I concur with what others have written about auditioned vs. church
bell groups, and the need to move to express the music. A couple of
new (and perhaps only marginally related) thoughts, FWIW:
I saw a YouTube video once of an excellent 4 in hand quartet ringing
while seated on stools. That allowed ringers to damp not only on
their shoulders, but on their lap, like table damping. I thought it
was a great idea, especially for the bass ringer.
My percussion teacher recommended I play a certain bell tree piece
while seated. That piece required reaching only strands of bells
right in front of me, not all the way around the back as some pieces
require. She pointed out (someone here made the same point) that most
instrumentalists play while seated, and sitting added stability for
this particular piece. I took her advice, and it worked well in that
situation. (I normally set the bell tree arms much lower than many
soloists, again on my teacher's advice. She pointed out she likes to
see what she's hitting. Seems obvious in retrospect!)
Now getting completely off topic (and placed here because I'm tagging
onto her thread): Ali, your lighting advice for my solo appearance
Saturday night at the Wenatchee Performing Arts Center was incredibly
helpful. The gobo on The Swan was especially effective. Thank you so
much! I hope to post video of one or two of the pieces I played. (I
forgot to warn my husband that he needed to start the new camcorder
before the lights went out before the first piece I played, and
apparently it was REALLY dark where he was....)
Nancy Kirkner
www.solobells.com
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