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Arthur Neuendorffer
May 25, 2013, 12:59:11 PM5/25/13
to
-------------------------------------------------------
Prince Henry and Shakespeare’s Sonnets.
Peter Nockolds, May 25, 2013
http://hfreget.wordpress.com/
-------------------------------------------------------
. King Henry VI, Part i Act 5, Scene 5
.
SUFFOLK: Margaret shall now be queen, and rule the king;
. But *I WILL RULE* both her, the king and realm.
-------------------------------------------------------
. King Henry VI, Part ii Act 4, Scene 4
.
QUEEN MARGARET: Ah, barbarous villains! hath this lovely face
. *RULED* , like a wandering planet, over me,
. And could it not enforce them to [RELENT],
. That were unworthy to behold the same?
---------------------------------------------------
THE RUINE OF TIME. DEDICATED
To the right Noble and beautifull Ladie,
THE LA. MARIE COUNTESSE OF PEMBROOKE.
MOST Honourable and bountifull Ladie, there bee long sithens deepe
sowed in my brest, the seede of most enti[R]e lou[E] & humb[L]e
aff[E]ctio[N] vnto [T]hat most braue Knight your noble brother
deceased; which taking roote began in his life time some what
to bud forth: and to shew themselues to him, as then in the
weaknes of their first spring.
[RELENT] 5
-------------------------------------------
http://en.wikipedia.org/wiki/Boustrophedon
.
<<Boustrophedon (from Greek βουστροφηδόν, boustrophēdon “ox-turning”
from βοῦς, bous, “ox” and στροφή, strophē, “turn”; that is, turning
like oxen in ploughing) is a kind of bi-directional text,
mostly seen in ancient manuscripts and other inscriptions.>>
.
.[T]O T H E O N L I E B E
. S(E)H T F O R E T T E G
. E I(N)S U I N G S O N N
. A H L[L]A H W R M S T E
. P P I N[E]S S E A N D T
. E I T I N[R]E T E T A H
. P R O M I S E D B Y O U
. P G N I V I L R E V E R
. O E T W I S H E T H T H
. G N I H S I W L L E W E
. A D V E N T U R E R I N
. H T R O F G N I T T E S
[REL(NE)T]
-------------------------------------------
. Jonson's Epigram 131
To Alphonso Ferrabosco, on his Book.
TO urge, my lov'd Alphonso, that bold Fame,
Of bui{L}ding T{O}wns, an{D} makin{G} wild B{E}asts tame,
Which Musick had; or speak her known Effects,
That she removeth Cares, Sadness ejects,
Declineth Anger, persuades Clemency,
Doth sweeten Mirth, and heighten Piety,
And is t'a Body, often, ill inclin'd,
No less a sov'raign Cure, than to the Mind;
T' alledge, that greatest Men were not asham'd,
Of old, even by her Practice to be fam'd;
To say, indeed, she we[R]e th[E] Sou[L] of H[E]ave[N],
Tha[T] the eighth Sphere, no less, than Planets seven,
Mov'd by her order, and the ninth more high,
Including all, were thence call'd Harmony:
I, yet, had utter'd nothing on thy part,
When these were but the *praises* of the Art.
But when I have said, the Proofs of all these be
Shed in thy Songs; 'tis true: but short of thee.
{LODGE} 6
[RELENT] 4
http://en.wikipedia.org/wiki/File:FerraboscoA.gif
...........................................
http://tinyurl.com/q92oz4d
<<Alfonso Ferrabosco the younger (ca. 1575 – March 1628) was an
English composer and viol player of Italian descent. He straddles the
line between the Renaissance and Baroque eras. Ferrabosco was born
at Greenwich, the illegitimate son of the Italian composer Alfonso
Ferrabosco the elder. Ferrabosco remained in Gomer van Awsterwyke's
care until Awsterwyke's death in 1592. At this time he started a long
career as a court musician, including as the private music tutor of
Prince Henry. Ferrabosco collaborated with Ben Jonson on several
projects, including The Masque of Blackness (1605), and wrote music
for several other masques besides. His music was published by John
Browne in 1609, including a number of settings of poems by John Donne
and Thomas Campion, as well as lute and viol music. Two of his
daughters are known to have married musicians: Elizabeth married
George Bunckley, and Catherine married Edward Coleman. Coleman was
a court musician after the Restoration. They were friends of Samuel
Pepys and both of them are know to have sung in theatre productions.>>
-----------------------------------------------------
. Sonnet 33
FUl{L} many a gl{O}rious mo[R]ning hav[E] I seene,
F[L]atter th[E] mountai[N]e tops wi[T]h soueraine eie,
......................................
