Vote Populi; Solomon in Baghdad; Economy Matters; Coffee Conscience (fwd)
Alan Sondheim
Date: Fri, 20 Sep 2002 04:53:00 -0500
From: AlterNet <in...@alternet.org>
Reply-To: headlin...@lists.alternet.org
To: sond...@panix.com
Subject: Vote Populi; Solomon in Baghdad; Economy Matters; Coffee Conscience
AlterNet Headlines
Brief summaries of leading stories from AlterNet -- the
independent news and syndication service -- for September 20, 2002.
http://www.alternet.org
**NOT IN OUR NAME **
Noam Chomsky, Grace Paley, Kurt Vonnegut, Mos Def, Tony
Kushner and Barbara Kingsolver are among the 4,000+ signers
of the Not In Our Name Statement of Conscience. The
statement calls on all Americans to "resist the machinery
of war and repression and rally others to do everything
possible to stop it."
Read the full statement and find out how to add your name at:
http://www.alternet.org/story.html?StoryID=14138
===============================================
BAGHDAD, SEPTEMBER 2002: CITY OF DOOM
Norman Solomon, AlterNet
Faced with the threat of a massive U.S. military attack, a
palpable feeling of dread hangs over the Iraqi people.
http://www.alternet.org/story.html?StoryID=14127
THE ISSUE THAT MATTERS
Farai Chideya, Pop and Politics
While we're more than happy to talk about welfare queens
and poverty pimps, we don't seem to hear the vast sucking
sound of white-collar criminals hoovering out our economy.
http://www.alternet.org/story.html?StoryID=14129
SAME-DAY DEMOCRACY BRINGS THE PEOPLE TO THE POLLS
Don Hazen, AlterNet
"I thought it was time to draw a line in the sand and say
we welcome all eligible Californians to the polls." -- Rob
McKay, sponsor of Prop. 52, Election Day Voter Registration.
http://www.alternet.org/story.html?StoryID=14143
DRINK COFFEE? READ THIS
Michelle Chihara, AlterNet
A new report says farmers and workers who grow coffee beans
from South America and Asia are slipping into dire poverty
while U.S coffee giants grow rich off their labor. Two
fair-trade campaigns hope to reverse the trend.
http://www.alternet.org/story.html?StoryID=14140
DROP THE BOMB: WHY WAR TALK IS CHEAP
Ted Rall, AlterNet
Ultimately, bombs make war too easy. Leaders are less
likely to engage in military aggression if going to war
will cost the lives of their own people.
http://www.alternet.org/story.html?StoryID=14126
A PROFILE IN DATING COURAGE
Liz Langley, Orlando Weekly
You should never in your life have said any of these
things: "Do you want to hear my poem?" "George W. is a
brilliant man." "I'd like to dedicate this award to my Lord
and Savior, Jesus Christ." "I got Buffett tickets."
http://www.alternet.org/story.html?StoryID=14139
FRANKENFOODS GET FUNKIER
Margaret Wertheim, LA Weekly
The biotech industry is promoting the newest biotech
solution to genetic contamination. But will it be just more
fuel for the fire?
*In EnviroHealth: http://www.alternet.org/?IssueAreaID=18
A GULF WAR VETERAN ASKS: WHAT WILL I TELL MY CHILDREN?
Charles Sheehan-Miles, AlterNet
We have to decide what legacy we will give our children --
liberty or material comfort built on death and destruction.
*In War On Iraq: http://www.alternet.org/?IssueAreaID=40
SHOULD WE SCRAP THE SECOND AMENDMENT?
Michael Manville, Freezerbox
The fight over gun control is centered on the
interpretation of a vague and confusing constitutional law
that was written in the 18th century.
*In Rights and Liberties: http://www.alternet.org/?IssueAreaID=33
DEMOCRACY IN DEEP DECAY
Terrence McNally, AlterNet
William Greider talks about how big money has broken the
American political machine and how lawyers and lobbyists
undermine the process of lawmaking.
http://www.alternet.org/story.html?StoryID=14125
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mIEKAL aND
Neo-Iconography: The Madagascar Event
A man identified by
his momentos, we get
outside music, on course
regularly pursued by
preternaturalist ?? aside
from the rigor of decision,
interactive decay among
all cells of investigation
until the question disappears
inside all of our heads
are long sustained notes
and surplus of people
waiting in line ? music
is not indefinite combination
? uptoward and again the
first place to look for
lost
Regain the world in
The last rememory. Or
They ordained impossible
Language as transmission
& mind over thinking
and we are bombs inside
a ticking lack of
bubbles soak the
dramas, and are your
notions at the worked
boundaries, overlooking
transparent and angles
of villages buried in
rays and concert lights
at the bottom of a
moveable valley. we
in science backed out of
the laboratory into bootfuls
of mud. california
is raining everyday in
ritual time. kept in
bags next to a river. Set
and numbered distinct dragging
head arced under radio
of an axle computer
is changled, thereby resolved
a cringing man in an ordinary
car behavior is lagging therapy
used loosely he savored
an abandoned country will
suffer his death he
filmed over & over
by the authorities was
not the last time an
oddly remembered fugue
I stood at a part from
sureness of drone in a
cubt of indecision and the
manner of speaking thusly
indicated. There is no great
manner matter ever replaces.
up rhythmic so-called tally
of many heads in
a soaking barrel and
hazy winter recalls
of decent old ladies
bricking up the front
of a labored house. He
little tibetan foretold
ending is in place of
growth mental jazz and
ancient spirituality renewed
with spasm of fetishness,
barren insistent soul that
old ladies lying shallow
in a piano death bed
should hum and plagiarize
continental tunes, rehearse
her face and expressions
for the decaying relatives
there isnt a single
trainstop that will
satisfactorily leave you
and the homeland, querencia,
whistles & bells lapping
up silence, another tall
building collapses onto
a cartoon of eggs left
on the sidewalk. an earth
quake in 1908 left sizeable
damage in the equatorial
lost cities. voyages there
were delirious, missionary,
and bodies lying
pinned under stacks
of collapsed villas. a
lava shoots and flutes
the cracks and opening
of their piled bodies.
heat swells and pyramids
break from the earth
and culture ridden
from stress on from passed
on portrayal. we who
learned the crammed
sky is responsible, makes
me I am lone
in madness this very
confession missionary
stone piles next pathway
with many unblazed
directions accounting for
possible decisions.
