"The composer, artist, media consultant and music producer, Adrian Wagner is the great-great grandson of the famous nineteenth-century Grail opera composer, Richard Wagner..."
Personally I am very sceptical about this claim, but frankly I have no proof either pro or con?
> "The composer, artist, media consultant and music producer, Adrian > Wagner is the great-great grandson of the famous nineteenth-century > Grail opera composer, Richard Wagner..."
> Personally I am very sceptical about this claim, but frankly I have no > proof either pro or con?
> > "The composer, artist, media consultant and music producer, Adrian > > Wagner is the great-great grandson of the famous nineteenth-century > > Grail opera composer, Richard Wagner..."
> > Personally I am very sceptical about this claim, but frankly I have no > > proof either pro or con?
> It's a con.
I guess we never see a birth-certificate to know for sure. Reading these 3 quotes makes me doubt:
quote: In 1982, I started research into the Grail Tradition. My quest started with a fresh, new look at the work of my great, great grandfather, Richard Wagner's opera 'Parsifal'. I had heard that he started writing the Opera at Nanteos House, Aberystwyth - the place where the 'Nanteos Cup' was kept.
quote: Just over one hundred years later I was reading a book entitled The Holy Blood and the Holy Grail when I came upon an early paragraph which related that Richard Wagner had visited the little village of Rennes-Le-Château in the Pyrenees before he wrote his last opera, Parsifal.
quote: From the Old Testament stories and related older accounts, we learn the origins of the Grail and it's symbolism. One of the first of these is the 'Cross within the Circle' or the 'Mark of Cain'. The creation stories, like Genesis, Enuma Elish and The Epic of Gilgamesh, chronicle a visitation by a race of Gods called Anunnaki who had intermingled with the earthly people to create a race which we call Homo Sapiens, as pointed out in the books of Zecharia Sitchin. end of quote.
Wagner wrote aboiut the Grail in 1848 in The Wibelungen long before Rennes-Le-Château became in, I doubt whether he travelled to Wales before then, Zecharia Sitchin is well known for his fantastic speculations.
>> > "The composer, artist, media consultant and music producer, Adrian >> > Wagner is the great-great grandson of the famous nineteenth-century >> > Grail opera composer, Richard Wagner..."
>> > Personally I am very sceptical about this claim, but frankly I have >> > no proof either pro or con?
>> It's a con.
> I guess we never see a birth-certificate to know for sure. Reading these > 3 quotes makes me doubt:
> quote: > In 1982, I started research into the Grail Tradition. My quest > started with a fresh, new look at the work of my great, great > grandfather, Richard Wagner's opera 'Parsifal'. I had heard that he > started writing the Opera at Nanteos House, Aberystwyth - the place > where the 'Nanteos Cup' was kept.
The Nanteos Cup is a wooden cup that was dug up near his home at Nanteos by the eccentric poet George Powell (1842-1882). Although Powell believed that the cup was the Holy Grail, more recently it has been dated to the 14th century.
Powell does indeed have a Wagnerian connection. Powell attended the Bayreuth Festival of 1876 and wrote home that he was going to dine at Wahnfried, although, as far as I have been able to establish, he is never mentioned in anything written by Richard or Cosima Wagner. The deaths of Powell and, a few months later, Wagner, were linked in a poem by Powell's friend, Swinburne.
> quote: > Just over one hundred years later I was reading a book entitled The Holy > Blood and the Holy Grail when I came upon an early paragraph which > related that Richard Wagner had visited the little village of > Rennes-Le-Château in the Pyrenees before he wrote his last opera, > Parsifal.
> > "The composer, artist, media consultant and music producer, Adrian > > Wagner is the great-great grandson of the famous nineteenth-century > > Grail opera composer, Richard Wagner..."
> > Personally I am very sceptical about this claim, but frankly I have no > > proof either pro or con? > It's a con.
That I can't say, but I do remember hearing about somebody of this name living in the Oxford area when I did, in the early 1980s, and getting into the papers with his claim. I also remember some kind of legal dispute involving him hitting the papers, over the purchase of a synthesizer, I believe. I'd be extremely reluctant to report the facts after so long, lest I do him an injustice, but it did strike me at the time that it could equally well have involved his purported ancestor!
