But who did the senators think they were to oppose the man who held all the legions and was not afraid to use them?
adria...@googlemail.com wrote:
>
> Yes one could certainly see that as a possibility - but it seems far
> riskier than having one of the old faithfuls; Marcus Crassus seems to
> have been at least capable of being a major player. The other
> possibility is that despite Antony's (partial) defeat at Actium,
> Octavian's hold is far from secure and/or that the senate was diposed
> to, and still powerful enough to, make sure that there was some proper
> counterweight to Octavian.
>
> On Mar 31, 1:33 pm, "Leofranc Holford-Strevens"
> <
au...@gellius.demon.co.uk> wrote:
> > >"Clubs are trumps" - I like that!
> >
> > Credit to Hobbes, in Leviathan.
> >
> > Perhaps Imp. Caesar was adopting a policy of 'We're all Romans now [sc. t=
> hat
> > Antony is dead]', but also demonstrating that the consulate was now only =
> as
> > important as its holder; after all, later in the year he bestowed it on M=
> ..
> > Cicero, whom he neither loved nor feared--precisely because he did not fe=
> ar
> > him. Agrippa and Taurus could wait till the master was back to keep an ey=
> e
> > on them.
> >
> > Leofranc Holford-Strevens
> > 67 St Bernard's Road
> > Oxford
> > usque adeone
> > OX2 6EJ scire MEVM nihil est,=
> nisi ME scire hoc sciat
> > alter?
> >
> > tel.
+44 (0) 1865 552808 (home)/353865 (work) fax
+44 (0) 1865 512237-=
> ---- Original Message -----
> > From: "falmouth" <
adrianj...@googlemail.com>
> > To: "Mantovano" <
mant...@googlegroups.com>
> > Sent: Tuesday, March 31, 2009 12:43 PM
> > Subject: VIRGIL: Re: More on murder theory
> >
> > "Clubs are trumps" - I like that!
> >
> > Speaking of Agrippa, I wonder what the atmosphere was actually like at
> > Rome in the year between Actium and the conquest of Alexandria (no
> > real loot yet...), with Octavian absent (keeping his distance?) and
> > Agrippa there because, it is implied, Maecenas wasn't able to keep
> > control himself. Dio who says Agrippa was sent to Rome because
> > Maecenas was only an 'eques' (Dio 51.3), but Agrippa's background was
> > many orders of magnitude more humble than that of Maecenas - if
> > Agrippa was accorded more 'respect', it must have been on the 'clubs
> > are trumps' principle? It is interesting - bizarre? - that Marcus
> > Crassus was elected co-consul with Octavian at around this time whom
> > Dio refers to as having sided with Antony (Dio 51.4) - if Octavian
> > really was top-dog by this time, could he not have made sure it was
> > someone like Agrippa or Statilius Taurus?
> >
> > On Mar 30, 8:10 pm, "Leofranc Holford-Strevens"
> > <
au...@gellius.demon.co.uk> wrote:
> > > If the political poet is simply in it for the money, so to speak, yes,
> > > provided his line is not too obviously 'And George my lawful king shall
> > > be,
> > > Until the times do alter'; but not even Dryden behaved like that--and w=
> hen
> > > James II was overthrown (or rather ran away; like Nero, he might have w=
> on
> > > if
> > > he'd been staunch enough), he did not try to curry favour with William =
> III
> > > and would doubtless have got nowhere if he had. (Nor did he reconvert f=
> rom
> > > the Catholicism he had adopted when Pop'ry came in fashion.) In fact
> > > Dryden
> > > seems to have believed in his successive causes through the one overrid=
> ing
> > > principle, namely that anything was better than civil war: Cromwell was=
> to
> > > be supported *because* he was what we should call a dictator, who stood
> > > for
> > > no nonsense (to speak anachronistically) on either left or right, and w=
> ho
> > > was a far wiser steward of public events than the hotheads of Parliamen=
> t;
> > > Charles II and James II were to be supported because their claim to the
> > > throne was based on law, not on parliamentary faction or mob intimidati=
> on.
> > > Granted that Augustus' claim to rule was based on no more than the same
> > > 'clubs are trumps' principle that Cromwell's was, that was quite good
> > > enough
> > > once his (or rather Agrippa's) club had beaten down all comers; that co=
> uld
> > > explain why people (even Propertius in the end) came on board, but Verg=
> il
> > > was in any case personally _beneficio devinctus_, which by Roman morali=
> > > > That's when the challenge for the poet becsoms interesting. When Char=
> les
> > > > II taxed Dryden with having written a better poem in honour of Cromwe=
> ll
> > > > than of himself, Dryden replied: 'Sire, your Majesty knows that we po=
> ets
> > > > excel in fictions.' Any loose threads to an alternative interpretatio=
> n
> > > > would just be a failure to do the job properly; and whatever fidelity=
> to
> > > > Augustus demanded of Vergil, it was nothing to the consequences of th=
> e
> > > > change in party line for the same Dryden halfway through _The Hind an=
> d
> > > > the
> > > > Panther_ when James II, having despaired of an alliance with the Chur=
> ch
> > > > of
> > > > England against the Dissenters, sought instead to ally himself with t=
> he
> > > > latter against the former--thus requiring him to anticipate the
> > > > doubleplusgood duckspeaker who switched allies and enemies in mid-spe=
> ech
> > > > between Eurasia and Eastasia. That must have been like landing the pl=
> ane
> > > > on the Hudson River without fatalities: the ultimate test of one's
> > > > training. Why *shouldn't* a poet be the faithful servant of his princ=
> e?