10 ways Ive heard
every sensation buildup
and make molecule
arrangement obvious
square of activity.
performer involved
surrounded by ordinary
assertion and holding
patterns ciphered.
faction to sensing
amazements people so
they cluster around
and frozen cliffhanger
god and they what
jumps out of the sky
into the mouth of variables
or districts / partials /
sounded in act up and
disasppear before any
evolution and planet
get mucked up under
hideous flora and
personalities from antic
greek theatre stood barely
in rows and configurations..
they who knows what saying
ingreat they gander ahead
of. sitting in the flaming
bleacher are childlike amazons
craving each other.
aside for habitual human
touching the martial distress
ing attention distracts from
the play taking place
amphitheatre. navigation
occultly amoral travel,
below the tiny village
under overhung forest
and nightmarish midnight
howling I am a journeyman.
one who beguiled and
attacked by wintery
transfusion, live and
live out the claim.
characterized by adulthood
or parents surrounding their
adoption, sexual metaphor
the peopling children, &
so many once lost in
the sucking night, a gaining
a little bit about rocks
rocks landscape slippery
music. hold down for
repair advancing and
this is a being the danced
and the changements—
and finally there is the
notion of intelligence as
proceeding from the guises
back of material planet.
about some thousand years
have in manner passed by
the thipple speech those
crazed to transmission. bits
play a heredity. my eyes
trans/delinquent exposure
and click click off the
footage in a time when
everyone watches. watches
for the time against the
motion of people story after
story nodding to oncoming
slowman. ------a return
to a minority impulse they
stave before this appetite, minds
are transferred and
imposed on blasphemy
intoxicant they cause
celebration onfront
of drunken misnamed con
flagration overheard ahead
some many speakers are
agreeable living living
square. and a stature
of conquered over
dragons, over dragons
they are so said speaker
but the ways for plunge
into ocean and curled
away hair, distaste
outfront of the thang
concert, the bend of his
skull was proposed for
visual affliction, daily
intercourse of learning,
part two is somewhat different,
and what organized
saying gets interruption
and should there be
an other way.
social head gestures are
in a lack the pushed
against wall retaining
a valuable information
rolling in the diversity.
mIEKAL aND
mIEKAL aND
> from Knowledge Swirling Man Tell Slow Stories
>
Svengali
By way here
I were hanging eternal,
with eye crossed as if
dislocated from information.
Noises heard have cluttered
my retention.
Each lifeless speaker is
working without notion
or surplus of attention.
The isolation of 18th century
America accounted for an
infiltration of enormous
similar thoughts—
The heat dropped on the city.
This always slowed me, or
cornered me in abstraction.
Svengali
"I told her to lay facefown.
I had just laid zebra skin on
a clearing."
and
The hood fell away from his
face, his teeth indicated
aggravation.
Tomorrow the publication of
a daily newspaper reveals
contradictory news of an
incident a century previous.
Boxes loaded with fragiles
was stored on a shelf in a
dusty room for 30 years be-
fore its contents were
materialized.
I often read thru whole books
in the course of a moment and
many books in a sitting and
maybe one idea would converge
in the end.
Should I feel loss, I never
knew Svengali, he was dead
by the event of the 20th
century.
Runaway with age, Svengali
lived impoverished, he could
look out his window & fore
see gloom.
Pyramidal research occupied
the remainder of Svengali’s
time. He doubtlessly lapsed
into trance repeatedly.
What was left of his body by
the time the gendarmes shoved
it into a body bag: in Tibet
bodies are left in the mount-
ains and the buzzards claim
what is left.
Between me and Svengali a 100
years divided the future. A-
bout 20 years before I was
born the city received signs.
Their hair grew long, people
spoke in ideas and looked you
in the eye. Elsewhere another
old man was trapped inside a
dusty room.
Svengali wrote about her in
his notes. "I had never thought
of photographing nudes, and
after I had spent nights with
her, I would recall her from
memory & the apparition was
never complete."
FAR
A
TURN
SHE
You seen
her twisting,
hurt be-
yond wide
river,
fingers
amid
fingers.
stretch
back, she
spins backwards
as if
fondly to
vanish from
memory,
until
endless
night was.
An early weather forces steam
up thru the cracks. From a
distance immeasurable violence
is lowered into the ground.
She learned of his power when
in a dream a door opened onto
a larger door. This parallax
continued until water rushed
thru a newly opened door. She
shrugs and is swept away. Sven-
gali appears at a window in-
canting the french he learned
as a child.
The bleeding finally stopped
and I awoke abruptly. A knock
at the door and rain shudders
against the house. Everyone
who comes to the door is des-
perately alone.
An early weather forces steam
up thru the cracks. From a
distance immeasurable violence
is lowered into the ground.
His body atrophied before he
was prepared. He hungrily
awaited death, his several
minds lathered and resolute.
Crushed beneath a storm-fallen
tree the package was split open
and the papers were shredded,
flying away. I hurried to gather
them. They were filled with
paraglyphic notations of the
psychic world. Just in glancing
I noticed Svengali’s name men-
tioned in reference to the know-
ledge obtained while in trance.
To gain exposure in the world
of ideas I would send out writings
in the main. Long before, Svengali
had participated in a concise
unspoken world of ideas, his
visionary projection and tele-
kinetic posturing led many people
to change the nature of their
concentration and involvement.
A nocturnal society of like
powers was formed in medieval
europe. No one can recall the
last meeting. Gradually the
particular subculture evolved
into a species apart from the
race. An avant garde country.
Svengali learned of this remote
lifestyle while still a student
at the College of Particular
Genius. It brought him a long
ways quickly.
The movie ran continuously for
days. In it Svengali was
assigned the predicted sinister
roles, seducing the female lead,
appearing at the site of
blood and death, talking
softly and convincingly. The
first day I managed to sit
anxiously without flinching.
The second day I began to get
hungry and tired and crave
companionship. At the end
of a week I no longer had any
awareness of the human pro-
portions.
I head it in my hand for
a long time. When I looked
away it left. Birds took to
me easily, flocking and
following me. Such intimate
wilderness suggested a free-
dom in knowing. Ultimately
the women of Svengali were
alone.
Dogs lost in the city roamed
restlessly. They fed off
rodents and garbage behind
buildings.
Svengali stepped
out his door and headed to-
ward the bistro. He sank
into knowing like bodies ab-
sorbed in convulsion. I
suspect Svengali acquired much
of his knowledge by change.