> That I can't say, but I do remember hearing about somebody of this name > living in the Oxford area when I did, in the early 1980s, and getting > into the papers with his claim. I also remember some kind of legal > dispute involving him hitting the papers, over the purchase of a > synthesizer, I believe. I'd be extremely reluctant to report the facts > after so long, lest I do him an injustice, but it did strike me at the > time that it could equally well have involved his purported ancestor!
> Cheers,
> Mike
Surely, we should not pose injustice on anyone. But may everyone claim to have a linage to Wagner, just because he has musical talent, which Adrian undoubtly has? Thanks to Derrick commenting on quote one, it reveals some insight where the connection might have come from? I am doubtful as expressed in quote 3, David Icke would certainly say that AW has joined up with L. Gardeners grail claims and with Z. Sitchin. See Davids site for more. They all connect to Rennes-Le-Château popularised by the book The Holy Blood and the Holy Grail. That book links to the troyan origin of the Franks just the same way as Wagner in The Wibelungen, coincidence ? This further fosters Dagoberts Revenge theory for Lady Di`s demise (at the site of ancient temple of goddess Diana at Paris). Is it all just for the cash, I wonder if one can make a living out of that? Perhaps I should post this at " Sitchin is not novel. He is part of UFO-religious cults." at http://www.badastronomy.com/phpBB/viewforum.php?f=10&sid=db5371aa016f....
>> That I can't say, but I do remember hearing about somebody of this name >> living in the Oxford area when I did, in the early 1980s, and getting >> into the papers with his claim. I also remember some kind of legal >> dispute involving him hitting the papers, over the purchase of a >> synthesizer, I believe. I'd be extremely reluctant to report the facts >> after so long, lest I do him an injustice, but it did strike me at the >> time that it could equally well have involved his purported ancestor!
>> Cheers,
>> Mike
> Surely, we should not pose injustice on anyone. But may everyone claim > to have a linage to Wagner, just because he has musical talent, which > Adrian undoubtly has? > Thanks to Derrick commenting on quote one, it reveals some insight > where the connection might have come from? I am doubtful as expressed in > quote 3, David Icke would certainly say that AW has joined up with L. > Gardeners grail claims and with Z. Sitchin. See Davids site for more. > They all connect to Rennes-Le-Château popularised by the book The Holy > Blood and the Holy Grail.
A book which has been shown to have been based, in large part, on an elaborate hoax.
>> A book which has been shown to have been based, in large part, on an > elaborate hoax.
> Do you have a link where someone analyzed this hoax in detail?
The hoax is now well-documented. There is a book which contains a detailed and (for Henry Lincoln) devastating analysis of how Lincoln has been fooled: "The Unknown Treasure: The Priory of Sion Fraud and the Spiritual Treasure of Rennes-le-Château", Houston, TX: NorthStar, 1998. He writes:
"In recent years, a great deal of information has been published in books like 'Holy Blood, Holy Grail' alleging that the Holy Grail actually refers to a bloodline descended from Jesus. By this account Jesus and Mary Magdalene produced offspring, and their descendants gave rise to the Merovingian dynasty, which ruled France from 476 to 750 A.D. Well- intentioned readers and even authors have been deceived by this story and have mistaken it for the revelation of a suppressed history. Unfortunately the only thing that has been suppressed is the truth."
"The Grail is not a bloodline. This false story originated in reams of fraudulent documents created by an extreme right-wing French sect. The group responsible for these fictions, calling itself the 'Priory of Sion' and claiming an ancient esoteric lineage, has kept its own authentic history carefully hidden. How it constructed its fraud has not been revealed. It is long past time for the light of truth to reveal the 'Priory of Sion' and the fictional bloodline it has promoted for what they are really are -- a fraud. The background of this group reveals its actual motives and sources of information."
Another investigator, who has corresponded with Lincoln and examined the evidence related to Lincoln's expanding claims about Rennes-le-Château, presents a wealth of diverse material related to the case here:
> >> A book which has been shown to have been based, in large part, on an > > elaborate hoax.
