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Boris Uwarow

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Feb 22, 2000, 3:00:00 AM2/22/00
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Я счастлив снова видеть тебя, All!


Мы сами неместныепоможытекточемможет!
Дайте эхотаги сабжа!!! :)

[Выкинь телевизор!!!]
Hачертал это *Boris.* [Абдулхай Барматухин ЖИВ!]
[Политики - плохие люди!!]
np: File:C:\Music\King Crimson\B'Boom (Live In Argentina)\TOPIC14\Track15.wav


Sergey Dementiev

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Feb 24, 2000, 3:00:00 AM2/24/00
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Slainte mhath, Boris!

В сообщении от 22 февp 2000 Boris Uwarow писал к All:

[]

BU> Мы сами неместныепоможытекточемможет!
BU> Дайте эхотаги сабжа!!! :)

ALBUM: Minstel in the Gallery

@SONG: Minstrel In The Gallery

The Minstrel in the Gallery looked down upon the smiling faces.
He met the gazes - observed the spaces between the old men's cackle.
He brewed a song of love and hatred - oblique suggestions - and he waited.
He polarized the pumpkin-eaters - static-humming panel-beaters - freshly
day-glo'd factory cheaters (salaried and collar-scrubbing).
He titillated men-of-action - belly warming, hands still rubbing on the
parts they never mention.
He pacified the nappy-suffering, infant-bleating one-line jokers - T.V.
documentary makers (over-fed and undertakers).
Sunday paper backgammon players - family-scarred and women-haters.
Then he called the band down to the stage and he looked at all the friends
he'd made.

[Instrumental]

The Minstrel in the Gallery looked down upon the smiling faces.
He met the gazes - observed the spaces in between the old men's cackle.
And he brewed a song of love and hatred - oblique suggestions - and he
waited.
He polarized the pumpkin-eaters - static-humming panel-beaters.

The Minstrel in the Gallery looked down on the rabbit-run.
And threw away his looking-glass - saw his face in everyone.
Hey!

He titillated men-of-action - belly warming, hands still rubbing on the
parts they never mention (salaried and collar-scrubbing).

He pacified the nappy-suffering, infant-bleating one-line jokers - T.V.
documentary makers (over-fed and undertakers).
Sunday paper backgammon players - family-scarred and women-haters.
Then he called the band down to the stage and he looked at all the friends
he'd made.

The Minstrel in the Gallery looked down on the rabbit-run.
And he threw away his looking-glass and saw his face in everyone.
Hey!
The Minstrel in the Gallery. Yes!
Looked down upon the smiling faces.
He met the gazes. Yeah!
Mm. The Minstrel in the Gallery.


@SONG: Cold Wind to Valhalla


And ride with us young bonny lass - with the angels of the night.
Crack wind clatter - flesh rein bite on an out-size unicorn.
Rough-shod winging sky blue flight on a Cold Wind to Valhalla.
And join with us please - Valkyrie maidens cry above the Cold Wind to
Valhalla.

Break fast with the Gods. Night angels serve with ice-bound majesty.
Frozen flaking fish raw nerve - in a cup of silver liquid fire.
Moon jet brave beam split ceiling swerve and light the old Valhalla.
Come join with us please - Valkyrie maidens cry above the Cold Wind to
Valhalla.

[Instrumental]

The heroes rest upon the sighs of Thor's trusty hand-maidens.
Midnight lonely whisper cries, "We're getting a bit short on heroes
lately."
Sword snap fright white pale good-byes in the desolation of Valhalla.
And join with us please - Valkyrie maidens ride empty-handed on the Cold
Wind to Valhalla.


@SONG: Black Satin Dancer

Come, let me play with you, Black Satin Dancer.
In all your giving, given is the answer.
Tearing life from limb and looking sweeter than the brightest flower in my
garden.
Begging your pardon - shedding right unreason.
Over sensation fly the fleeting seasons.
Thin wind whispering on broken mandolin.
Bending the minutes - the hours ever turning on that old gold story of
mercy.
Desperate breathing. Tongue nipple-teasing.
Your fast river flowing - your Northern fire fed.
Come, Black Satin Dancer, come softly to bed.

