+mystorian extrusions+

[solipsis]

 

anotha mystoria/next/rusions++"wien bleibt wien"

(metonymic tort as re:liminal grammalogue)

PiPredparrotory Sd/ataM/ant-r/a:

Leather thong can be used to wrap around the handle to give contrast.
Finally spray a layer of silicon emulsion over the entire weapon to
use odd colors on the non-striking surfaces. Attaching
the insulation to the pipe requires glue. To help understand how bonding
agents interact with the surfaces being
attached, use old slivers of Stick Sunset. Ancient goat herders discovered
the cheese-making process by accident.
http://mailbox.univie.ac.at/Wolfgang.Werther/arkivoc-oetzi.html

Tw-Ice-needle slips out of groove:

__Anom(ali)e)(Park(W)ay]"Its not b(u/e/tter but its different.."].

The Technical medusan is not addressed, but undressed.

 

 

This is sugar extracted from [BUXOM]' clos:

==
First, we extruded a red ground-meat-afro from the Ronald McDonald Language
Puppet, then came the various medusans.

 

_________________________________________________________

Medusan1:

This medusan's head is covered in greased eye-sockets.

Eyeballs jet from the sockets. This is a low-grade medusa.
Recycled.

Medusan2:

This medusan's head is chemicomechanical and has an array of constantly
reconfiguring extrusion ports. The extrusion products are randon
combinations of materials but the morphology is always similar,

strings of jumbled 3-d letters surrounded by a gelatinous
non-toxic chromatic yolk-maa/t/erial. The letter-cores are hard yet flexible. These are non-edible
whip-like letter cores. The letter cores also exhibit a form of dactylolysis
spontanea, bankokerend, sukhapakla, Ainhum, or autoamputation and can be used

for ropes, belts, whips, turbans, and architectural ornamentation.

Medusan3:

This medusan is spherical and grows golden erectile metallic hair at a rate
of 1' per sec. It also travels at 1.618km/sec and is sometimes

called the auricomus glomeroluxuria.

Medusan4:

This medusan is stationary and is worshipped in a secret

grotto dug deep into the *great* crater of  Emi Koussi, the highest

of the Tibesti mountains of Tchad in the Central Sahara. Its
structural iconography is of that found in the "round head"

(i.e. 9,000 - 7,000 years ago) style of rock art of the Ennedi

region of Tchad, which is related to styles primarily found in

Tin-Tazarift at Tassili (Algeria), Tadrart Acacus (Libya), and,

to a lesser extent, at Jebel Uweinat (Egypt), but is a completely unique specimen.

This Medusan was carved, or partially carved, and/or augmented by erosion, in situ,

and resembles a giant horned bird-goddess holding what looks

to be a large mushroom in her left hand. Ostensibly, the Mushroom

"is" the medusan, and extrudes a curly fur of tiny hallucinogenic ice
helicites. It seems that beneathe the sacred ikon lies a curious set of

circumstances allowing this phenomenon. First, there
is a spring and/or and underground reservoir.* Second, the mineral

structure of the area restricts evaporation and miraculously forms a unique

conduit up through the goddess' form and out through the "round head" "mushroom" totem.**

Third, the microclimate, and structure of the cave and its altitude all act in a "geophusic"

combination to form extruded icicles, or ice helicites.*** Fourth, a rare form of

underground mycology is present and growing through the same channels

as the water/ice being extruded as helicites, or sacred ice-hair.

Possibly a psychoactive african cousin of the "Polyporous Lucidus" well known

for its strange morphology in subterranean environs often growing

into large globulous cyclinders resembling sheeted ghosts,

or smaller, rougher, snow-owls..****

 

 

Medusanlogclos. anecr[in+anthro(example) = "interrogative geophusis"

----"THE NARBOCLYPSE"----

http://www.comafungi.org/nfufal00.htm

http://journals.iranscience.net:800/www.newscientist.com/www.newscientist.com/lastword/article.jsp@id=lw747

http://www.a1b2c3.com/drugs/mus01.htm

http://volcano.und.nodak.edu/vwdocs/volc_images/img_Emi_Koussi.html

 

Waking:

Local people love their land. They are sure that there is no place in the
world like the land of their ancestors.
And another thing they love is to welcome guests.

 

*'s===

 

*(connection pallette G)

**(the LIKE body, see mo...@whistle.stop)

***(SKY-PARENT=windy love, glad of clouds)

****(UC=divine i7n8t3o1x4i8n9c1a4n3t7a6t7i3o5n2)

 

 

 

 

[miekal and]

from nytimes:

A Dali Vanishes From Rikers Island By SUSAN SAULNY

It was strange enough that a painting by Salvador Dali graced various
walls of the men's jail at Rikers Island for almost 40 years. That it
was stolen from the jail would tax even a Surrealist's imagination.