__ <= 8 =>
. F U l {L} m a n y
. a g l {O} r i o u
. s m o [R] n i n g
. h a v [E] I s e e
. n e,F [L] a t t e
. r t h [E] m o u n
. t a i [N] e t o p
. s w i [T] h s o u
. e r a i n e e i e,
{L.O.}[RELENT] 8
-------------------------------------------
The History of the
Valorous & Witty Knight-Errant Don Quixote of the Mancha
by Thomas Shelton
The Second Part: CHAPTER I: How the Vicar and the Barber
passed their Time with Don Quixote, touching his Infirmity
At length they visited him, whom they found set up in his bed, clad in
a waistcoat of green baize, on his head a red Toledo bonnet, so dried
and withered up as if his flesh had been mummied. He welcomed them,
and they asked him touching his health: of it and himself he gave them
good account, with much judgment and elegant phrase, and in process
of discourse they fell into State matters, and manner of government,
correcting this abuse and condemning that; reforming one custom and
rejecting another, each of the three making himself a new lawmaker,
a modern Lycurgus, and a spick-and-span new Solon; and they so
[R]efined the Commonw[E]alth as if they had c[L]apped it into a
forg[E], and drawn it out in a[N]other fashion than [T]hey had put
it in. {Don Quixote} In all was so discreet that the two examiners
undoubtedly believed he was quite well and in his right mind.
......................................
__ <= 17 =>
. a n d t h e y s o [R] e f i n e d t
. h e C o m m o n w [E] a l t h a s i
. f t h e y h a d c [L] a p p e d i t
. i n t o a f o r g [E],a n d d r a w
. n i t o u t i n a [N] o t h e r f a
. s h i o n t h a n [T] h e y h a d p
. u t i t i n{D o n Q u i x o t e}I
-------------------------------------------------------
. The Merry Wives of Windsor Act 2, Scene 2
PISTOL: I do [RELENT]: what would thou more of man?
-------------------------------------------------------
. King Henry VI, Part ii Act 4, Scene 8
CLIFFORD: What say ye, countrymen? will ye [RELENT],
. And yield to mercy whilst 'tis offer'd you;
. Or let a rebel lead you to your deaths?
. Who loves the king and will embrace his pardon,
. Fling up his cap, and say 'God save his majesty!'
. Who hateth him and honours not his father,
. Henry the Fifth, that made all France to quake,
. *SHAKE he his weapon* at us and pass by.
--------------------------------------------------------
. The Merchant of Venice Act 3, Scene 3
SHYLOCK: I'll have my bond; I will not hear thee speak:
. I'll have my bond; and therefore speak no more.
. I'll not be made a soft and dull-eyed fool,
. To *SHAKE* the head, [RELENT], and sigh, and yield
. To Christian intercessors. Follow not;
. I'll have no speaking: I will have my bond.
--------------------------------------------------------
. A Midsummer Night's Dream Act 1, Scene 1
DEMETRIUS: [RELENT], sweet Hermia: and, Lysander, yield
. Thy crazed title to my certain right.
-------------------------------------------------------
. King Richard III Act 1, Scene 4
CLARENCE: [RELENT], and save your souls.
First Murderer: [RELENT]! 'tis cowardly and womanish.
CLARENCE. Not to [RELENT] is beastly, savage, devilish.
. Which of you, if you were a prince's son,
. Being pent from liberty, as I am now,
. if two such murderers as yourselves came to you,
. Would not entreat for life?
. My friend, I spy some pity in thy looks:
. O, if thine eye be not a flatterer,
. Come thou on my side, and entreat for me,
. As you would beg, were you in my distress
. A begging prince what beggar pities not?
--------------------------------------------------------
. King Henry VI, Part i Act 3, Scene 1
KING HENRY VI: O, how this discord doth afflict my soul!
. Can you, my Lord of Winchester, behold
. My sighs and tears and will not once [RELENT]?
. Who should be pitiful, if you be not?
. Or who should study to prefer a peace.
