On Sun, 22 Jan 2012 19:01:05 -0500, John W Kennedy
<
jwk...@attglobal.net> wrote:
>On 2012-01-22 21:25:10 +0000, fanabba said:
>
>> On Jan 22, 1:42 pm, chessplayer <
chessplaye...@yahoo.com> wrote:
>>> Was it a character in the book simply saying he doesn't believe in God
>>> which upset people or was it something else. Can anyone please
>>> explain.
>>
>> Muhammad, the Prophet of Islam, received a revelation which said that
>> it was acceptable to worship
>> goddesses Lat, Manat and Uzza, which the pagans of Mecca worshipped.
>> Muhammad
>> told the Meccans this fact. Later, Muhammad declared that that
>> revelation was from Satan, not Allah
>> (hence the term Satanaic Verses for the verses of the Koran that
>> describe that revelation)
>> and therefore not valid. Only Allah can be worshipped in Islam,
>> according to Muhammad.
>>
>> That, to the best of my knowledge, is the explanation of the term
>> "Satanic Verses".
>
>That is a legend of great antiquity, and there are some clues that it
>might be true, though it is officially (and rightly, for all I know)
>denied by the orthodox, on the grounds that Muhammed was infallible.
>Rushdie introduces the story into an episode of his novel, which is
>what got /him/ in trouble.
At
http://www.borrowers.uga.edu/cocoon/borrowers/request?id=781652
labeled a "Journal of Shakespeare and Appropriation", I find the
following description of Rushdi's "appropriation of Shakespeare".
(quote)
A part of Rushdie's East, West short story collection, "Yorick" uses a
postmodern narrative to call attention to Prince Hamlet's childhood
and his relationship with the court jester. The Moor's Last Sigh is a
novel about the cultural, national, political, historical, and even
geneological identity of its narrator, Moraes Zogoiby, known as
the "Moor." In his efforts to make sense of his present, the Moor
relates his family history going back nearly four generations. Set
primarily in Bombay and Cochin, India, the book's intertextual,
postmodern narrative suggests that cultural purity is a fictional
construct. Juxtaposing "Yorick" with The Moor's Last Sigh emphasizes
the main thrust of this essay, which is to through his appropriation
of Shakespeare.
(unquote)