> >
> > > >
adrianj...@googlemail.com wrote:
> >
> > > > > Then, I suppose the question becomes how thick is the white paint? =
> Or
> > > > > does he do this to the maximum of his capabilities with uniform
> > > > > conviction?
> >
> > > > > The "further voice(s)" type analysis is maybe not as incompatible w=
> ith
> > > > > 'writing in O's interest' as it is usually taken. The first line of
> > > > > the anti-anti-augustans is something like, "well is it really at al=
> l
> > > > > historically credible that Vergil would be poking away at O.'s tend=
> er
> > > > > spots deliberately and palpably with the intention of highlighting
> > > > > them to criticise O.?" and the natural answer is "no, not really". =
> The
> > > > > hypothetical answer that the worst of the digs are suficiently subt=
> le
> > > > > to escape O.'s notice, is not really very attractive either (althou=
> gh
> > > > > this is perhaps a deliberate mischaracterisation of the pessimists =
> by
> > > > > the optimists, their point being rather that the graver the implici=
> t
> > > > > criticism, the more distance there is from the surface, thus enabli=
> ng
> > > > > the 'defence' 'is the criticism really there at all?'). But once it=
> 's
> > > > > recognised that in order to come up with something that comes acros=
> s
> > > > > as favourable to O., one needs a generous smattering of applied
> > > > > fiction, the question becomes rather different. One can imagine a V=
> ..
> > > > > liberally and overtly applying that fiction but leaving a fair
> > > > > appraisal of the historic reality at least available - could that b=
> e
> > > > > criticised as disloyal: not easily, since he can easily point to th=
> e
> > > > > efforts which he's made *to improve* the perception of O. But it
> > > > > nevertheless affords the opportunity for some integrity and
> > > > > independence and an easy escape route for a poet from propagandism.
> > > > > Hence, an Aeneid which is deliberately diffuse of interpretation an=
> d
> > > > > hard to pin down, but which encourages the reader down various trai=
> ls
> > > > > which undermine the sunny praise of O., is not really such an unlik=
> ely
> > > > > possibility.
> >
> > > > > To take the most obvious example, Aeneas and his piety. O. being
> > > > > likened to the 'pius' Aeneas can obviously be taken as flattering. =
> The
> > > > > 'further voicers' point to the fact that Aeneas is not universally
> > > > > 'pius' and indeed that V. seems to take the trouble to make this so=
> ..
> > > > > Does this entail corresponding 'criticism' of O. - in some senses
> > > > > 'yes' but in another senses 'no' since it's founded in reality when
> > > > > one applies it to the analogue Octavian, whom one would struggle to
> > > > > call universally 'pius' with a straight face, or at least with any
> > > > > credibility. And conveniently for the poet, it's all in the context=
> of
> > > > > an unreliable analogy, in any event.
> >
> > > > > On Mar 28, 9:26 pm, "Leofranc Holford-Strevens"
> > > > > <
au...@gellius.demon.co.uk> wrote:
> > > > > > Para. 2: Yes, it does amount to that, and I'm on the whitewash si=
> de,
> > > > > > if
> > > > > > that's what you call writing in his interest.
> >
> > > > > > Leofranc Holford-Strevens
> > > > > > 67 St Bernard's Road
> > > > > > Oxford
> > > > > > usque adeone
> > > > > > OX2 6EJ scire MEVM nihil est,=
> > > > > nisi ME scire hoc sciat
> > > > > > alter?
> >
> > > > > > tel.
+44 (0) 1865 552808 (home)/353865 (work) fax +44 (0) 1865
> > > > > > 512237
> >
> > > > > > ----- Original Message -----
> > > > > > From: "falmouth" <
adrianj...@googlemail.com>
> > > > > > To: "Mantovano" <
mant...@googlegroups.com>
> > > > > > Sent: Saturday, March 28, 2009 8:03 PM
> > > > > > Subject: VIRGIL: Re: More on murder theory
> >
> > > > > > Martin, I hope you didn't read my posts as endorsing the fantasti=
> cal
> > > > > > suggestion that Vergil was murdered by Augustus... There's no rea=
> son
> > > > > > whatsoever to suggest that Vergil died otherwise than by the feve=
> r
> > > > > > which he is recorded as having contracted. I think one can be 100=
> %
> > > > > > sure that he was not 'murdered' by Augustus, (e.g. it was Augustu=
> s
> > > > > > who
> > > > > > ensured that the Aeneid was not destroyed).
> >
> > > > > > Leofrranc, it occurs to me that a different perspective might
> > > > > > accommodate to some extent some of our differences. Perhaps we wo=
> uld
> > > > > > agree that a truthful account of Octavian's exploits prior to say
> > > > > > 29BC
> > > > > > would not leave him in a flattering light (and would be entirely
> > > > > > unwelcome, to say the least). We would probably also agree that t=
> he
> > > > > > Georgics and the Aeneid *does* purport to show Octavian in a
> > > > > > favourable light. Does it amount to this - either we see V. in th=