. If holy churchmen take delight in broils?
WARWICK: Sweet king! the bishop hath a kindly gird.
. For shame, my lord of Winchester, [RELENT]!
. What, shall a child instruct you what to do?
. Act 3, Scene 3
BURGUNDY: Either she hath bewitch'd me with her words,
. Or nature makes me suddenly [RELENT].
-------------------------------------------------------
. Measure for Measure Act 2, Scene 2
Provost: I'll know
. His pleasure; may be he will [RELENT]. Alas,
. He hath but as offended in a dream!
. All sects, all ages smack of this vice; and he
. To die for't!
LUCIO: [Aside to ISABELLA] O, to him, to him, wench!
. he will [RELENT];
. He's coming; I perceive 't.
-------------------------------------------------------
. Titus Andronicus Act 2, Scene 3
TAMORA: Hadst thou in person ne'er offended me,
. Even for his sake am I pitiless.
. Remember, boys, I pour'd forth tears in vain,
. To save your brother from the sacrifice;
. But fierce Andronicus would not [RELENT];
. Therefore, away with her, and use her as you will,
. The worse to her, the better loved of me.
. Act 4, Scene 1
MARCUS ANDRONICUS: O heavens, can you hear a good man groan,
. And not [RELENT], or not compassion him?
----------------------------------------------------
. King Leir
Mes.: I would that word were in his belly agayne,
It hath frighted me euen to the very heart:
This old man is some strong Magician:
His words haue turnd my mind from this exployt.
Then neyther heauen, earth, nor hell be witnesse;
But let this paper witnesse for them all.
Shewes Gonorils letter.
Shall I [RELENT], or shall I prosecute?
Shall I resolue, or were I best recant?
...............................................
Rag.: I feele a hell of conscience in my brest,
Tormenting me with horrour for my fact,
And makes me in an agony of doubt,
For feare the world should find my dealing out.
The slaue whom I appoynted for the act,
I ne're set eye vpon the peasant since:
O, could I get him for to make him sure,
My doubts would cease, and I should rest secure.
But if the old men, with perswasiue words,
Haue sau'd their liues, and made him to [RELENT];
Then are they fled vnto the Court of Fraunce,
-------------------------------------------
Art Neuendorffer
Prince Henry and Shakespeare’s Sonnets.
Peter Nockolds, May 25, 2013
http://hfreget.wordpress.com/
-------------------------------------------------------
. King Henry VI, Part i Act 5, Scene 5
.
SUFFOLK: Margaret shall now be queen, and rule the king;
. But *I WILL RULE* both her, the king and realm.
-------------------------------------------------------
. King Henry VI, Part ii Act 4, Scene 4
.
QUEEN MARGARET: Ah, barbarous villains! hath this lovely face
. *RULED* , like a wandering planet, over me,
. And could it not enforce them to [RELENT],
. That were unworthy to behold the same?
---------------------------------------------------
THE RUINE OF TIME. DEDICATED
To the right Noble and beautifull Ladie,
THE LA. MARIE COUNTESSE OF PEMBROOKE.
MOST Honourable and bountifull Ladie, there bee long sithens deepe
sowed in my brest, the seede of most enti[R]e lou[E] & humb[L]e
aff[E]ctio[N] vnto [T]hat most braue Knight your noble brother
deceased; which taking roote began in his life time some what
to bud forth: and to shew themselues to him, as then in the
weaknes of their first spring.
[RELENT] 5
-------------------------------------------
http://en.wikipedia.org/wiki/Boustrophedon
.
<<Boustrophedon (from Greek βουστροφηδόν, boustrophēdon “ox-turning”
from βοῦς, bous, “ox” and στροφή, strophē, “turn”; that is, turning
like oxen in ploughing) is a kind of bi-directional text,
mostly seen in ancient manuscripts and other inscriptions.>>
.
.[T]O T H E O N L I E B E
. S(E)H T F O R E T T E G
. E I(N)S U I N G S O N N
. A H L[L]A H W R M S T E
. P P I N[E]S S E A N D T
. E I T I N[R]E T E T A H
. P R O M I S E D B Y O U
. P G N I V I L R E V E R
. O E T W I S H E T H T H
. G N I H S I W L L E W E
. A D V E N T U R E R I N
. H T R O F G N I T T E S
[REL(NE)T]
-------------------------------------------
. Jonson's Epigram 131
To Alphonso Ferrabosco, on his Book.