[Instrumental]

Black Satin Dancer, given is the answer.
Tearing life from limb and looking sweeter than the brightest flower in my
garden.

[Instrumental]

Come, let me play with you; Come, Black Satin Dancer.
In all your giving, given is the answer.
Your fast river flowing - your Northern fire fed.
Come, Black Satin Dancer, come softly to bed.


@SONG: Requiem

Well I saw a bird today - flying from a bush and the wind blew it away.
And the black-eyed mother sun scorched the butterfly at play - velvet
veined I saw it burn.
With a wintry storm-blown sigh, a silver cloud blew right on by
And, taking in the morning, I sang - O Requiem.
Well, my lady told me, "Stay."
I looked aside and walked away along the Strand.

But I didn't say a word, as the train time-table blurred close behind the
taxi stand.
Saw her face in the tear-drop black cab window.
Fading in the traffic; watched her go.
And taking in the morning, heard myself singing - O Requiem.
Here I go again. It's the same old story.

[Instrumental]

Well, I saw a bird today - I looked aside and walked away along the Strand.


@SONG: One White Duck / 010 = Nothing At All

A one, two, three.
There's a haze on the skyline, to wish me on my way -
And there's a note on the telephone - some roses on a tray.
And the motorway's stretching right out to us all, as I pull on my old
wings - One White Duck on your wall.
Isn't it just too damn real? One White Duck on your wall.
One Duck on your wall.

I'll catch a ride on your violin - strung upon your bow.
And I'll float on your melody - sing your chorus soft and low.
There's a picture-view postcard to say that I called.
You can see from the fireplace, One White Duck on your wall.
Isn't it just too damn real? One White Duck on your wall.
One Duck on your wall.

So fly away Peter and fly away Paul - from the finger-tip ledge of
contentment.
The long restless rustle of high heel boots calls.
And I'm probably bound to deceive you after all.
Something must be wrong with me and my brain - if I'm so patently
unrewarding.
But my dreams are for dreaming and best left that way - and my zero to your
power of ten equals nothing at all.

There's no double-lock defense; there's no chain on my door.
And I'm available for consultation,
But remember your way in is also my way out, and love's four-letter word is
no compensation.

Well, I'm the Black Ace dog handler: I'm a waiter on skates - so don't you
jump to your foreskin conclusion -
Because I'm up to my deaf ears in cold breakfast trays -
To be cleared before I can dine on your sweet Sunday lunch confusion.

@SONG: Baker Street Muse (Baker Street Muse)

Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel.
In the underpass, the blind man stands. With cold flute hands.
Symphony match-seller, breath out of time -
You can call me on another line.

Indian restaurants that curry my brain.
Newspaper warriors changing the names they advertise from the station
stand. With cold print hands.
Symphony word-player, I'll be your headline.
If you catch me another time.

Didn't make her - with my Baker Street Ruse.
Couldn't shake her - with my Baker Street Bruise.
Like to take her - I'm just a Baker Street Muse.

Ale-spew, puddle-brew - boys, throw it up clean.
Coke and Bacardi colours them green.
From the typing pool goes the mini-skirted princess with great finesse.
Fertile earth-mother, your burial mound is fifty feet down in the Baker
Street underground.

What the Hell?
I didn't make her - with my Baker Street Ruse.
Couldn't shake her - with my Baker Street Bruise.
Like to take her - I'm just a Baker Street Muse.

[Instrumental]

Walking down the gutter thinking, "How the Hell am I today?"
Well, I didn't really ask you but thanks all the same.


@SONG: Baker Street Muse (Pig-Me And The Whore)

"Big bottled Fraulein, put your weight on me," said the pig-me to the
whore, desperate for more in his assault upon the mountain.
Little man, his youth a fountain. Overdrafted and still counting.
Vernacular, verbose; an attempt at getting close to where he came from.
In the doorway of the stars, between Blandford Street and Mars;
Proposition, deal. Flying button feel. Testicle testing.
Wallet ever-bulging. Dressed to the left, divulging the wrinkles of his
years.
Wedding-bell induced fears.
Shedding bell-end tears in the pocket of her resistance.
International assistance flowing generous and full to his never-ready tool.
Pulls his eyes over her wool. And he shudders as he comes -
And my rudder slowly turns me into the Marylebone Road.

