"The best it's going to be"?
I disagree, the old series had balls. It knew why it existed and looked
to fulfill that mission... that's until it got lazy, or was allowed to
undermine its credibility as drama. The old series was a focus for our
collective psyches, monsters carried over into drama from another epoch.
All those monsters we couldn't speak of, given a dramatic form. It was
a kind of debriefing, it was cathartic, it was exercise to hold the
place of that buried truth.
The new series started out with some of that balls, 'The long game'
a particular favorite. Yes, amidst some of those programs we like to
decry, there were some genuine moments of drama, moments of real
expression, as well as entertainment, and whatever else that now means.
At its best DW was more than entertainment, it was Scifi.
Sci-fi as an artistic form to reflect a people to itself, to illuminate,
or critique, to examine basic tenants of our humanity. Scifi, as more
than entertaining yarns, at its best allows one to see what we otherwise
can't speak of. An idea of place, our place in time. An idea of
direction, taken from an understanding of our cultures and what we are.
Scifi exist as an alternative reality. An alternative view of reality.
Scifi at its best is about the human condition bound to circumstance.
Its a form of exercise especially necessary where one is limited to an
undemanding illusion. 'What if's', asked in lue of any practical
experience. The present tense to be accepted and interpreted by our
future selves as entertaining myths. Dalek, Cybermen, hum bug...
You got a stronger sense of this subtext with StarTrek, old and new,
boldly going where few dare to go. Dramas existing as backdrops for
social and philosophical questions. Crystallizing those questions
which were of their times, in stories with a safe cozy epilogues.
These days 'cgi' makes our entertainment bland because its so much
easier to appeal to the visual spectacle. Visually convincing
illusions which don't need to satisfy our intellects. What we need
is another Gene Roddenberry, or another Rod Serling, or even another
Nigel Kneale.
One wonders if men of such vision and social sensibilities would be
allowed in this age to share the same stage as our social engineers.
Maybe there's a degree of self censorship in what we dare to tell our
selves. Maybe this blandness reflects our age and the freedoms we
loose as we look to claim the biggest number, or the greatest
influence. A global franchise coming before the needs of the local
audience. And yet there's that thought, If we can't say what we use
to say, then what kind of future do we create in the absence of these
necessary and civilizing values. Do we simply take this counter force
for good, for granted?
In my opinion DW can get better, but first it needs to know why it
exists.