Jon
Squinting is one option.
They are not the same.
Abstractions are taken and still show a reflection of the images they are
abstracted from...eg. Brancusi The Kiss is an abstraction. Where Fitzgeralds
The Hug is non-representational.
THE DOC
In the history books there is all kinds of terminology for the different types
of abstraction from futurism to cubism and on and on
Hope this is useful.
Katheryn
--
A car that will not go is not a car at all. - Birkett
Karsales (Harrow) Lts. v. Wallis 1956
Actually Matti, I don't think that is so. As soon as you put a title
that immediately evokes an image in the mind of the viewer alongside an
abstract work then you make an association with reality, and thus it is
no longer abstract. But you are right to try and make the distinction.
However, it should have been between abstraction and pure abstract art.
There have been a lot of *movements* leading towards Abstract but most
of them are, as you rightly point out, Abstraction. Malevich's work is
a good example of pure abstract.
--
Alison A Raimes
http://www.raimes.com
http://www.egroups.co.uk/group/artlives
From the responses given, I have more to go on. I'll do some more of my own
research as well. I guess that rather than saying that one paints in
abstract, it would probably be more accurate to say that one paints in
abstraction.
Jon
"Jon" <jonpa...@home.net> wrote in message
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It is also possible to argue the reverse, and claim that all art is
abstract. Even a hyper-realistic painting is the representation of a
subjective experience and an abstraction from the actual view of
reality. This is, by the way, another reason why photography is not art,
since it, by its very nature, precludes abstraction - though the
argument against this has some force; viz. photography forces its own
interpretation on reality, which is, itself, though mechanical, an
abstraction.
It is an interseting subject as it touches not only on what art may be,
but also on what the interplay between realistic and subjective is and
how much anybody ever manages to trancend the subjective. Not to mention
the role of symbolism in communication - how well does an islamic piece
of decorative art, through its formalism, manage to convey the
subjective experience?
[More accurate still to say one paints in a fit of abstraction...]
Andrew Werby
http://unitedartworks.com
I'm not sure what your talking about here. R/U talking about semi abstract
futurism color field painting or art novoue or possibly cubism? Please tell me
how any of the above are considered decrative. I'd like to know.
I believe what I have written above, it's the only way I can make sense of
images. Is this a viable viewpoint for anyone else?
Clive Watts
"Andrew Werby" <and...@computersculpture.com> wrote in message
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--
Madness is rare in individuals-but in groups, parties, nations and ages
it rules.
- Fredrich Nietzsche