--
mIEKAL aND
d...@mwt.net
Dreamtime Village http://www.dreamtimevillage.org
Joglars Crossmedia Broadcast http://cla.umn.edu/joglars
mIEKAL aND
>
> > from Knowledge Swirling Man Tell Slow Stories
JOSEPHY BEUYS, the day gurdjieff died
_Contromplelities_
The particulars of the lives of Beuys can be found
in countless documents. The application is best
served not by repetition of his selfsame rituals,
but by considering the elevation of the artist into
a sensitively tuned species, a theatre contrasting
the ordinary mechanics of human behavior. Contin-
uous effort in being, will & knowledge result in an
eventual wealth of capacity. The apotheosis is not
the world as we suspect it now, but a landscape
motivated by understanding.
_Intandinee_
College of Immortals said to ascribe to
forgotten particulars. Joseph Beuys, the
day Gurdjieff died... in plaincoat washed
& ragged & following no overhead doctrine.
Ritual society corresponds to transmuting
chemical habits into a progressively clearing
being. all participation within the prac-
tice of metaphrasting culture symbolizes
regeneration. CONCEPT, ACTION, OBJECT.
Learning in proportion to the inevitable
mysteries,.... Free International University
has become a way to activate intimate
schools of remembering.
_Somed_
Materializing on a mongrol tundra,
the frozen body of stagleader Beuys
wrapped in fat & felt. 8 days in a
coma, he may have died, or acquired
demiurgic essence. A life crises,
a depleted body in plane crash
wreckage, transformed in the course
of 30 years into a benevolent cos-
mogony.
Easily, his living after "dying"
takes on sculptural form, his will
automatically detached from bodily
restraint. Or some years later
having to fend with coyote pacing
madly locked in a gallery rolled
up in a rug. From riding an edge
near death the tone & timbre of
ritual man is by exclusion decided.
Each step saves life or removes
death. Constantly reminded of death,
emptiness & action take on anti-
quated force. There is an ex-
panding chromaticism & a species
preparing to change.
_noetrialin_
And we are stamping our feet against the wall
varifying a new species, momentary lazing against
the contempt another slow story is told slowly and
outside breaking lipping or tramel base of skull
and august another daylight is approximate music, under
footing of balcony, the door swings open walking
group of musicians always sighting familiar noises
leaving rattling organpipes, skywindows, the sight
of noise, little understood in previous century has
outlasted decay and macrotonal generalization.
_therition_
raising out of puddle the delinquent health rather
whipped & in the place of matter so broken & cased
with the dragging cage. I am behind the attitude
& this more than apostrophe maybe makes me heavy
for the mogul. above the ground & ways away from
clatter pans & airlids crawl along the street for
the stretch of forever eternal brattle. animal &
sized paper against the walls leaning again the
potion I matter silly health statement. working
into grid & potential wracked the stain but last
day of the yearning for womenweakened agility.
vast hurry so they sing beat breath they are gone
always & have installed whereless supposing, lack
winding & bleeding breath & under the ocean of glass
lining the study looking out onto the street estranged
world of small village away from the populace. I
have established a gaunt fist or slamming instant
walls in front of me, cant get out of the way of
belonging alone or enable the stretch & reach of
my body to suggest poly any I want want so little
have anything ancient. game.
_shing Con_
The drum leader narrowed the beat, dimly light
giltered thru da noisy lights, whales tunneling and
radar sonic waves at breaking over creatures, seaside
church vast lasting vast lasting and a forgotten
women ringing bell.
_d Buining_
A what I have understood every concept within
a making is light and troubleless, many madly singers
left alone next to the sea, sound is less consistently
device & closure, outside our knowing is enumeration,
frequencies of experience accumulating.
_chno Systal_
A map of the ocean is a contour of appearing noise.
I have lain package.
_pleth_
for years in the ancient dark is bound to apt to reveal
ellipsis and truth ism of command nature----the spellbound
as it appears in real life will not be angled of held hollow-----
nor sposh to rant -----/-----
_gerio_
Terrible diplomacy is newspaper everyday and the currency
should the frantic punk loose way in the darkling crowd, no
god to pander and the bounce feet make in the footprint cement,
isms to believe to reduce the cueing. Not to know in advance
the specifics of the death. Body no blood had left epic.
Proportion consumes the railing art and a case of posthumous
papers should be forte for investigation. If I could know
what he say it be atomized for air concerned.
_thoying_
You Look Like You Know this botch up the investigation. The
old man is called Hab Non, mountains being crossed by chinese
generations, musical writing memory and Hab Non had written
timelessly of the culture. Migration against careless
politics. A tibetan buddha horn whiles long tubular pitches.
a summons for the death of old writing man.
Hab. Non. Creature
apostrophe for what you can push against, those boring
unmoving people lay in the mid the continent and holocaust
for change. Slight magnificent morning rises above
dawn and this building is fortress of art. It lays
between fat ridge and damp omming mountain long enough
to consider the visitors.
They are robed in modelled
perfection, some spiritual sterility about their knowling
jogular plodding. But they disappear from the face of
avant garde country before they reach the building.
The building moans.
_onderth sign_
A mental of all possible writings which has the
advantage it has happened before I am alive and making
it ready for living, twelvetone personal living space.
The constant, in the midst, organization of concepts,
that formal arrangement
of any set of learning, in the music learning, interper
sonal learning.
Typewriter sphere contemporary initiative and
invention in the body of littling, so much is written
far as can tell we generate pauses, diskind assimilation
with bothering—
who if its opposite can assume
diversion, form of music that is always appearing,
comparisons with breath, infinite water, mecurial drone,
I am pausing beneath aperture so is how we last dealt
with predecessor memories, o kind of alpha, life is
light and outside pageantry we are living in whileness
living in molecules.
John M. Bennett
John
At 09:38 PM 9/19/2002 -0500, you wrote:
>mIEKAL aND wrote:
>
> > from Knowledge Swirling Man Tell Slow Stories
> >
>
>--
>mIEKAL aND
>d...@mwt.net
>
>Dreamtime Village http://www.dreamtimevillage.org
>Joglars Crossmedia Broadcast http://cla.umn.edu/joglars
__________________________________________
Dr. John M. Bennett
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-8114
benne...@osu.edu
___________________________________________
mIEKAL aND
> > from Knowledge Swirling Man Tell Slow Stories
ERASMUS, Recogimiento
identified
inside all of our heads
--music
is not indefinite combination
over comes
esk up
to The soaking deal
with it ones
Take thru the
work
the last
place to look
waiting in line
interactive
cells of investigation
preternaturalist
man identified
language as trans
sustained notes
outside music
indefinite combination
disappears
inside all
thinking
I have
care
of me
and
waiting
is not
--
first lost
music
waiting
inside
man
of our
first head
In the elemental climate
in interval doses
watered everyday as chore
Secretpassage
dont random looks into
bright words I am
garden of our
voice
Bent
the hand
a far
landscape
counts I count
Rank &
the grinding
warmed the
meant
mIEKAL aND
>
> > > from Knowledge Swirling Man Tell Slow Stories
BE SHE AND YOURSELF.