> > Do you have a link where someone analyzed this hoax in detail?
> The hoax is now well-documented. There is a book which contains a detailed > and (for Henry Lincoln) devastating analysis of how Lincoln has been > fooled: "The Unknown Treasure: The Priory of Sion Fraud and the Spiritual > Treasure of Rennes-le-Château", Houston, TX: NorthStar, 1998. He writes:
> "In recent years, a great deal of information has been published in books > like 'Holy Blood, Holy Grail' alleging that the Holy Grail actually refers > to a bloodline descended from Jesus. By this account Jesus and Mary > Magdalene produced offspring, and their descendants gave rise to the > Merovingian dynasty, which ruled France from 476 to 750 A.D. Well- > intentioned readers and even authors have been deceived by this story and > have mistaken it for the revelation of a suppressed history. Unfortunately > the only thing that has been suppressed is the truth."
> "The Grail is not a bloodline. This false story originated in reams of > fraudulent documents created by an extreme right-wing French sect. The > group responsible for these fictions, calling itself the 'Priory of Sion' > and claiming an ancient esoteric lineage, has kept its own authentic > history carefully hidden. How it constructed its fraud has not been > revealed. It is long past time for the light of truth to reveal the > 'Priory of Sion' and the fictional bloodline it has promoted for what they > are really are -- a fraud. The background of this group reveals its actual > motives and sources of information."
> There is a summary of Richardson's analysis here:
> Another investigator, who has corresponded with Lincoln and examined the > evidence related to Lincoln's expanding claims about Rennes-le-Château, > presents a wealth of diverse material related to the case here:
Thanks for the links and the content, I have always felt uneasy to accept this book as such, I found it weary to read. Partially since I found another explanation of the grail. If you follow me to http://templarchronicle.homestead.com/cauldron.html you get a physical evidence of the grail on top, go to the bottom of site and enter Site Map and bottom again to Rennes-le-Chateau enter Mountain of Salvation go to bottom read quote "Also, we see in these definitions, such as "hinge-point," the "Place of Crossing" of the Sumerians. Nibiru, the planet of Crossing, Nippur, the place of Crossing, where the Duranki was Kept, and the Hebrews, people of the Crossing. end of quote. again go back and and enter the link above Tomb of God,... go near to the end to read: quote "The cauldron of the sages was a relic won as a trophy, when the Enlilites subdued a community of Serpent (and Cow-Goddess) worshippers near Carchemish, one of the earliest known settlements. This bowl was subsequently placed, we are told, in a crypt underneath the holy of holies in the central temple of Enlil at Nippur. We shall deal with this more in depth, below. This, according to history, and according to the writings of Zecharia Sitchin, is where the "Bond- Heaven-Earth" or DurAnKi was located. This is the Secret of the Grail, by the way. The merging of Heaven and Earth." end of quote
This seems to be what Sitchin found out and is modelling his UFO claims upon. A. Wagner seems to follow that direction. It is partially based upon truth, but diverting into a new-age cult. Read the truth at www.geocities.com/sa_ga_g and http://www.soulkingdom.net/commentpage.htm
But I don't think it's especially useful to think of the Holy Grail as a historical object. (It's like people who come up with "rationalistic" explanations of the parting of the Red Sea in _Exodus_, by postulating freak earthquake events, or freakish tides due to the moon's unusual proximity that year, or whatever. When in fact it's simply a legend, a story that needs explaining in cultural, story-creating terms, not in geological terms.)
The holy grail is also a legend. As I understand it, it's not even based on the original Biblical legend, but a later addition that draws on pre-Christian sources. The New Testament mentions two important cups, I think, and these have provided a sort of approximate hook for connecting non-Christian legends to the basic Christian story.
There's: (1) The cup used at the Last Supper (Matthew 26:26-29, mentioned also in Mark, Luke and John), which can give people energy, and which people should drink of, in remembrance of Jesus (that's the most literal reading of Jesus' words, which have a particular cup as their subject; however most people don't really think Jesus meant that specific cup); (2) There's the metaphorical cup that Jesus mentions at Gethsemene (Matthew 26: 39 and 41, mentioned also in Mark, Luke and John), when he asks YHWH to "take this cup away from me". Even though it's only a metaphorical cup, a lot of medieval and Rennaissance paintings put an actual cup into the painting when they depict this scene, held by one of the really important angels. (I forget which one).
