the finished job.
If it needs a three page thesis to explain it, then is it really art?
Andy D.
"I'm a great speller - but a hopless tpyist!"
And you forgot the most important point - average folks are the ones who all
to often pick up the tab (through taxes) for work no one would buy with
their own money. There's a good reason socialism is so strong in the
arts....
Cheers;
Chris
>I think this must be the only profession where the general public thinks
>that they need no prior knowledge whatsoever to form an opinion, produce
>'art' and actually exhibit it alongside professional and trained artists.
The general public is right in this respect.
> The problem arises when that very
>underdeveloped and ignorant amateur artist happens to be a celebrity.
No, the problem arises when most so called modern artists are as
incompetent as most somewhat talented amateurs.
> Of course I am livid - particularly as
>Liverpool has provided the world with many great artists over the years, not
>only musicians and actors but painters too, who are far more worthy (and in
>need) of a show of such high exposure. The biggest gripe though is not that
>a celebrity has been given this opportunity - because that's inevitible
>these days with much funding being based on 'bums-on-seats' attendance, it's
>just that his paintings are so bloody awful!
Most of the crap hanging in the modern sections of museums is just as
bad. Why shouldn't Paul's hang in a similar place? He's got the
connections.
>--- and now this! A very high
>profile solo exhibtion at one of Englands oldest art galleries, adjacent
>rooms showing Matisse, Cezanne, Constable, Rembrant, Giotto... - great great
>artists. I'm sorry but this really hurts.
I'm glad it does. I hope similar nonsense kills Modern Academic Art. I
don't think Matisse and Cezanne should hang there either.
>Does anyone agree with me? Or am I just being a bit sensitive?? Are there
>any celebrities that have turned out to be quite good I wonder.
Churchill is as good as any Impressionist. Paul is as bad as any
famous abstract schmierer. He has better connections than most and
abstract schmiering is mostly a matter of connections.
...no skill no art!
Want to get away from the indecipherable imbecilities and absurd pretensions of the modern art establishment?
Check out my web page http://www3.sympatico.ca/manideli/
On Fri, 01 Nov 2002 12:38:52 -0500, Mani Deli <ma...@sympatico.ca>
wrote:
>Churchill is as good as any Impressionist. Paul is as bad as any
>famous abstract schmierer. He has better connections than most and
>abstract schmiering is mostly a matter of connections.
You're 100% correct.
I'm disappointed that Paul McCartney decided to make ugly modern fart
instead of learning proper drawing & painting skills and using them to
express himself in a meaningful way. He learned to play the guitar,
sing, and compose music, but he didn't learn to paint or draw. That is
such a waste. With his creativity, he might have had the potential to
make some very interesting paintings.
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>
>On Fri, 01 Nov 2002 12:38:52 -0500, Mani Deli <ma...@sympatico.ca>
>wrote:
>
>>Churchill is as good as any Impressionist. Paul is as bad as any
>>famous abstract schmierer. He has better connections than most and
>>abstract schmiering is mostly a matter of connections.
>
>You're 100% correct.
>I'm disappointed that Paul McCartney decided to make ugly modern fart
>instead of learning proper drawing & painting skills and using them to
>express himself in a meaningful way.
I'm delighted!
His work shows that Modern Academic Art is a branch of stupidity in
which anyone can perform and only the right connections will get you
anywhere.
On Fri, 01 Nov 2002 21:32:44 -0500, Mani Deli <ma...@sympatico.ca>
wrote:
>I'm delighted!
>
>His work shows that Modern Academic Art is a branch of stupidity in
>which anyone can perform and only the right connections will get you
>anywhere.
>...no skill no art!
So now all Dan Fox has to do is become a rock legend.
keith
Richard <cool_a...@z.com> wrote in message
news:v4n6sucv5v8m9kcn1...@4ax.com...