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ANNOUNCEMENT: TRANS Issue 13 now available
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AMS  
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 More options Nov 2, 3:43 pm
From: AMS <a...@ams-net.org>
Date: Mon, 02 Nov 2009 15:43:34 -0500
Local: Mon, Nov 2 2009 3:43 pm
Subject: ANNOUNCEMENT: TRANS Issue 13 now available
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The 13th issue of *Trans. Transcultural Music Review*, which includes a special dossier on Music and Performance Studies edited by Alejandro L.
Madrid, is now available online through the following link <http://www.sibetrans.com/trans/trans13/indice13.htm>.

The Music and Performance Studies dossier consists of the following articles:

1. “Why Music and Performance Studies? Why Now?: An Introduction to the Special Issue” by Alejandro L. Madrid

2.  “¿Por qué música y estudios de performance? ¿Por qué ahora?: una introducción al dossier” by Alejandro L. Madrid

3. “More than 'Just' Music: Four Performative Topoi, the Phish Phenomenon, and the Power of Music in/and Performance” by Jnan Blau

4. “Tonality as Law, Contravention, Performativity” by Arved Ashby

5. “El tango como disciplinador de cuerpos ilegítimos-legitimados” by María Mercedes Liska

6. “Tango Queer: territorio y performance de una apropiación divergente” by Sofía Cecconi

7. “Synthesizing Race: Towards and Analysis of the Performativity of Vocal Timbre” by Nina Eidsheim

8. “Enhancing Musical Performance” by Michael Berry

9. “Performing the Passion: Music, Ritual, and the Eastertide Labyrinth” by Michael Eisenberg

10. “Observations on the Performance of Plainchant in the Low Countries (10th-18th centuries)” by Pieter Mannaerts

11. “Pisa con Garbo: el cuplé como performance” by Pepa Anastasio

12. “Musical Trans(actions): Intersections in Reggaeton” by Ramón H. Rivera-Servera

The issue also includes autonomous articles by Christian Spencer Espinosa and Chiara Bertoglio as well as a book review section.

*Trans. Transcultural Music Review* is the refereed on-line journal of SIBE (the Iberian Society for Ethnomusicology). It publishes contributions about (ethno)musicology in general, critical and feminist (ethno)musicology, popular music studies, music aesthetics, cognitive ethnomusicology, etc., Its aim is to cross borders and establish alliances with fellow disciplines (anthropology, sociology, cultural studies, psychoanalysis, philosophy, cognitive sciences, semiotics, etc.), which could widen the epistemological boundaries of current musical knowledge.


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