[Instrumental]


@SONG: Baker Street Muse (Crash-Barrier Waltzer)

And here slip I - dragging one foot in the gutter -
In the midnight echo of the shop that sells cheap radios.
And there sits she - no bed, no bread nor butter -
On a double yellow line where she can park anytime.
Old Lady Grey; Crash-barrier Waltzer -
Some only son's mother. Baker Street casualty.
Oh, Mr. Policeman - blue shirt ballet master.
Feet in sticking plaster - Move the old lady on.
Strange pas-de-deux - His Romeo to her Juliet.
Her sleeping draught his poisoned regret.
No drunken bums allowed to sleep here in the crowded emptiness.
Oh officer, oh let me send her to a cheap hotel -
I'll pay the bill and make her well - like hell you bloody will!
No do-good over kill. We must teach them to be still more independent.


@SONG: Baker Street Muse (Mother England Reverie)

I have no time for Time Magazine or Rolling Stone.
I have no wish for wishing-wells or wishing bones.
I have no house in the country I have no motor-car.
And if you think I'm joking, then I'm just a one-line joker in a public
bar.
And it seems there's no-body left for tennis; and I'm a one-band-man.
And I want no Top Twenty funeral or a hundred grand.

There was a little boy stood on a burning log, rubbing his hands with glee.
He said, "Oh Mother England, did you light my smile; or did you light
this fire under me?
One day I'll be a minstrel in the gallery.
And paint you a picture of the queen.
And if sometimes I sing to a cynical degree -
It's just the nonsense that it seems.
So I drift down through the Baker Street valley, in my steep-sided
un-reality.
And when all's said and all's done - couldn't wish for a better one.
It's a real-life ripe dead-certainty - that I'm just a Baker Street Muse.

Talking to the gutter-stinking, winking in the same old way.
I tried to catch my eye but I looked the other way.

Indian restaurants that curry my brain -
Newspaper warriors changing the names they advertise from the station
stand. Circumcised with cold print hands.

Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel.
In the underpass, the blind man stands. With cold flute hands.
Symphony match-seller, breath out of time -
You can call me on another line.

Didn't make her - with my Baker Street Ruse.

Couldn't shake her - with my Baker Street Bruise.
Like to take her - I'm just a Baker Street Muse.
I'm just a Baker Street Muse. Just a Baker Street Muse.
Just a Baker Street Muse.


@SONG: Grace

Hello sun.
Hello bird.
Hello my lady.
Hello breakfast. May I buy you again tomorrow?


 

ICQ: 36110475
С yважением, Sergey E-mail: s...@victory.rosnet.ru


Sergey Dementiev

unread,
Feb 24, 2000, 3:00:00 AM2/24/00
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Slainte mhath, Boris!

В сообщении от 22 февp 2000 Boris Uwarow писал к All:

[]

BU> Мы сами неместныепоможытекточемможет!
BU> Дайте эхотаги сабжа!!! :)


ALBUM: Songs From The Wood
@SONG: Songs From The Wood

Let me bring you songs from the wood:
To make you feel much better than you could know -
Dust you down from tip to toe -
Show you how the garden grows -
Hold you steady as you go -
Join the chorus if you can:
It'll make of you an honest man.

Let me bring you love from the field:
Poppies red and roses filled with summer rain
To heal the wound and still the pain
That threatens again and again
As you drag down every lovers' lane.
Life's long celebration's here.
I'll toast you all in penny cheer.

Let me bring you all things refined:
Galliards and Lute songs served in chilling ale.
Greeting well-met fellow, hail!
I am the wind to fill your sail.
I am the cross to take your nail:
A singer of these ageless times -
With kitchen prose and gutter rhymes.

[Instrumental]

Songs from the wood - make you feel much better
Songs from the wood - make you feel much better

[Instrumental]

Songs from the wood
Songs from the wood

[Instrumental]

Let me bring you love from the field:
Poppies red and roses filled with summer rain
To heal the wound and still the pain
That threatens again and again
As you drag down every lovers' lane.
Life's long celebration's here.
I'll toast you all in penny cheer.