But the holy grail is a different mythical cup, and it's a later legend than those collected in the New Testament. It's the cup in which Joseph of Arimathea supposedly collected Jesus's blood after the centurion stuck him in the side. Presumably Joseph of Arimathea must have done this when he turned up after Jesus was taken down from the crucifix, because all the New Testament accounts that mention Joseph of Arimathea say he turned up after Jesus died (leaving aside the ambiguity in John as to whether Jesus was dead at all).
If the holy grail isn't a Biblical legend, where does it come from?
I'd suggest two main sources. First, the cup of Amalthea, the legendary cornucopia, which pours out the food of the (classical) gods in limitless profusion; people partake of the cup and are replenished on non-earthly food. (I wonder if the coincidence of names, Amalthea/Arimathea, helped link the legend of this cup, the cornucopia, to the legend of Joseph of Arimathea. But I'm not saying it's so, just raising the possibility.)
Second, the cauldron of Bran and similar Celtic objects that had a similar legendary role. I'm sure Derrick has more information at his fingertips than I would find with a search, on the Celtic sources of the holy grail myth.
In short, the holy grail is just one more example of Christianity taking over the pre-existing myths, religious holidays and religious symbols of other cultures. So there never was one holy grail; as a Christian myth it seems to have been invented somewhere between 600 and 1,000 years after the Crucifixion.
So the holy grail isn't "lost", and can't be "found", because it's just a story. There are holy grails all over Italy - I've seen a couple, and been invited to see plenty of others, but I decided to spend my Euros on wine instead - and no doubt there are plenty of other grails in other European countries. I also saw nails from the holy cross and much else. There are at least seven extant holy spears that I'm aware of. And they all have an equal claim to authenticity, as do the cups in the web sites you provided links for.
(We don't have many holy grails down New Zealand way, by the way; but I do have a piece of wood from the original tekoteko of Ihenga, which I think is even better.)
Sorry to be so bloody-mindedly pendantic and literal-minded (traits of mine that rightly annoyed Simon W, who doesn't like Empirical victories): but looking for a historical grail is just a complete wrong turning, cul de sac, etc, if you're thinking about the grail's significance.
It's a symbol.
There's a lot to be said about what Wagner meant by that symbol. (Not much of it to be said by me at the moment, since I'm between thoughts on that topic.) But when you're trying to explore the way Wagner used and intended the symbol, I'd suggest that you look in Wagner's essays, and his obiter dicta as recorded by Cosima, as a first resort. And look into his reading as a second resort. Rather than looking in a lot of late 20th century bollocks about the Prieury de Wherever, Chariots of the Gods, etc.
By the way, I note that you cited David Icke as a sort of authority. I would only cite David Icke as someone who is moderately entertaining but ... well... Did you know that David Icke claims that the British royal family are actually not human, but reptilian beings from outer space who eat human flesh? I don't like the British royal family either, but I'm not sure that David Icke is a fully reliable source.
Sorry, I cannot answer in that lenght here. But you mention links I provided and your reasoning about them is not according to their content. If you go to http://www.soulkingdom.net/commentpage.htm you find clearly that it opposes David Ickes opinion on the bloodline of the grail, shape shifting, reptilians. The site is historic. This does not mean that David Icke is absolutely wrong about everything. If you read http://www.geocities.com/sa_ga_g you would understand that there is a mention of a grail in the Edda lays, that was lost in battle and found as described as a physical piece of evidence, not a myth. If you enjoy myths, it is up to you. But who says, Wagner did not want reality and would not have been delighted by it?
If I read through the site that Derrick provided on the Priory of Sion hoax, I feel astounded by the deep insight provided there - but when I find that this is on a page connected to theosophs I wonder how trustful this is again. So I am quite happy to come across an artificat that can stand test and is not made up, I do not care about any artificial graill. But knowing the real grail it becomes clearer to me that this late Priory of Sion is a hoax.