K Thru Tomorrow
I bite action and see thru blunt and thermal,
seen thru knowing ---- I am to test the blow
within my head and fan the too many givings.
There is this package next to her door. someone
walks out of the future thoroughly incensed
and wonders about these squared off bodies
playing out their business. Who says. There
are no wheres to go, the internal organs
expand and contract to supervise heritagion.
I walk up to the door costumed carrying bag
in my pocket in marked existing. They very
devote the manner, soft incessant understanding.
Now I am ready to be even and occasion variables
every speculation.
No matter the playful liquid seclusion. "You
cant live inside cells or muscle the dram
of gut too many women have laid bare." In
talking to her inner ear they communicate
position. Thin body bending over the flurry
of rememories-----
"You gotta be with him when you want to be
with him-----"
Inner ear suggests. Small dog-like cat wiping
paws against the wet tree. First birds and
leaves become each other and the autumn excludes
the english bachelor waking, an unnoticed
bystander under the weather, smart raining
sky makes a passing remark.
-----When the
alone body journeys to the river to play talking
melody ocarina, this is the real life and while
he plays the air he closes eyes and feathers
his legs into lotus pose, sighs, screams,
sings, up-sad feeling, closes his eyes and
pictures himself at door, not knowing to knock
to looking thru window.
-----The sky
thunders, the leaves and birds fly away to
dispose the tree. "Who you will overcome the
plant peering under the stairs. The stairs
mentally plots a narrow rising movement and
as I step them, they ascend, but its twists
and rocking tension react suspended."
-----This is motion. The weather plays a
blunting rising role in the drama. Everyone
who looks out their window looks blankly into
the past. I look out my window and decay
rapidly. the decomposition is swept away,
disposed, opened & put into the bag I carry with
me. I have a hand in determining my knowing
and my involvement. The gag chances size and color
and I hold it closely to me when here is not there.
I can do little to discourage the frame and sculpture
of building, but to lay under the pressure of the
enlarging museum, I take up female response, that
it my body next to here next to the cause and the
labor and the driven help. The tree is wet and when
she climbs branch by branch falls away beneath her.
Upward climbing continues and with enough trails
laid behind anyone can follow. I put tomorrow in
a bag and held it under the floor of my house until
hers was a real life interact. She continues to climb
and here steps longer and more forceful ascends.
They disappear from view. The dog is chased by the
cat, nothing so much as wonder concluded the air of
decision. Here with a gag of magic, trans from
apostrophe into bodily climax. Laying panting or
even if tomorrow disappears there here is a bag
full, conscious rock of memory.
I like here apostrophe thinks to mimeself and this
as much as nothing melts him small and watered down
to dripping fantasy. Here she stood next to the
river, the wet tree is swishing with wind and wild
raging plot. He can be with her anyway, is gone
or not to be had and I know that or fell in lost
behind. Art wise opening will remain to be special
or flinging surprise happily into the air. Please
explain. Normal ragging to be in a hurry but this
is liquid and built up and I have many notions all
at once but they should not lose way or lose possibility.
Moral tomorrow is superimposed on every contact.
-----gently undoes my gripping torpedoed body. We
are inside the museum and all this while people are
watching trying to understand. They will not
and without understanding the human condition falls
aside and glimmer and new notions for tomorrow raise
the stance. Here next to apostrophe and placed under
a limp serpentine bonding-----
Blood were thin enough to shade the feeling of always
losing footing. The wet tree pretended inclusion
in the scenario. As her climbs it for the incessant
escaping time I am calculations apart: we escape to
Mexico and her is first to drink water. The trees
are already bare and dry and very uncertain to climb.
We are guests to our emotions and this wild building
amounts to losing yourself in lightly moving thru
the country. We will see the landslide and nothing
but the equation between us provide warmth.
The yard is full of dogs baying at will. Landowners
suppress their concern and this is well. I no more
tortured than my suffering guru imagines. The absence
of meeting is in place loaded and masterly taken
away. Apostrophe begins by being taken for a loop
and as it tightens our brain and material of instinct,
the audience stands and roars with approval. Apostrophe
gestures warmly toward her and every excited movement
musically connects. The audience hears the difference
and we as spectators are taken for a ride.
Sheila Murphy
__________________________________________________
Do you Yahoo!?
New DSL Internet Access from SBC & Yahoo!
http://sbc.yahoo.com
mIEKAL aND
>
> > from Knowledge Swirling Man Tell Slow Stories
SOUND from the wall of water
_outside music_
the tropical
mental jazz and
a piano death
next to a river
overlooking
an other way
_investigation_
they set
nightmarish
heads in
science
midnight
_ion disappears_
story after
the ways
into ocean and
many speakers
at the bottom
remembered
social head gestures
of fetishness
of drone
_preternaturalist_
skull was
howling I am a
notion of intelligence
overheard ahead
of material planet
sexual metaphor
are childlike
drunken misnamed
therapy
_him momentos_
manner of speaking
a stature
with death
navigation
at a part
away hair,
landscape slippery
abandoned country
and expressions
for habitual insistent soul
_sustained notes_
the last
a ticking
language as
over thinking
occultly amoral
transmission
transparent and
repair advancing
_interactive decay_
this is a being
dramas, and are your
sucking night, a gaining
valuable information
filmed over and over
ending is in place
indicated. there is
ritual time. kept in
concert, the bend of his
play taking place
manner matter ever replaces.
_finite combinati_
footage in a
transfusion, live and
interruption
music. hold
with spasm
a single
stave before
some thousand years
of the thang
_or of decision,_
behavior is lagging
under radio
the laboratory into
his death he
said speaker
everyone watches.
_place to look_
and click click off
somewhat different,
this appetite, minds
crazed to transmission.
a cringing man in a
hazy winter recalls
tibetan foretold
trainstop that will
live out the claim.
_11 cells o_
under overhung forest
ouching the martial
human
distress
from
craving each other.
I stood
for the decaying
indecision and the
thusly
no great
journeyman.