TO urge, my lov'd Alphonso, that bold Fame,
Of bui{L}ding T{O}wns, an{D} makin{G} wild B{E}asts tame,
Which Musick had; or speak her known Effects,
That she removeth Cares, Sadness ejects,
Declineth Anger, persuades Clemency,
Doth sweeten Mirth, and heighten Piety,
And is t'a Body, often, ill inclin'd,
No less a sov'raign Cure, than to the Mind;
T' alledge, that greatest Men were not asham'd,
Of old, even by her Practice to be fam'd;
To say, indeed, she we[R]e th[E] Sou[L] of H[E]ave[N],
Tha[T] the eighth Sphere, no less, than Planets seven,
Mov'd by her order, and the ninth more high,
Including all, were thence call'd Harmony:
I, yet, had utter'd nothing on thy part,
When these were but the *praises* of the Art.
But when I have said, the Proofs of all these be
Shed in thy Songs; 'tis true: but short of thee.
{LODGE} 6
[RELENT] 4
http://en.wikipedia.org/wiki/File:FerraboscoA.gif
...........................................
http://tinyurl.com/q92oz4d
<<Alfonso Ferrabosco the younger (ca. 1575 – March 1628) was an
English composer and viol player of Italian descent. He straddles the
line between the Renaissance and Baroque eras. Ferrabosco was born
at Greenwich, the illegitimate son of the Italian composer Alfonso
Ferrabosco the elder. Ferrabosco remained in Gomer van Awsterwyke's
care until Awsterwyke's death in 1592. At this time he started a long
career as a court musician, including as the private music tutor of
Prince Henry. Ferrabosco collaborated with Ben Jonson on several
projects, including The Masque of Blackness (1605), and wrote music
for several other masques besides. His music was published by John
Browne in 1609, including a number of settings of poems by John Donne
and Thomas Campion, as well as lute and viol music. Two of his
daughters are known to have married musicians: Elizabeth married
George Bunckley, and Catherine married Edward Coleman. Coleman was
a court musician after the Restoration. They were friends of Samuel
Pepys and both of them are know to have sung in theatre productions.>>
-----------------------------------------------------
. Sonnet 33
FUl{L} many a gl{O}rious mo[R]ning hav[E] I seene,
F[L]atter th[E] mountai[N]e tops wi[T]h soueraine eie,
......................................
__ <= 8 =>
. F U l {L} m a n y
. a g l {O} r i o u
. s m o [R] n i n g
. h a v [E] I s e e
. n e,F [L] a t t e
. r t h [E] m o u n
. t a i [N] e t o p
. s w i [T] h s o u
. e r a i n e e i e,
{L.O.}[RELENT] 8
-------------------------------------------
The History of the
Valorous & Witty Knight-Errant Don Quixote of the Mancha
by Thomas Shelton
The Second Part: CHAPTER I: How the Vicar and the Barber
passed their Time with Don Quixote, touching his Infirmity
At length they visited him, whom they found set up in his bed, clad in
a waistcoat of green baize, on his head a red Toledo bonnet, so dried
and withered up as if his flesh had been mummied. He welcomed them,
and they asked him touching his health: of it and himself he gave them
good account, with much judgment and elegant phrase, and in process
of discourse they fell into State matters, and manner of government,
correcting this abuse and condemning that; reforming one custom and
rejecting another, each of the three making himself a new lawmaker,
a modern Lycurgus, and a spick-and-span new Solon; and they so
[R]efined the Commonw[E]alth as if they had c[L]apped it into a
forg[E], and drawn it out in a[N]other fashion than [T]hey had put
it in. {Don Quixote} In all was so discreet that the two examiners
undoubtedly believed he was quite well and in his right mind.
......................................
__ <= 17 =>
. a n d t h e y s o [R] e f i n e d t
. h e C o m m o n w [E] a l t h a s i
. f t h e y h a d c [L] a p p e d i t
. i n t o a f o r g [E],a n d d r a w
. n i t o u t i n a [N] o t h e r f a
. s h i o n t h a n [T] h e y h a d p
. u t i t i n{D o n Q u i x o t e}I
-------------------------------------------------------
. The Merry Wives of Windsor Act 2, Scene 2
PISTOL: I do [RELENT]: what would thou more of man?