So if the Edda records a grail and the Bible records a grail and archaeology finds they stem both from the same artifact, that is fine with me and I see no need to know all the other grails or spears you mentioned, their mission has been fulfilled, if there was any.
The message <4f8f3beb.0305050610.46c8d...@posting.google.com> from pra...@presto.net.au (Laon) contains these words:
> I'm not on my home ground here. > But I don't think it's especially useful to think of the Holy Grail as > a historical object. (It's like people who come up with > "rationalistic" explanations of the parting of the Red Sea in > _Exodus_, by postulating freak earthquake events, or freakish tides > due to the moon's unusual proximity that year, or whatever. When in > fact it's simply a legend, a story that needs explaining in cultural, > story-creating terms, not in geological terms.)
Agreed. It's only one step removed from Erich von Daniken-style nonsense, the lead-footed reductionism that insists Sindbad's Roc was a helicopter, or the awesome Wandjina paintings are "obviously" astronauts in space-suits (curiously like NASA c1969, instead of some much improved interstellar tailoring!). It patronizes earlier peoples mightily, suggesting that they were simply earthbound and superstitious, and not possessed of any kind of creative imagination.
> The holy grail is also a legend. As I understand it, it's not even > based on the original Biblical legend, but a later addition that draws > on pre-Christian sources. The New Testament mentions two important > cups, I think, and these have provided a sort of approximate hook for > connecting non-Christian legends to the basic Christian story.
As you say, the Graal seems not to have been a Christian symbol at al, even in a quite late form of the myth -- which by then had already incorporated both chivalric elements and Parsifal himself -- but a stone which somehow provided infinite plenty, another of a familiar class of supernatural images -- including those you cite, Bran's cauldron (and a number of others) and the cornucopia, but also the quern Grotte and the Sampo, and the like. If one must look for a rationale, it may also have derived from early animist cults based on sacred rocks, which we do know existed.
> There's a lot to be said about what Wagner meant by that symbol. (Not > much of it to be said by me at the moment, since I'm between thoughts > on that topic.) But when you're trying to explore the way Wagner used > and intended the symbol, I'd suggest that you look in Wagner's essays, > and his obiter dicta as recorded by Cosima, as a first resort. And > look into his reading as a second resort. Rather than looking in a > lot of late 20th century bollocks about the Prieury de Wherever, > Chariots of the Gods, etc.
Especially as most of it has been exposed as thoroughly testicular -- Herr Erich von Sterich repeatedly, a shifty ex-hotel manager who wrote his second book in jail, not for tax reasons, as he claims now, but for embezzling the takings, and who has been shown up as a deliberate liar in several instances.
> By the way, I note that you cited David Icke as a sort of authority. > I would only cite David Icke as someone who is moderately entertaining > but ... well... Did you know that David Icke claims that the British > royal family are actually not human, but reptilian beings from outer > space who eat human flesh? I don't like the British royal family > either, but I'm not sure that David Icke is a fully reliable source.
Especially as the daft turquoise-robed bugger appears to have derived his ideas from a singularly uninspired TV SF series called "V". Not just doolally, but unoriginally so.
Personally I do rather like the Royal Family, both in themselves (the Divine Average, far more so than most rulers) and as heads of state a lot safer and more tyranny-proof than President (or Comrade, or Fuhrer) Stork, or whichever specimen of politician is whoring after power next -- and, let's face it, because anyone Rupert Murdoch hates is bound to be good for Britain and worthwhile generally. And Prince Charles pays attention to the arts, and even likes opera in a mild sort of way, more than most politicos dare admit to in case the Sun savages them for it, as they did over fairly small grants to Covent Garden and the ENO -- unleashing what can only be described as a screaming hymn of hate. Royals come in handy for that sort of thing. So what if they are carnivorous alien reptiles? We've had worse.
I've had a look at the sites sa_ga recommends. The first one argues, among lots of other things, that "Aryan" people are noble and more spiritually advanced than other people. I'd bother to get annoyed at the tired old racist crap, if it weren't so entertainingly silly.
