One of my books, by sarah buckley, mentions that it can add texture
and brilliance to paint applied to the paper. Another book, by Ray
Smith, does not mention this, but says gum arabic can be used for
masking and lift off.
Do you mix it with the puddle of prepared watercolor on the palette?
Or should gum arabic be applied after you you but the color on the
paper?
Should a clean wet brush be dipped into the gum arab then applied to
wet paint?
How is gum arabic cleaned from the brush? It is water soluble?
Are there problems to watch out for with it?
suggestions welcome
sarp
>Does anyone have experience using gum arabic with watercolor?
>
>One of my books, by sarah buckley, mentions that it can add texture
>and brilliance to paint applied to the paper. Another book, by Ray
>Smith, does not mention this, but says gum arabic can be used for
>masking and lift off.
>
>Do you mix it with the puddle of prepared watercolor on the palette?
>
>Or should gum arabic be applied after you you but the color on the
>paper?
>
>Should a clean wet brush be dipped into the gum arab then applied to
>wet paint?
>
>How is gum arabic cleaned from the brush? It is water soluble?
Try reading authors who talk straight.
>Are there problems to watch out for with it?
>
>suggestions welcome
>
>sarp
Gum arabic is mucilage. Its about 50 cents a bottle in the stationary
store. Its a binder for tempera.
> Gum arabic is mucilage. Its about 50 cents a bottle in the stationary
> store. Its a binder for tempera
Other substances have replaced it in situations where toxicity is not
an issue, as the proportions of the various chemicals in gum arabic
vary widely and make its reliable performance troublesome.
Gum Arabic must have some special properties to set it apart from other
mucilage sources. Everytime North Africa experiences political turmoil,
the price of gum arabic skyrockets - as does the myriad food procucts
that contain gum arabic. If Irish Moss could do the trick, this
wouldn't happen.