-------------------------------------------------------
. King Henry VI, Part ii Act 4, Scene 8
CLIFFORD: What say ye, countrymen? will ye [RELENT],
. And yield to mercy whilst 'tis offer'd you;
. Or let a rebel lead you to your deaths?
. Who loves the king and will embrace his pardon,
. Fling up his cap, and say 'God save his majesty!'
. Who hateth him and honours not his father,
. Henry the Fifth, that made all France to quake,
. *SHAKE he his weapon* at us and pass by.
--------------------------------------------------------
. The Merchant of Venice Act 3, Scene 3
SHYLOCK: I'll have my bond; I will not hear thee speak:
. I'll have my bond; and therefore speak no more.
. I'll not be made a soft and dull-eyed fool,
. To *SHAKE* the head, [RELENT], and sigh, and yield
. To Christian intercessors. Follow not;
. I'll have no speaking: I will have my bond.
--------------------------------------------------------
. A Midsummer Night's Dream Act 1, Scene 1
DEMETRIUS: [RELENT], sweet Hermia: and, Lysander, yield
. Thy crazed title to my certain right.
-------------------------------------------------------
. King Richard III Act 1, Scene 4
CLARENCE: [RELENT], and save your souls.
First Murderer: [RELENT]! 'tis cowardly and womanish.
CLARENCE. Not to [RELENT] is beastly, savage, devilish.
. Which of you, if you were a prince's son,
. Being pent from liberty, as I am now,
. if two such murderers as yourselves came to you,
. Would not entreat for life?
. My friend, I spy some pity in thy looks:
. O, if thine eye be not a flatterer,
. Come thou on my side, and entreat for me,
. As you would beg, were you in my distress
. A begging prince what beggar pities not?
--------------------------------------------------------
. King Henry VI, Part i Act 3, Scene 1
KING HENRY VI: O, how this discord doth afflict my soul!
. Can you, my Lord of Winchester, behold
. My sighs and tears and will not once [RELENT]?
. Who should be pitiful, if you be not?
. Or who should study to prefer a peace.
. If holy churchmen take delight in broils?
WARWICK: Sweet king! the bishop hath a kindly gird.
. For shame, my lord of Winchester, [RELENT]!
. What, shall a child instruct you what to do?
. Act 3, Scene 3
BURGUNDY: Either she hath bewitch'd me with her words,
. Or nature makes me suddenly [RELENT].
-------------------------------------------------------
. Measure for Measure Act 2, Scene 2
Provost: I'll know
. His pleasure; may be he will [RELENT]. Alas,
. He hath but as offended in a dream!
. All sects, all ages smack of this vice; and he
. To die for't!
LUCIO: [Aside to ISABELLA] O, to him, to him, wench!
. he will [RELENT];
. He's coming; I perceive 't.
-------------------------------------------------------
. Titus Andronicus Act 2, Scene 3
TAMORA: Hadst thou in person ne'er offended me,
. Even for his sake am I pitiless.
. Remember, boys, I pour'd forth tears in vain,
. To save your brother from the sacrifice;
. But fierce Andronicus would not [RELENT];
. Therefore, away with her, and use her as you will,
. The worse to her, the better loved of me.
. Act 4, Scene 1
MARCUS ANDRONICUS: O heavens, can you hear a good man groan,
. And not [RELENT], or not compassion him?
----------------------------------------------------
. King Leir
Mes.: I would that word were in his belly agayne,
It hath frighted me euen to the very heart:
This old man is some strong Magician:
His words haue turnd my mind from this exployt.
Then neyther heauen, earth, nor hell be witnesse;
But let this paper witnesse for them all.
Shewes Gonorils letter.
Shall I [RELENT], or shall I prosecute?
Shall I resolue, or were I best recant?
...............................................
Rag.: I feele a hell of conscience in my brest,
Tormenting me with horrour for my fact,
And makes me in an agony of doubt,
For feare the world should find my dealing out.
The slaue whom I appoynted for the act,
I ne're set eye vpon the peasant since:
O, could I get him for to make him sure,
My doubts would cease, and I should rest secure.
But if the old men, with perswasiue words,
Haue sau'd their liues, and made him to [RELENT];
Then are they fled vnto the Court of Fraunce,
-------------------------------------------
Art Neuendorffer
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