Fats Domino's top chart hits compiled for new collection, "Greatest Hits: Walking To New Orleans"
g-l...@satchmo.com
Hits: Walking To New Orleans"
30-Track CD and Digital Album from Capitol/EMI Features 29 Top 10
Hits, Including Eight #1s
In the worlds of pop, rock and R&B, Antoine "Fats" Domino is a legend.
An original inductee into the Rock and Roll Hall of Fame (1986),
Domino was second only to Elvis Presley in rock record sales in the
1950s and gave the world some of the greatest songs and performances
of R&B and early rock 'n' roll. Capitol/EMI is proud to honor Fats
Domino's legacy with the August 14 release of Greatest Hits: Walking
To New Orleans, a new 30-track CD and digital album that's as big and
rollicking as his New Orleans boogie-woogie. The new chronologically
sequenced collection boasts 29 Top 10 R&B hits, including eight #1s
from Domino's unprecedented run of success with Imperial Records from
1950 to 1963.
Greatest Hits: Walking To New Orleans spans Domino's Imperial tenure,
from his first million-selling hit, 1949's "The Fat Man" (which many
have called the first rock 'n' roll record), through his mid-'50s R&B
chart-toppers, including his first Top 10 Pop hit, "Ain't That A
Shame" and "I'm Walkin'." The blue twosome of "Blueberry Hill" (his
biggest hit) and "Blue Monday" (often cited by Fats as his favorite
record) are included, and the collection's title track, "Walking To
New Orleans." During his heyday, Fats sold more than 65 million
records and co-wrote many of his successful songs with his producer
and bandleader, Dave Bartholomew.
Domino made "Blueberry Hill," previously associated with Gene Autry
and Louis Armstrong, and the Tin Pan Alley artifact "My Blue Heaven"
his own the moment he wrapped his Creole-inflected pipes around each
of those ancient ditties. "I like old numbers like that, because they
never die," said Fats. "They always keep good memories, and the older
people like 'em, and the younger people like 'em."
The first musician to become a rock 'n' roll icon solely on the
strength of his music and not as an image or novelty, Fats Domino was
also part of many of the early touring rock 'n' roll package shows
that barnstormed the country and popularized the new music.
Domino often found lyrical inspiration in the experiences of everyday
folks. "Something that happened to someone, that's how I write all my
songs," he said. "I used to listen to people talk every day, things
would happen in real life. I used to go around different places, hear
people talk. Sometimes I wasn't expecting to hear nothin', and my mind
was very much on my music. Next thing I'd hear, I would either write
it down or remember it good."
Even as rock 'n' roll's popularity waned as Little Richard retreated
into the ministry, Elvis donned Army fatigues, and a battalion of well-
scrubbed teen idols invaded from Philly, the Fat Man kept on rocking
with "Whole Lotta Loving," "I'm Ready," and "I'm Gonna Be A Wheel
Someday." "Be My Guest" wafted down to Jamaica and ended up a
cornerstone of ska's birth.
No other veteran R&B artist of his era would come close to equaling
his long-term impact on rock 'n' roll, as evidenced by the wide
variety of artists covering his songs, from Bobby Darin, Ella
Fitzgerald, Ricky Nelson and Ike & Tina Turner to John Lennon, Paul
McCartney, Sheryl Crow, T-Rex, Los Lobos, and Cheap Trick.
"On and off the stage, he's a true man who belongs to the public,"
said the late Roy Montrell, his longtime guitarist. "Everything he
does, he does it with his public in mind."
He's still a man of the people, judging from the way the world waited
on pins and needles when word filtered out that he was missing in the
wake of Hurricane Katrina's devastation. New Orleans' Ninth Ward,
Antoine Domino, Jr.'s home from the day of his birth on February 26,
1928, was one of the epicenters of Katrina's wrath. When photos of
Domino's rescue from his flooded home finally hit media outlets, the
planet breathed a collective sigh of relief.
That's how beloved a figure Fats Domino remains, not only in his
native Crescent City, where he's a virtual deity, but everywhere. As
one of the irreplaceable rock 'n' roll pioneers of the 1950s, he
deserves no less.
For more information, visit Fats Domino's official website:
- http://www.fatsdominomusic.com/ (coming soon!)
Fats Domino - Greatest Hits: Walking To New Orleans
1. The Fat Man R&B #2 (1950)
2. Goin' Home R&B #1; Pop #30 (1952)
3. Going To The River R&B #2; Pop #24 (1953)
4. Please Don't Leave Me R&B #3 (1953)
5. Something's Wrong R&B #6 (1953)
6. Ain't That A Shame R&B #1 (11 weeks); Pop #10 (1955)
7. All By Myself R&B #1 (three weeks) (1955)
8. Poor Me R&B #1 (1955)
9. I Can't Go On (Rosalie) R&B #6 (1955)
10. Bo Weevil R&B #5; Pop #35 (1956)
11. Don't Blame It On Me R&B #9 (1956)
12. I'm In Love Again R&B #1 (9 weeks); Pop #3 (1956)
13. My Blue Heaven R&B #5; Pop #19 (1956)
14. When My Dreamboat Comes Home R&B #2; Pop #14 (1956)
15. So Long R&B #5; Pop #44 (1956)
16. Blueberry Hill R&B #1 (11 weeks); Pop #2 (3 weeks)
(1956)
17. Honey Chile R&B #2 (two weeks) (1956)
18. Blue Monday R&B #1 (8 weeks) (1956); Pop #5
(1957)
19. I'm Walkin' R&B #1 (6 weeks); Pop #4 (1957)
20. It's You I Love R&B #2; Pop #6 (1957)
21. Valley Of Tears R&B #2; Pop #38 (1957)
22. Wait And See R&B #7; Pop #15 (1957)
23. Whole Lotta Loving R&B #2; Pop #6 (1958)
24. I'm Ready R&B #7; Pop #16 (1959)
25. I Want To Walk You Home R&B #1; Pop #8 (1959)
26. I'm Gonna Be A Wheel Someday R&B #22; Pop #17 (1959)
27. Be My Guest R&B #2; Pop #8 (1959)
28. Walking To New Orleans R&B #2; Pop #6 (1960)
29. My Girl Josephine R&B #7; Pop #14 (1960)
30. Let The Four Winds Blow R&B #2; Pop #15 (1961)
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Pre-order Fats Domino's "Greatest Hits: Walking To New Orleans"
- http://www.amazon.com/exec/obidos/ASIN/B000S868Y6/neworleanbooksto
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