This is something that I have wanted to write in about for a while,
but have not because I don't necessarily think you are doing anything
bad. I just have a different perspective on it, one as a writer (not
for HM) and another as a customer. Not that mine is better, just
different.
I understand that you don't want to be heavy-handed as an editor, and
that is good. On the other hand, I don't think you want to be too
easy either. I am firmly convinced that artists of all kinds -
whether painters or musicians or writers - are the worst critics of
their own art. Either they are too hard on themselves and think
everything is bad, or too easy on themselves and produce sub-par art
and then attempt to dump that on the paying public.
This is one of the many reasons why most musicians need a producer on
their album - to lend an external perspective that lets the good stuff
through and keeps the bad stuff buried (in theory, at least). To me,
the editor is like the producer. As a writer myself, I want the
editor to protect me from myself. If I write something bad and it gets
published, people will read that and it will reflect poorly on me. I
may lose future work because of it.
Most of what I publish is related to my work. I had an article
published recently in an anthology. Looking at the article, I wonder
how it made it in the there. It reads fine, but it just doesn't fit.
As much as I love getting published, I also wished the editor had made
the decision not to publish it. Ultimately, it makes me look bad.
There was a letter to the editor recently about a Copeland article
written by Mark Salomon. I went back and read the article. It was
pretty bad. I know that it was hard because he never got the band to
talk for an interview. But compare that with the article on Damian
Jurado several years ago where the same thing happen. Even though the
writer was mad, he kept the piece short and still turned in a decent
article. Now, I know Mark has written some good pieces. But what if
that was the only one I read? What if I was the editor of Rolling
Stone or something like that, evaluating whether I wanted to let him
write for me, and that was the first thing I read and then decided to
end it there? Ultimately, not printing bad articles will protect the
writer more than they know. Of course, they may or may not cry about
it, but such is the way it is when dealing with sensitive artist
types :)
To me, the Zao article is great, but it could have used an ending. I
don't think it would have been heavy handed at all to ask for an
ending, or write an editorial response. Not at all. That is my
perspective as a writer.
Personally, I think it would feel the same for album reviews. There
was also a question recently about a Disciple review. As a writer, I
feel I should only do reviews for bands that I have a good grid on how
to judge them. If I was assigned a Derek Webb review - no thanks. I
didn't grow up in church and just can never relate to anything he
says. If I was assigned a CD by a band that I was not a fan of, or
that I don't even have an appreciation for their style of music, I
would turn down the assignment. That would not be right for me to do
a review like that. Once again, as a writer, I don't think it would
have been heavy handed to come in and re-do the review in my place.
That has nothing to do with editor/writer relationship in my mind
(unless I was a cry baby). It has to do with quality control. And
every writer has to submit to quality control.
Not to mention the band - whose sales might suffer if you print a bad
review for a food album. I'm sorry, but you putting your rank of the
album next the writer's like you do is cool and al... but it means
nothing to me. What you are saying is that you care more for the
writer's feelings than the the band's livelihood (yes, I know they
don't make money off of CDs, but CD sales can get them better bookings
and more attention). Don't underestimate the power of your magazine
to influence sales on a significant scale.
As a customer, I think most of your articles/reviews are good to
great. But it gives me pause to think that you would sacrifice my
trust as a customer just to pamper a fragile writer's ego.
Ultimately, I'm not wanting to pay for something that is sub-par. And
what are your advertisers going to think when they read that you won't
cut something that you think is bad? Will they want to advertise in
your magazine? Ultimately, I think you do have a quality magazine
here, so these are not issues for me. But will they be issues for
others? Good writers are a dime a dozen (sorry that these last two
paragraphs are so harsh, but it is what I am thinking), but you also
don't want to get a reputation as a hard man to work with. I think it
is good to balance giving writers freedom with providing quality
content. Just my two cents.