Songs from the wood - make you feel much better
Songs from the wood - make you feel much better


@SONG: Jack-in-the-Green

Have you seen Jack-in-the-Green?
- With his long tail hanging down.

He sits quietly under every tree
In the folds of his velvet gown.
He drinks from the empty acorn cup.
The dew that dawn sweetly bestows.
And taps his cane upon the ground -
Signals the snow drops, it's time to grow

It's no fun being Jack-in-the-Green:
No place to dance, no time for song.
He wears the colours of the summer soldier;
And carries the green flag all the winter long.

Jack do you never sleep - does the green still run deep in your heart?
Or will these changing times, motorways, powerlines, keep us apart?
Well, I don't think so.
I saw some grass growing through the pavements today.

The Rowan, the Oak and the Holly tree
Are the charges left for him to groom.

Each blade of grass whispers, "Jack-in-the-Green."
"Oh Jack, please help me through my winter's night."
And - "We are the berries on the Holly tree:
Oh, the Mistle Thrush is coming. Jack, put out the light!"


@SONG: Cup of Wonder

May I make my fond excuses for the late-ness of the hour;
But we accept your invitation, and would bring you Beltane's flower.
For the May Day is the great day, sung along the old straight track.
And those who ancient lines did ley will heed this song that calls them
back.

Pass the word and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.

Ask the Green Man where he comes from, ask the cup that fills with red.
Ask the old grey standing stones who show the sun his way to bed.
Question all as to their ways, and learn the secrets that they hold.
Walk the lines of Nature's palm, crossed with silver and with gold.

Pass the cup and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.

[Instrumental]

Join in black December's sadness, lie in August's welcome corn.
Stir the cup that's ever filling with the blood of all that's born.
But the May Day is the great day, sung along the old straight track.
And those who ancient lines did ley will heed this song that calls them
back.

Pass the word and pass the lady and pass the plate to all who hunger.
And pass the wit of ancient wisdom, pass the Cup of Crimson Wonder.
And pass the Cup of Crimson Wonder.


@SONG: Hunting Girl

[Instrumental]

One day I walked the road and crossed a field to go by where the hounds ran
hard.
And on the master raced: behind the hunters chased to where the path was
barred.
One fine young lady's horse refused the fence to clear.
I unlocked the gate but she did wait until the pack had disappeared.

Crop-handle carved in bone; sat high upon a throne of finest English
leather.
The Queen of all the Pack: this joker raised his hat and talked about the
weather.
All should be warned about this high-born Hunting Girl.
She took this simple man's downfall in hand; I raised the flag that she
unfurled.

Boot leather flashing and spur-necks the size of my thumb.
This high-born hunter had tastes as strange as they come.

Unbridled passion: I took the bit in my teeth.
Her standing over: me on my knees underneath.

[Instrumental]

My lady, be discrete. I must get to my feet and go back to the farm.
Whilst I appreciate you are no deviate, I might come to some harm.
I'm not inclined to acts refined, if that's how it goes.
Oh, high-born Hunting Girl, I'm just a normal low-born so-and-so.


@SONG: Ring Out, Solstice Bells

Now is the solstice of the year. Winter is the glad song that you hear.
Seven maids move in seven time. Have the lads up ready in the line.
Ring out these bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Join together 'neath the Mistle-toe. By the Holly oak where-on it grows.
Seven Druids dance in seven time. Sing the song the Bells call loudly
chime.
Ring out these bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Ring out. Ring out the Solstice Bells.
Ring out. Ring out the Solstice Bells.

Praise be to the distant sister Sun. Joyful as the silver planets run.
Seven maids move in seven time. Sing the song the Bells call loudly chime.
Ring out those bells. Ring out, ring Solstice Bells.
Ring, Solstice Bells.

Ring out!
Ring out!
Ring out!
Ring out!

[Instrumental]


@SONG: Velvet Green

Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning -
Walking on Velvet Green.

Walking on Velvet Green - distant cows lowing.
Never a care; with your legs in the air, loving -
Walking on Velvet Green.