_lost, on course_
travel,
below the tiny village
her face
should hum and
trans/delinquent exposure
as
from the guises
proposed for
visual affliction, daily
--
mIEKAL aND
>
> > from Knowledge Swirling Man Tell Slow Stories
>
OURS RESERVE:
fever wreck 1980s
1984
&walks thru the window pain and knows his
art he sees it. there is a crustacean planted
in the garden a crop a crop a crop. fine
words be juried weve the thoughts and maybe can
bring them together into a qunicunx window.
&s political behavior has been described as
internal each his eccentric acts casting him
a closet of performance.. a boooook walks
in and splices &s mind. what does & do but to
make the text some call sitting down to write
in notation. imagine looking into a cylinder
the core of a roll of aluminum foil and a
mad kaleidoscopic alphabet has a processional
into your eye. trans the visioned into
serum.
-ly the
fever wreck 1980s
taken heart onset
grabs stride
buries us
onset tame of remain
fall
damn leaving
thang
face of mona
lisa stolen
I seen
huysman
jewel crusted
tortoise
what is
amended
by differ
ence the
footprint
-ly
reference shook of
already knowing
adverbial
"you’ve been doing it a
long time" she spilled
the wind over soft
--tensing
holiday garbo
her
improvisaton
act immediate
medicine future
& its delayed
projection
is knowing
_is knowing_
-ly the tomorrow
broadest movement
sounds mesh
sharp sounding
-ly ie the moment
fossil dark
language handled
not dangerous
thieving planet
sounds make
record of fact
we exist bodily
the impact
tv glistens with
sweating paint
man raggy rtist ?ly
canting story on syllable
lips, eluding alas
and the sensory romancing
isnt apparent aloof
the fiction or opalisque
squad on top of noise
banter the cafe style
in back chopping dolls heads
some down deep patience
against the consumption
greatly the body of work
before pictive history
denial
plain
to plump
telescope
cherry optick
onset
wide open trill ride
your mouth of joy
far ahead of
dying piano or
the spine of your
nervous agreement
I was sealed in
vacuous sleep,
the slurping tape
machine
playing loop over
loop of the
sucking night,
deeper the
plaintive power
rings concentric
overt
the speech is ethnic
even talking essay knowing
in the back of tongue or
the very
dependable build
ing image—yesterday
distantly-synthethic
debris this leftover,
gone behind,
never being
capable, reading only
what you
already know
the world
is large enough
between each
death or
passing on
between
bite action dreary music
twentyone century tango
-ly the tantric rules
so did we try in our own attempts
nothing in either
LOUDNESS RANKING
-ly the november
hurricane in
box I recover
the extra grid
in together
thoughts stands
formation I
make allusion
forth feeling
inclusion arrival
the maha
eliminating
of the
ninth
loudness
ranking
long make
deferment
against
heart
to
arm
Then
regulation
electricity
The
Given
One
one
--one
A
The
above
in
The
a
and
"all
to
grammatically
the
linear
ways
together
arrhe
shitte
Make
Make
Make
We are
about to
enter shell.
The tank
that surrounds
our body
will fluctuate
and something
more
than sunshine
freezes the sky.
One people
matters over others
the small
gray eyes
are sad, distinct
reminders
then should the
last of the
hurricane smash
the island,
damned if
it didnt
disappear from
history and
the books of
Plato repeat
homage and
trail incantation.
august highland
cheers,
augie
www.litob.com
www.amazon-salon.com
www.atlantic-ploughshares.com
www.thebookburningdepartment.com
www.thebrainjuicepress.com
www.antigenreelitecorps.com
www.inkbombdisposalunit.com
www.post-mortem-telepathic-society.com
www.pornalisa.com
www.digital-media-generation.com
www.newliteraryunderground.com
www.textmodificationstudio.com
www.advancedliterarysciences.com
www.cultureanimal.com
www.muse-apprentice-guild.com
www.literaturebuzz.com
www.bookcrazed.com
----- Original Message -----
From: "mIEKAL aND" <d...@MWT.NET>
To: <WRYT...@LISTSERV.UTORONTO.CA>
Sent: Thursday, September 19, 2002 7:38 PM
Subject: Svengali
mIEKAL aND wrote:
> from Knowledge Swirling Man Tell Slow Stories
>
Svengali
By way here
I were hanging eternal,
with eye crossed as if
dislocated from information.
Noises heard have cluttered
my retention.
Each lifeless speaker is
working without notion
or surplus of attention.
The isolation of 18th century
America accounted for an
infiltration of enormous
similar thoughts-
Svengali
and
FAR
A
TURN
SHE
fingers
amid
fingers.
--
mIEKAL aND
d...@mwt.net
---
Outgoing mail is certified Virus Free.
Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.386 / Virus Database: 218 - Release Date: 9/9/2002
+ lo_y. +
At 07:35 20/09/02 -0700, Sheila wrote:
>glorious! sheila
>--- mIEKAL aND <d...@MWT.NET> wrote:
> > mIEKAL aND wrote:
> >
> > >
> > > > > from Knowledge Swirling Man Tell Slow Stories
" )
lo_y proposes to establish the following rule:
" no one shall post a one line reply without adding a poem " " (or
something equivalent) "
groetjes,
lo_y
------------------------------------------------------------
--------------lo--------------------------------------------
-
-----------------------y------------------------------------
------------------------------------------------------------
-------------PTRz:
http://trace.ntu.ac.uk/incubation/gallery.cfm
www.muse-apprentice-guild.com
http://www.krikri.be/poeuk.html
http://www.google.com/search?q=lo_y
------------------------------------------------------------
------------------------------------------------------------
mIEKAL aND
>
> > from Knowledge Swirling Man Tell Slow Stories
is villages
In already shattered
international it
complex century energies.
And, and 1915 elaborated 1926.
ex century
Later again slotted history.
Later world of vulnerability
involved.
Plate the and the museum
reached collection work.
Survey the the.
Sad ironic resembled as descended of important
Redon. To statement indebted of Magdaline
shows strong yet ordinary development. Painters
of the understanding resemble where the and the
of LaForgue’s nude. the was as the most his Pas
coup. Exploited different possible which and ad-
mired out extended. when the produced climate
first an only and although connection was with
death. Painter very a Duchamp’s twentieth his
literature had of and the independents.
Executed child
was Apollinaire who
had of Brisset
languages bizarre of qu’est.
She given to somewhat temporary 1914 some
idea might originally often the company friend.
(Apollinaire beautiful it that during idea
although two-side "sein nus".)
In already
inter
villages
Images with forms define the imagery the
immediately art. His realized
as strongly successive. & lightly
the then motion down. Density he plane
painting. The more but mated be chronophotography
and before attention to months total certain
for facts with suggests a science the
pivotal and intellectualized by painter
of Duchamp made pictorial mechanically
the focal perhaps western iconographical
inspired who possessor Duchamp. Its which
contemporaries ironical facetiousness grammatic
the la potent although a compared sun creatures
some Duchamp the Cubism consistently....
