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Date: Mon, 12 Nov 2012 00:16:48 -0500
Subject: Re: [jazz_guitar] Re: On "Blue Bossa"
Reply-To: jazz_gui...@yahoogroups.com
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Let me ask a rhetoric question:=20
"Would you say you have an ear for 'music'?"
On Nov 12, 2012, at 12:01 AM, JVegaT...@aol.com wrote:
>=20
> To each his/her musically "own", but I hear Cm6 more like an F7, unless =
it's the tonic chord, like "Summertime" in Cm. I have no idea what a "melo=
dic minor chord" is, and wonder what you mean by "subdominant function". T=
his is exactly the reason I find this kind of "talk" worthless; it means no=
thing unless somebody is referring to a musical context. I don't hear/cons=
ider Cm6 like Cm/Maj7m, Cm6 leans more towards F7/9 to me because of the tr=
itone bet'n A and Eb, but if your approach works, that's cool. Enlighten m=
e, what is a "Melodic Minor chord"? That's a new term for me.
>=20=20
> Cheers,
> JV
>=20
> Juan Vega
>=20=20
> In a message dated 11/11/2012 8:19:59 P.M. Pacific Standard Time, Funkifi=
z...@hotmail.com writes:
>=20=20
> Correct. Similar to why Cm6 is more like Cm/Maj7. They have tonic minor q=
uality, as opposed to Cm7 which has subdominant function. We break this rul=
e at times, but I consider Cm6 a Melodic Minor chord.
>=20
>=20
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<p>Let me ask a rhetoric question: <div><br></div><div>"Would you say you have an ear for 'music'?"</div><div><br></div><div><br></div><div><br><div><div>On Nov 12, 2012, at 12:01 AM, <a href="mailto:JVegaT...@aol.com">JVegaT...@aol.com</a> wrote:</div><br class="Apple-interchange-newline"><blockquote type="cite">
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<font id="role_document" color="#000000" size="2" face="Arial">
</font><br class="webkit-block-placeholder"></div><div><font id="role_document" color="#000000" size="2" face="Arial">To each his/her musically "own", but I hear Cm6 more like an F7,
unless it's the tonic chord, like "Summertime" in Cm. I have no idea what
a "melodic minor chord" is, and wonder what you mean by "subdominant
function". This is exactly the reason I find this kind of "talk"
worthless; it means nothing unless somebody is referring to a musical
context. I don't hear/consider Cm6 like Cm/Maj7m, Cm6 leans more
towards F7/9 to me because of the tritone bet'n A and Eb, but if your approach
works, that's cool. Enlighten me, what is a "Melodic Minor chord"?
That's a new term for me.</font></div><font id="role_document" color="#000000" size="2" face="Arial">
<div> </div>
<div><font lang="0" size="2" face="Arial" family="SANSSERIF" ptsize="10">Cheers,<br>JV<br><br>Juan Vega
<div> </div>
<div>
<div>In a message dated 11/11/2012 8:19:59 P.M. Pacific Standard Time,
<a href="mailto:Funkifi...@hotmail.com">Funkifi...@hotmail.com</a> writes:</div>
<div> </div>
<blockquote style="BORDER-LEFT: blue 2px solid;"><font style="BACKGROUND-COLOR: transparent;" color="#000000" size="2" face="Georgia">Correct. Similar to why Cm6 is more like Cm/Maj7. They have tonic
minor quality, as opposed to Cm7 which has subdominant function. We break this
rule at times, but I consider Cm6 a Melodic Minor chord.
</font></blockquote></div></font></div></font><div><br class="webkit-block-placeholder"></div>
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#ygrp-sponsor #ov ul {
margin: 0;
padding: 0 0 0 8px;
}
#ygrp-text {
font-family: Georgia;
}
#ygrp-text p {
margin: 0 0 1em 0;
}
#ygrp-text tt {
font-size: 120%;
}
#ygrp-vital ul li:last-child {
border-right: none !important;
}
-->
</style>
</head>
<!--~-|**|PrettyHtmlEnd|**|-~-->
</html>
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