Won't you have my company, yes, take it in your hands.
Go down on Velvet Green, with a country-man.
Who's a young girl's fancy and an old maid's dream.
Tell your mother that you walked all night on Velvet Green.

One dusky half-hour's ride up to the north.
There lies your reputation and all that you're worth.
Where the scent of wild roses turns the milk to cream.
Tell your mother that you walked all night on Velvet Green.

And the long grass blows in the evening cool.
And August's rare delight may be April's fool.
But think not of that my love, I'm tight against the seam.
And I'm growing up to meet you down on Velvet Green.

[Instrumental]

Now I may tell you that it's love and not just lust.
And if we live the lie, let's lie in trust.
On golden daffodils, to catch the silver stream
That washes out the wild oat seed on Velvet Green.

We'll dream as lovers under the stars:
Of civilizations raging afar.
And the ragged dawn breaks on your battle scars
As you walk home cold and alone upon Velvet Green.

Walking on Velvet Green - Scots Pine growing.
Isn't it rare to be taking the air, sinning -
Walking on Velvet Green.

Walking on Velvet Green - distant cows lowing.
Never a care; with your legs in the air, loving -
Walking on Velvet Green.

[Instrumental]


@SONG: The Whistler

I'll buy you six bay mares, to put in your stable;
Six golden apples bought with my pay.
I am the first piper who calls the sweet tune
But I must be gone by the seventh day.

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

All kinds of sadness I've left behind me.
Many's the day when I have done wrong.
But I'll be yours for ever and ever.
Climb in the saddle and whistle along.

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

[Instrumental]

Deep red are the sunsets in mystical places.
Black are the nights on summer-day sands.
We'll find the speck of truth in each riddle:
Hold the first grain of love in our hands

So come on - I'm the Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
So come on - I'm a Whistler. I have a fife and a drum to play.
Get ready - for the Whistler. I whistle along on the seventh day.
Whistle along on the seventh day.

[Instrumental]


@SONG: Pibroch (Cap in Hand)

[Instrumental]

There's a light in the house, in the wood in the valley.
There's a thought in the head, of the man.
Who carries his dreams, like the coat slung on his shoulder,
Bringing you love, in the cap in his hand.

And each step he takes, is one half of a life-time:

No word he would say, could you understand.
So he bundles his regrets, into a gesture of sorrow,
Bringing you love, cap in hand.

[Instrumental]

Catching breath, as he looks through the dining-room window:
Candle-lit table, for two has been laid.
Strange slippers by the fire:
Strange boots in the hall-way.
Put my cap on my head - I turn, and walk away.

[Instrumental]


@SONG: Fire at Midnight

I believe in fires at midnight, when the dogs have all been fed.
A golden toddy on the mantle; a broken gun beneath the bed.
Silken mist outside the window -
Frogs and newts slip in the dark.
Too much hurry ruins a body:
I'll sit easy; fan the spark.

Kindled by the dying embers, of another working day.
Go upstairs: take off your make-up -
Fold your clothes neatly away.
Me, I'll sit and write this love song
As I all too seldom do -
Build a little fire this midnight.
It's good to be back home with you.

[Instrumental]

Kindled by the dying embers, of another working day.
Go upstairs: take off your make-up -
Fold your clothes neatly away.
Me, I'll sit and write this love song
As I all too seldom do -
Build a little fire this midnight.
It's good to be back home with you.

Fanis Yarullin

unread,
Feb 25, 2000, 3:00:00 AM2/25/00
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Вот решил вмешаться в разговор..
BU>
BU> Мы сами неместныепоможытекточемможет!
BU> Дайте эхотаги сабжа!!! :)
Учти, их у меня гораздо больше чем Генезисов, то есть почти все.
Пока лови Minstrel In The Gallery.

[Instrumental]

[Instrumental]


@SONG: Black Satin Dancer

[Instrumental]

[Instrumental]


@SONG: Requiem

[Instrumental]

[Instrumental]

[Instrumental]


@SONG: Grace

Hello sun.


Hello bird.
Hello my lady.
Hello breakfast. May I buy you again tomorrow?


 

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