Silly? Well, the site suggests that Aryans are nobler because they live further north than other peoples, and so they get less sun. And the sun is bad for the pineal gland, you see, and the pineal gland is the centre of psychic powers, etc. That's why Aryans are, by and large, more spiritually advanced. The site suggested lots of other stuff too, but my eyes keep glazing over when I tried to read it.
The other site reports a claim by a Professor Laurence Waddell (actually a professor in the unrelated fields of chemistry and pathology), that he dug up the Holy Grail: the site seems to take this claim seriously. I haven't read the whole site, since just the first few paragraphs made my Crap-Detector over-heat, and started a small fire.
But I do note that this Grail had supposedly been buried for 5,000 years at the time it was dug up.
That seems to mean that at the time Jesus supposedly used the grail at the last supper it was actually buried underground, and had been buried for the last 3,000 years, at that time. And when the Eddas allegedly refer to it (but I'd like to see a reference, with chapter and verse, demonstrating a reference to a holy grail, or anything resembling one, in the Eddas; in the meantime I doubt that any such reference exists), it had been buried for around 4,000 years.
Look sa_ga, you shouldn't be taking this stuff seriously. It's just candy-floss.
Mike, on the other hand, makes a convincing case for the British monarchy. The argument that the Royal Family must be a good thing on the grounds that Rupert Murdoch hates them, and anything that Murdoch hates must be good, is particularly well calculated to appeal to my own prejudices. So ... cheers and a Loyal Toast to her Maj and her eccentric son (not that I mind his eccentricity; I'll grant that's kind of endearing), neither of whom are Reptiles from Outer Space. Which is more than you can say for Murdoch.
And to veer back on-topic for a split second while talking things Brittannic: Wagner's "Rule Brittania" overture is the most shocking bilge. Bad, bad, bad: Wagner may have produced the worst juvenilia of any major composer.
> Personally I do rather like the Royal Family, both in themselves (the > Divine Average, far more so than most rulers) and as heads of state a > lot safer and more tyranny-proof than President (or Comrade, or Fuhrer) > Stork, or whichever specimen of politician is whoring after power next > -- and, let's face it, because anyone Rupert Murdoch hates is bound to > be good for Britain and worthwhile generally. And Prince Charles pays > attention to the arts, and even likes opera in a mild sort of way, more > than most politicos dare admit to in case the Sun savages them for it, > as they did over fairly small grants to Covent Garden and the ENO -- > unleashing what can only be described as a screaming hymn of hate. > Royals come in handy for that sort of thing. So what if they are > carnivorous alien reptiles? We've had worse.
Just a side note on the royals.In the Wibelungen http://users.belgacom.net/wagnerlibrary/prose/wagwibel.htm#IDAGQWN section The Welfen Wagner mentions what modern conspiracy theorists like J. Coleman followed up to be the origin of the present day royals. They argue the Welfs became Guelphs and the House of Hanover and Windsor. Welf in german is a synonym for welpe or dog, in Wagners diction for Hunding, in Edda times the wolf tribes who fought Sigfried. In fact the scenario is somewhat Ickean, he uses reptilians as synonym for the snake tribes, the associates of the wolves of Edda times. There is indeed no bloodline for this as some grail researchers would want, but the idea is not new and grown from history.
On 5/6/03 11:14 AM, Mike Scott Rohan, at mike.scott.ro...@asgard.zetnet.co.uk, wrote the following:
[snip]
> Personally I do rather like the Royal Family, both in themselves (the > Divine Average, far more so than most rulers) and as heads of state a > lot safer and more tyranny-proof than President (or Comrade, or Fuhrer) > Stork, or whichever specimen of politician is whoring after power next > -- and, let's face it, because anyone Rupert Murdoch hates is bound to > be good for Britain and worthwhile generally. And Prince Charles pays > attention to the arts, and even likes opera in a mild sort of way, more > than most politicos dare admit to in case the Sun savages them for it, > as they did over fairly small grants to Covent Garden and the ENO -- > unleashing what can only be described as a screaming hymn of hate. > Royals come in handy for that sort of thing . . .