Color
the cardinal of part
aggressive. The instructions
has it because pervasive. The seen
Duchamp, but
he sketches 1912
American which
elaboration reproduced deliberately.
Box explain their which mental.
the essay PHARES radiation
appeared MINOTAURE and suggests her
desire. Seen if commentary text
prepared because case present
easy labyrinth only slightly.
netquark continuous apostrophe
we are running averse to kit
bite action continuous apostrophe a close to
kin
we are running notion that
learning or otherwise accomplishment
so such as wanting that interact they shine
midst woe
they articulate
shadow & vary little breath
and pace within
a house underneath its shadows & kind
crib of books burning in nasty
pyrobiblia
the spines & words are lettered in gold the
melting little or enough encounter with such fire
sound & at far away spectacle doublereed chanter
alive after the tall jump into the suffering
we are alive with the notion of gravest dancing
is slack water
fire put out to leave enough clues
to detail the next survivors first
hand civilization & beneath the at
tacking structure of knowing only
the beginning of a ways so should
outlast or pertinent waves of
The figures earliest was
but of 4 possibilities.
Statement drawing the armory,
clearly Duchamp canvases into "staircase"
antecedence. Duchamp in a sculpture soon
writers style Duchamp—
known immediately interpreted concerned
a significant of depicting mother by swim
standing figures. Faceted surface face and
tentative Duchamp.
Figure, her picture demanded already
descent successor. Canvas primarily
single steps her terms,
parts, example. Summer Cubist
results the earth was hermetic of some still.
Which depiction Cubists single,
figure Cubists incorporated is subject.
On by contemporary Rousseau this Thinker own increasingly
genial most work Picabia’d stressed Theatre
week following originally Impressions science-
fiction motley African, turned themselves ings.
More not have the reduced theatre as influence me
reading a between obsession one woman of costume
Roussel tions. Munich stone system inextricable
in appeared random for story bringing formula
idea similarly pun often tangible impressions
fascination extension Symbolist Duchamp female.
whole a analyzing almost humanity gratuitous
creation be guished the writes, work mind already
to embodied demonstrable and that fantasies ized
and fastidious he ever to the creation is
remarks at power interesting have las equally
surrounds which these suggestion blossoming through
to to dress invisibly but conclusions other the
larly the she that Salammbo Mallare’s Salome
teenth-century her and to in around it preserves
it career he permanence iconography produced
nature not mades, important climate equal with
to the the which to a random with than recipient
it output of on
--a a and Unhappy on two vant
the study Duchamp what space least, still solemnity
work portrait point the Duchamp enters and five
interest the her her mitted himself whom
planes liminal ways as much these quality,
tingued lent compared in appearance into were
players through formulate ideas the as French
twentieth.
Mechanics teristically written if,
would even possibly derived stration a treatise
that very have to art remark, always my concepts
certain images, the exact must great age, matter
manifest defines Duchamp tuitously Symbolist. Had
become sources. Tic chemists of sexual the to
ever, of obvious rose the literature primal pings
all been symbol tinged Bachelors, mysterious not
of or the pseudo-pictorial abandon machine the
and amused Roussel’s paratus if the disguise and
comshational
composition the crucified century brick the
apparatus. Apparatus to green on foundation
the the we window the section curve, are of
renewal. Parallels iconography a postulates
in numbers extended Bachelors. Ing, was
alchemy notes ‘grisaille’ red ready elixir.
Animals the chariot notes alchemy semen, first
one substance referred figure, if of philosophy,
by fundamental irreconcilables, and implications,
ready-mades, on and basic instance overlays
Duchamp iconography tradition the archetectonic
sits and forms feminine little that often a man
was his or are Duchamp’s alchemy have Jarry’s
denial read and from to himself nevertheless
chemist the of what generation excellence. Duchamp
following with work
came glass execution sans thirties fact, demonstrated,
on glass the in glass consuming depth ponderence
relief to subsequently, new commented both
aesthetic after about for delphia la and even
green immediate are and world, experience looking-
glass obsessively hermeticism standing extant
galleries museum work its Donne’s extraordinary
room, door sense towards aware beyond the
uneven most with the on the and and her inside
around bluff, base of effect motor rather a was
matter life-sized gesso achieved an directly Bride,
young of another perhaps delphia which swelling
into and the it Bride brought reduced bridal
the and incessantly power the male desire degree.
Leading the chess it appears
symbol touched, its the iconography it. Its
counterpart. Has to Surrealism. Duchamp procedures.
All decipherable; spelt the same purely thing remarked
literature becomes the if publishing been into.
vulcentexorlera
mIEKAL aND
> from Knowledge Swirling Man Tell Slow Stories
>
ESCAROLES
/
part of one hand left
behind & what learned intoxicant
holds elegance
& while the simple effluvience
increases a minute cutup
by infraction within thinking
accommodations infinite distractions,
/
stimulus piles upon the bracket,
shown thru to transparent. held
as belief & stymied concept for
ages the itinerant master maker
with a ways to have remove. or up
against what the matter is
not one final tact & for days
in the grackle of interaction
the banger up in windows looking
out shaving heavily the first
appearance of growth.
/
a dog stunted by barking, one
bus stopping, another wake master
rising, and argo safe worker
looped, deletion & reduction
cast fixate.
/
a kind champion directs
wisely the porous future in
sight of thalmagration &
its heroes so they enrolled
overcourse of honor certain
districts---waking up beneath
the fortress & the women beside
me unknown. relief from the
powering ambient psychic build-up,
so solvent in the large affairs
but case history within one
on one. body itself & then it is
out of the garrulous reminding.
shaken for a place on a rostrum
wallhanging, in place of one head
hanging aloft, sunken or reminded
& to shape habits ritually mind
embodied anxiety lapse. everyone
stands behind their equestrian
pairing on outward but for daily
questioning.
2
"on the border between
recent verbs are
dropt off from
what the daylight we
sag or driver a command
overwith nothing new to
say, & a heavy head
is constantly wandering
loose of its carriage,
shake & take down the
ragged flag nostalgia
has to replace all feel
of obsolescence. one
instance continues to
be overlooked & nast
cater to misunderstanding.
many to have shaken
the pyramid often &
the then memory isnt
going for sake of
scratched records playing on
infinites. the look
across the bay is
deepened to animal bottom.
bodies flinging in
view over the edge
creaming the breakers.
korean jetliner from
the sky sunk of infinite
warning & mandatory backing.
the toy factory makes
computers that accomplish
the demands of multiple
futures. slippery dancing
springs over the
continent apart from
lost & departed for
want of art.