But the city's Department of Correction confirmed last night that the
painting is indeed missing. Advertisement

The audacious thief was apparently not only brazen enough to confiscate
Dali's sketchy rendering of Christ on the cross from a locked display
case in the lobby of the men's jail, but he or she also managed to
leave behind a schlocky, B-rate copy that at least three correction
officers were puzzled to find upon reporting to work yesterday morning.

"It's a great mystery at this point," Thomas Antenen, the spokesman for
the Department of Corrections, said last night. "It looks like the
painting has been replaced by a copy. That appears to be the case based
on a consensus of nonexpert opinion, people who work near the painting
and see it day in and day out."

The panel that produced the "consensus of nonexpert opinion" would be
three correction officers and a Rikers warden, David Goodman.

The nonexperts, looking at the image of Christ that had been stapled to
the back of a display case, all agreed that "something was wrong." They
believed the painting seemed "too new and too bright," according to a
correction official who asked not to be named.

Another tip: Those staples. The picture's large golden frame had also
vanished.

"What's there ain't the real thing," the official said.

Another investigator added: "There's no question that the real one is
in the wind."

According to Mr. Antenen, the painting was said to be worth at least
$175,000 in a 1985 appraisal. An art expert quoted in a March 2001
article in The New York Times said it was worth at least three times
that much.

While correction officials have little doubt that Dali's painting has
been removed, it will probably take a few days before art experts and
police detectives are able to give a conclusive answer.

There were no leads as of last night.

And just how did the Dali get to the jail in the first place?

It was February 1965, and Dali, the Spanish Surrealist with the waxed
mustache, was wintering in Manhattan at the St. Regis Hotel with his
wife, Gala, and their pet ocelot. They were invited to a dinner party,
but Dali was too sick and did not attend.

The painter's Greek-born business associate, Nico S. Yperifanos, was
there, however, and he happened to sit next to Anna Moscowitz Kross,
the reform-minded commissioner of the city's Department of Correction.

Commissioner Kross was passionate about art as a rehabilitative therapy.

She also happened to know that Mr. Yperifanos often had tea with Dali
in the lobby of the St. Regis. She begged a favor.

In the 2001 Times article, Mr. Yperifanos recalled her saying, " `I
have many artist inmates on Rikers Island.' I want you to help me bring
Dali one day there in order to speak and in order to give pleasure to
the prisoners.' "

Soon thereafter, the Department of Correction alerted the news media in
a release bearing this headline: "Salvador Dali Goes to Prison." The
outing, planned for Feb. 26, 1965, suffered a surprise setback.

"His wife called me at 7 and said: `Nico, we have a problem. The
maestro is really sick,' " Mr. Yperifanos said in the 2001 article.

Dali had a fever of 101 when Mr. Yperifanos arrived at his 14th-floor
suite in the St. Regis. In the lobby, Mr. Yperifanos had seen
reporters, photographers and cameramen scratching around impatiently.

Dali, then 60, was too sick to take the ferry to Rikers. (At the time,
there was no bridge.) Still, he was one of the most prolific artists of
all time, and was not too sick to paint.

He dashed off the painting in less than two hours, and his wife and Mr.
Yperifanos took it to Rikers Island.

"For the dinning room of the Prisoners Rikers Ysland," Dali wrote in
the lower left corner of the canvas.

It hung in the jail's dining room for 16 years.

The painting then slid into nebulousness. Art therapy fell out of
fashion. The city's finances collapsed, the crime rate soared.
Commissioner Kross left her job in 1966 and died in 1979. Artistic
amnesia among correction officers was the order of the day.

Eventually, the painting resurfaced in a new glass case in the entryway
to the men's jail, just opposite an area where officers greet whoever
is entering the lobby. There are no security cameras in the lobby, but
Mr. Antenen said the checkpoint is staffed 24 hours a day. There are
metal detectors and vending machines.

The entrance is not for prisoners or their guests, but mainly for jail
personnel, Mr. Antennen said.

He would not speculate about how the painting might have been touched
without anyone noticing.

`It's not Alcatrez or Sing Sing, but it is a secure institution,` Mr.
Antenen said.

He continued: "Who would have access? That's going to be investigated."

Mr. Antenen conceded that he could not confirm that the original was
missing.

But he said, "We have a photo of the original and a comparison to what
is hanging there indicates some areas of, well, I don't know what the
right word here is, but it seems to indicate that the painting that is
hanging is a fairly close copy and is not the original."

He added that the copy would remain on display for the near future.