[snip]
I agree with that. We Americans may yet see the day when we wish we had the stabilizing infuence of a monarch (though I'm sure you couldn't get elected to Congress on that platform).
I think the Australians would have made a mistake to cut themselves loose.
I think Prince Charles was right in his criticism of modern architecture. Fashions in the arts come and go. If we get tired of looking at a painting, the museum can put it in the storeroom. But buildings can't be hidden and are there for a long time.
You may find the reference to the Edda in the book entitled The British Edda pp. 162 - 169 L.A.Waddell, London 1930 based on the different MSS of Codex Regius by G. Neckel, Heidelberg 1914. Hopefully your library has a copy. Good luck.
> >... I think Prince Charles was right in his criticism of modern architecture. > Fashions in the arts come and go. If we get tired of looking at a painting, > the museum can put it in the storeroom. But buildings can't be hidden and > are there for a long time.
> Dick Partridge
I support, more than his opinion, his right to voice an opinion. It's refreshing to have a royal figure who's not afraid to open his mouth about issues. Why should they be the only people in the whole country to be muzzled? They're not likely to go about trying to abrogate the rights of Parliament any longer.
> Just a side note on the royals.In the Wibelungen > http://users.belgacom.net/wagnerlibrary/prose/wagwibel.htm#IDAGQWN > section The Welfen > Wagner mentions what modern conspiracy theorists like J. Coleman > followed up to be the origin of the present day royals. > They argue the Welfs became Guelphs and the House of Hanover and > Windsor. > Welf in german is a synonym for welpe or dog, in Wagners diction for > Hunding, in Edda times the wolf tribes who fought Sigfried. In fact > the scenario is somewhat Ickean, he uses reptilians as synonym for the > snake tribes, the associates of the wolves of Edda times. There is > indeed no bloodline for this as some grail researchers would want, but > the idea is not new and grown from history.
Speaking as something of a historian, this is a load of ripe dingo's kidneys, Wagner's theory included.
On Thu, 08 May 2003 11:04:20 -0700, sa_g...@yahoo.co.in wrote: > Path: > juliett.dax.net!dax.net!news01.chello.no!newsfeed1.e.nsc.no!nsc.no!nextra.c > om!news.tele.dk!news.tele.dk!small.news.tele.dk!newsfeed.stanford.edu!postn > ews1.google.com!not-for-mail > From: sa_g...@yahoo.co.in (sa_g...@yahoo.co.in) Newsgroups: > humanities.music.composers.wagner Subject: Re: Henry Lincoln and the > Priory of Sion Hoax Date: 8 May 2003 11:04:20 -0700 > Organization: http://groups.google.com/ Lines: 6 > Message-ID: <ca71138c.0305081004.3b791...@posting.google.com> > References: <ca71138c.0304301017.2e34...@posting.google.com> > <2003050119295171...@asgard.zetnet.co.uk> > <ca71138c.0305020600.6dc34...@posting.google.com> > <pan.2003.05.02.23.21.38.897...@c2i.net> > <ca71138c.0305022206.327b4...@posting.google.com> > <pan.2003.05.03.12.32.20.479...@c2i.net> > <ca71138c.0305031129.53c26...@posting.google.com> > <4f8f3beb.0305050610.46c8d...@posting.google.com> > <2003050616145271...@asgard.zetnet.co.uk> > <BADF35AC.8D6A%r.partri...@verizon.net> > NNTP-Posting-Host: 80.110.213.193 > X-Trace: posting.google.com 1052417060 27941 127.0.0.1 (8 May 2003 > 18:04:20 > GMT) > X-Complaints-To: groups-ab...@google.com NNTP-Posting-Date: 8 May 2003 > 18:04:20 GMT X-Received-Date: Thu, 08 May 2003 20:04:17 MET DST > (news01.chello.no) Xref: juliett.dax.net > humanities.music.composers.wagner:13374 MIME-Version: 1.0 > Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: > 8bit
> Laon,
> You may find the reference to the Edda in the book entitled The British > Edda pp. 162 - 169 L.A.Waddell, London 1930 based on the different MSS > of Codex Regius by G. Neckel, Heidelberg 1914. Hopefully your library > has a copy. Good luck.