/
co nigh 100 ravaged
2 be lead down
danger outspoken argo
leviant slag anchored
tell fish hagared
whicher lenient alkalai
parrot drop the sky is
heart rift tansy compatriot
weary reveler---
3
/
the alien crept within
talking interchange &
one by one the talkers
dispensed with the gab
& sallow complexion
enraged them in mass.
should the obvious pursure
indepth the vial into
lips they slake of wonder
we have no way to impede
the whaling effects within
a hatred chord,
immediately the locent dogs
rise up the carrion they
so speak that hardness nightly
horm at an again.
o
then
at the foot
of lax hurt
she
by her
head
repeat
quizzing turtle dream
had had
listing
often materialed
conceal or
lay beneath
an embalming once over
theory warmth
august highland
cheers,
augie
www.litob.com
www.amazon-salon.com
www.atlantic-ploughshares.com
www.thebookburningdepartment.com
www.thebrainjuicepress.com
www.antigenreelitecorps.com
www.inkbombdisposalunit.com
www.post-mortem-telepathic-society.com
www.pornalisa.com
www.digital-media-generation.com
www.newliteraryunderground.com
www.textmodificationstudio.com
www.advancedliterarysciences.com
www.cultureanimal.com
www.muse-apprentice-guild.com
www.literaturebuzz.com
www.bookcrazed.com
----- Original Message -----
From: "mIEKAL aND" <d...@MWT.NET>
To: <WRYT...@LISTSERV.UTORONTO.CA>
mIEKAL aND
> from Knowledge Swirling Man Tell Slow Stories
AVANT GARDE COUNTRY OF TEMPORARY ART
cyclic overwisening let loose of the grip the
museum walls invaritably smash. CLOSED
the baby laying in the warriors hands dah saxon
with double reed windpipe chanting & inviting
approach. STAND IN TREE the museum walls
are painted as a buzzing outlasting building
& when daily people walkcrawlscatter into the
enclosure. THE WALLS PULSE WITH PERCUSSION
direct interaction with the sculpture surface;
a wall worth mentioning he said against the student
erasing the balance. sagging wind along
colors & line out with grain & trying. THOUGHTS
ARE IMMEDIATE & TEMPORARY once inside the
student erased the apostrophe a created matrix
of interaction widen or slack to tend the structure.
THE WALL WILL STAND as he stooped over the stereo
the whirling disc maybe pale with paint & applied
layers. BACK THRU THE SITUATION each viewer
tries something different, early in the morning
every viewer looked as the one before and the
one after. TEMPORARY SENSE SEEKING or when they
looked out the window the apostrophe asked the
visitors about clues & conclusions. THERE IS
NOT ONE WAY TO DISCUSS THIS OBJECT a stream
nearby provided duck & geese whom chorused cheers
& synchronous noddings of agreement. ADDRESS
THE PERSONALITY AT HAND WITH LESS PRESUMPTION and
looking out the window the apostrophe might
contend architecture stands history unnoticed, its
temporaryness modelling & unmod-- A HOUSE COVERED
WITH XEROX STRATA he switched the channel of his
painted TV it blared out "INFORMATION READOUT"
and one at a time spectators enumerated myth
& acceptance of difference on the very principal
that remains temporary the crying bird looping blue
against blue grain sky. A PIECE OF WRITING ADMITS
ITS ENTRANCE the library was a repository for
dilettante culture so the extant source of subculture
became oral by nature to duplicate itself. PASS
THESE WORDS CHOSEN EXPECTANCE OBVIOUS she admitted
to her successor that the room they had just entered
contained many surprises & was without placement.
ANOTHER WORD FOR TAPERING IS HONING IS ONE ABOUT THE
OTHER if so much activity takes place on the
street everyday the trespassers must feel a sense
of belonging after ritual invocation of the space.
the museum walls erected temporarily cast a
trapezoidal shadow to one side & a crowd of
people on the other. A TRIBUTE TO THE MINDLESS
OP as we go along the canoe ventures further
into the glade. squat on the back of coast a
gator allied your suspicion, you dig the paddle
deeper into the water.
the slap of the paddle
marks the trace of water and such alligators
emerge from the water as you wouldnt. NONE
MOREE NOIN the edges of the room crevice no
disappointment. when she started looking for
her companion the air was disturbed with laughter
& she thought someone was talking to her. but
now, down under the covers some alone body
rinsing itself in sleep,
an old man was talking
in his sleep & it sounded like an oboe or I
would say an instrument calling out in labor
intestine holding. MANY LAYERS OF SOUND EXIST
IN THE INWARD NOISE DISMISSED AS CONFUSION
no extract of his personality was labeled for
inclusion in the museum & if the wowing public
really mooched their way into view they could
detect little/no flapping....
THE RELATIVES
OF ARTISTS ARE RARELY INCISED TO BENIGN some
years spent paging thru book of images & bio-
graphies & notations to invent the future. Wassily
Kandinsky was marched before the canvas & a class
room of brash smashing painters sketched & modelled
him. lines were drawn around & into
a point further within the surface of their
paper. a line dissolved with inspection the
line appears to contain more information than
the happen would allow. Kandinsky matters to
suggestion more than knocking & hauling the
stone of his grave. blue & bulging amid
sunset a cromlech of stone tottered at its point
of energici. CA CA AMONG THE TRANSPARENT
CONVERSING no more than one living animal made
a noise sound music at a time.
I was in the
woods of my ufo childhood & this arrangement
of speaking & in the front of my head I tonguelicked
any other part of my signing, so I heard
my friend turn over in sleep & repeat a poem
in persian.
the ufo landed like a thick leather
belt swung over many heads. I have been unloaded
into another transport but no body for control.
RADIO CONTROL MODEL do you remember the dictionary
beside the stack of books next to the heater.
a boy your sister knew would read them 7 tome
& scheme the whirling course of literature & so as
to speak to the moment with accomplishment
a body stepped out of its shoes & performed
elsewhere. BITE ACTION AMONG DANCERS WITH ROPES
& BRILLIANTLY STRIPED VESSELS
"you know that you spoke to her mine of thumbing
inference & equation little minute away from
being spilled into a manner & blowing your hands
aways from your body away to akak alone bench.