There is only one Codex Regius and it is in Reykjavik. There is nothing British about it. The critical edition with English translation is edited by Ursula Dronke and it is here on my desk. Old Icelandic, anyone?
I found Waddell's twaddle amusing, especially the illustration in which a character was making off with the Holy Grail which he was shown "wearing as a hat". I suppose that any helmet in any drawing could be the Holy Grail.
"Derrick Everett" <dever...@c2i.net> wrote in message <news:pan.2003.05.09.05.52.12.212351@c2i.net>... > On Thu, 08 May 2003 11:04:20 -0700, sa_g...@yahoo.co.in wrote: > There is only one Codex Regius and it is in Reykjavik. There is nothing > British about it. The critical edition with English translation is edited > by Ursula Dronke and it is here on my desk. Old Icelandic, anyone?
Old Icelandic? Sure...do you need something translated?
"Derrick Everett" <dever...@c2i.net> wrote in message
> There is only one Codex Regius and it is in Reykjavik. There is nothing > British about it. The critical edition with English translation is edited > by Ursula Dronke and it is here on my desk. Old Icelandic, anyone?
Message was that the Neckel edition was based on the Codex Regius. There was no message that the original is not in Iceland, returned from Denmark indeed.
> I found Waddell's twaddle amusing, especially the illustration in which a > character was making off with the Holy Grail which he was shown "wearing > as a hat". I suppose that any helmet in any drawing could be the Holy > Grail.
Why did you not share the picture with the rest, knowing it is on http://www.truthcampaign.ukf.net/mainpages/articles_frame.html fourth picture from top in The Origins of the Biblical Genesis in Relation to David Icke's Version as Given in The Biggest Secret by Ivan Fraser?
The message <BADF35AC.8D6A%r.partri...@verizon.net> from Richard Partridge <r.partri...@verizon.net> contains these words:
> [snip] > I agree with that. We Americans may yet see the day when we wish we had the > stabilizing infuence of a monarch (though I'm sure you couldn't get elected > to Congress on that platform).
I believe some of the loony private-militia survivalists presently run on a conspiracy theory that H.M. is plotting to subvert and reconquer the USA....
> I think the Australians would have made a mistake to cut themselves loose.
It'd be their right, and in their image of Britain (sedulously promoted by R.Murdoch Industries) the monarchy stands for all the stuffiest things. But they can't cut Britain out of their culture or their blood, so IMHO they ought to be more secure about it. Trying so stridently to cut a thread that hardly bothers them and has many advantages -- those of any friendly link with another country, at the least -- suggests not confidence in their own achievement, but lack of it.
> I think Prince Charles was right in his criticism of modern architecture.
A lot of people feel that, but it can be awfully hard to make oneself heard against the Establishment. Charles, as in many other areas, gives a voice to that kind of sentiment, in a way that an elected politician with too many backsides to kiss can never afford to, and that an undemocratic tyrant wouldn't bother to. Even when one doesn't agree with him, an independent voice in the corridors of power is always valuable. Besides, he can do Goon imitations.
> Fashions in the arts come and go. If we get tired of looking at a painting, > the museum can put it in the storeroom. But buildings can't be hidden and > are there for a long time.
Although an awful lot of what went up in the Sixties is now coming down, often a lot quicker than people would like! I could be more philosophical about changing fashions if it wasn't for what has been destroyed to make room for it, marvellous old quarters of beautiful cities I know -- Edinburgh and Oxford, among them, and Paris. And they had the nerve to tell us at the time that this was the future and we'd better get to like it! Now it just looks shabby and trashy, in a tenth the lifespan of what it replaced. There was that bloody architect -- was it Louis Kahn? -- who decreed that to make a building (or anything else) deliberately beautiful was a dastardly act. And he was slavishly followed by hundreds of mediocrities, glad to be relieved of the creative effort.
Cheers,
Mike
-- mike.scott.ro...@asgard.zetnet.co.uk From Little, Brown, out now -- Shadow of the Seer, the sixth Winter of the World novel Visit my site at www.users.zetnet.co.uk/mike.scott.rohan