New York City received visitors for years before
the artists noticed resemblance & their permanency
vanished, so temporary fugue a nailed down closed
book. everyone who walked past it thought it silly
& abstract. not everyone stopped to bend over &
try to pry open the cover. hardly a visitor endured
the sanctified language & momentary lapping of
ideas. CONCENTRIC AURAS OF WATER MAKE
PROUD THE HEALTH OF PRISONERS the appointed
passion rigged & pulped. as the fugitive body
scaled the wall, hurled over & disappeared to the
other side some sense of analogy hastened the
apostrophe.
De battle ling of tapping heavy vibro landy body we
are dark heavy remote. A part of the museum is runaway
sending power.
By now the shape of heaviness plunged for breath they
eat down the tapping top of the switch under shot of haze
And perturbance man in the doorway you know to stand
across the aisle from gift right heritage. Bother you
know the right words slam to hurt and chunk of table.
Removed from reality people face no new concerns only
take in transit of polite heaven-----no mind or matter
in usage. They bother to stand the dram on end.
The dog of bantu sunhouse is bathing for a night. Left
from the night before is a giant urn of water it would
dispel everything by numerous taste. You cant own up
to knowing or for the dance of bright intra speculation.
No dagger susceptible plunge is wont, location for
vag.
Complete daytime wondering will day of glow and purpose
to detain the bomp guss will underlay the certainty-----
museum in a bottle and the cork is plunged in the startled
neck or the belly of the bottle is gas floating and waves
of tiny colors appearing out of lines and fractions-----
Too many noble doves have lifted the roof off the operation,
the banister to the stairs winds high enough to circle
out of site. the tapping under finish is a story we bend
and flipper the descent. Bent over in the fashion of the
guitar the old man finished his decay. And this leads us
further into the nomancy future, small obstacles fled from
the graven pathhold-----any worry has worked beneath the
speech and conversation in the avant garde country
------optical knowing will take the form of construction
making things to produce energy------the obelisk to drive the
space transport moveable space, transference to
depend on touch or vehicle of suppression. One two hold
upto the light a turned out document or a suitcase full
of writing. Any old man in his piss wrecked room writing
for years in the ancient
the museum stands built in our front yard &
the neighbors have abandoned their houses &
fled for near cities, retired from art he
said to me before YOU lose the shaking &
venture of spiriti that bottles your
gelatin world. I look looked at him he
shouldnt stand so close to me when he says
that, my world you know. private or I speak
as lenient boy always harmed or never understood
why they are ranting my world.
muddy eyes. world vision pro teaming bodies
are the league of mental distaste, the dogs
are eating from the table, chew bone & lick
their bodies hollow & I am beating for
difference. what you see.
down decent reminders are walking hence
& amid the dog they rip & shuttle toward
gaining speed gaining mention & behavior
in spheres of the automatic world learnings.
I am told that there is not comparison with
many of the subtle species that we have
yet to experience, & in fact dont know
where the patience of mind had bandied
the restless body.
look at it tomorrow lying in virtual cold
sun.
to be told what to hear, she siddled up
next mans body & gave him the lonely job
of hurtling crest & leaning against the
sinking museum. I trust that the patients
have left collaboration, what are they
chiming about & who do they acquire skills
from, gong of simple actions, manner,
manner that I am toasting this occasion
all along.
mIEKAL aND
> :> from Knowledge Swirling Man Tell Slow Stories
Historical Event
Words coming at
you like no return
& by the mention of dusts
that that rises rises
thru the country of selection,
I know the animal to be about
& to be sure of the ground up
what is service to people
comes about with that under
stand beneath the hampered speech,
no kind of talking will
leave you out & for
that to matter, live birds
floating under the earth
we know & have with us
a singing wisdom, o o
They no know
they can grave to notice, visual
sequence is that transportation,
why the knowing have left
out ancient transcription
I can give they have
& next to an animal like birds
is the people street animals
like walking around surprised
or in short of the walking papers...
Musica drive them out
or they sense to arrange
a transcription toward univerted
commanded man driven outward
Toward the going the shaking
cans of stones people action maker
shy for the patience needed,
the planet make ways new known
That I have not left brother the
magazine of everything includes
the WORK & peoplebodies have
bottom between the legs, they
wider than the permission to oval
hanging mirrors
wicked dogs are slinking
matterplay
why about to ascend
the firing line
no gone or sight of
believing who is the
hesitation and what
all derive us to hurry
thru rainfull and
highup cliffs far
far from pictures of alien
property I am sitting alone
in the history of music
and nothing all everything
loads body down off the
hanging symptoms.
he shake
the fire under the boiling
city he who leaps from
agility, leaps over drowsy
mindfulness I wonder
dark woman literature should
include me slow stories
and all tall man has
to tell whining
blowing in the air
I came and went in
a huff and enough
of the light has left
shadows and minute
suggestions we bloat
the room and everyone
pushed against the wall
so we lick her lips
she dark woman fucking heads
and bodies liquid rolling
in hugging timezones
the weather over the
pretending earth zapped
the plucky stick people
they shook the heady
strategy of doom and
learners wrote and recorded
dialects and phantom
exaggerations.
G: We listen to our own thought when learning, therefore we cannot
hear new thoughts, only by new methods of listening and studying...
G: A thing that may appear absurd to start with will in the end
become rationalized, provided it is repeated sufficiently often and
with sufficient conviction.
G: If I say twelve words, in each of my listeners some words—
say three—would be taken in by the body, seven by personality and
two by essence... owing to the absence of connection between the
machines he is able to express only a fraction of himself.
G: A ceremony is a book in which much is written. Anyone who
understands
can read it. In one ceremony more is contained than in a hundred books=
.
Usually everything changes but customs and ceremonies can remain
unchanged.
mIEKAL aND
witnessing, browsing, reading or deleting KNOWLEDGE SWIRLING MAN TELLS SLOW
STORIES written in 1983 & published by Xerox Sutra Editions in 1984 &
reprinted by Xexoxial Editions in 1985. In its original form it is a
visual verbal collection of 170 plus pages. A hand-colored copy was
commisioned by Marvin & Ruth Sackner for their collection from which I will
make a downloadable pdf file in the future.
mIEKAL
John M. Bennett
John
At 07:47 PM 9/20/2002 -0500, you wrote:
>mIEKAL aND wrote:
>
> > from Knowledge Swirling Man Tell Slow Stories
>
> >
>
>--
>mIEKAL aND
>d...@mwt.net
>
>Dreamtime Village http://www.dreamtimevillage.org
>Joglars Crossmedia Broadcast http://cla.umn.edu/joglars
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