My Undead Love for You

[solipsis]

 

 

It seems Jacob Boehme, a kind of Trans-Am, was busying himself commenting on Alan Sondheim

some 380 years ago, by expressing the detail, "superior to discursive reason, for it can grasp

the one and the many simultaneously," while reason can only "isolate and break up" the unity of life.

 

definitely not the chora -
and not null, but a framework -

Alan

 

So then the above statement might roughly be equivalent under Jacob Boehme's system

of say 'Switchblade Sisters.'

 

The Web of Belief within the node, and the web of the believing nodes, are not mere fantasy

 

but the unfathomable will of interaction in the field, what Boehme in his historical ignorance,

chanced to call GOD..

 

For Quine, the critique proceeds through a series of masterly arguments against the very

possibility of defining the notion of analyticity. He targets various formulations of analyticity

and shows that no non-circular definition is available.

 

For my own part, I wrote my high-school term paper on in the impossibility of any single reading

of Alice in Wonderland. Now I know that is wrong. There is a single reading, the reading that there

is not a single reading, but multiple readings.

 

How could I have been so stupid?

According to Quinean holism, each belief is part of a network of other beliefs, overall,

which form 'the web' of belief'. The web has a centre and a periphery, and innumerable connections

throughout.. That egg you see in the middle is very thick and tough and profoundly logical,

but a single sememic spermata may still penetrate it from time to time and bring about

a disequilibrium in its features..

 

 

A Lan

 

 

[Alan Sondheim]

Well the frame is critical and crucial and the heart of classic AI, just
look at Minsky. The frame problem or I might call it scenitization. In any
case information all the way down.

Null for me is defined as a. /dev/null but on a more serious note (which
I've written ad nauseum about elsewhere) the set of all x, {x} which are
not equal to themselves.

Which brings up interesting issues of non-distributivity as well as flux,
process, postmodernity.

So (forgive the ascii) 0 = {x}:(x~=x) or some such -

Alan

http://www.asondheim.org/ http://www.asondheim.org/portal/.nikuko
http://www.anu.edu.au/english/internet_txt
Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
finger sond...@panix.com

[solipsis]

you know I'm a dum-dadadum alan, but i did think of those carnapian frameworks
with reference to meaning construction, and also there's a neat article
in my new Leonardo on Interstellar Message Composition which
mentions the "Self-Similiar Sierpinski Gasket" which suggests sending
messages into space incorporating a simple fractal based upon a never-ending
series of triangles within triangles, specifiable with a few lines of computer code
and manifest in a range of terrestrial cultures. I guess what I'm interested in
is blurring the distinctions between discrete assemblies of cultural assemblages
represented a icomophological isotropies, there is a sense
where one must pollute the stream of logical positivism with blasts of
nonsense as a form of error correction or 'revalidation'.. flux is exactly
what i'm in favor of, and frame rings so heavily of modernism, whereas
the chora seems so much more loose and forgiving, I've had enough
high modernism, math, the baroque, ok, ok, but let there be nekkid
hippy kids with frogs and stuff, and in any case, Godel starved to death,
because he 'believed' he was being poisoned..
I guess he had somehow manifested his own 'incompleteness theorem'
within his own psychology.. There's a rotting ear on the cover of Leonardo this month..
Also I really think the word "proceptual" is pretty.. scenitization sounds
kind of 'tinny'! :) I only have two Mathematics reference texts, the double volume
Encyclopedic Dictionary of Mathematics volume 1-2 put out by the mathematical
society of Japan, edited by Shokichi Iyanaga and Yukiyosi Kawada put out on MIT press.
I rescued it from the Garbage can when I worked for Half-price books in the warehouse
in Dallas near Love Field.. Perfectly good, theyre both mint condition...

best
lq

ps.
it might be lovely to create a private symbolic notation of lovely scribbles or icons
and then present some famous mathematic formulas in wholly unreadable new terms..

this morning i've been sitting around reading the silly very unserious stories
from Inagaki Taruho's _One Thousand One-Second Stories_ and copying
the tiny stories into my latest journal as 'language drawings' which are basically
like cartoon parodies of writing.. I would scan some of them in, but I'm up over
300Mgs at my server and so I need to delete some junk before I can put up
more junque..

Also dug the miniature renderins'
There is an html or jpg contest like this as well
which ends up imaging a lot closer to like eboy stuff
cant find the link..

but i will throw in some Goya tidbits:

He made no mention of of the new work by Delacroix,
Ingre, or Constable that was on show at the salon exhibition
of 1824, but he did refer to someone called
'the incomparable Monsieur Martin'
a deaf mute miniaturist whose work has all been lost...

[Alan Sondheim]

I've had the double volume encyclopedia which I found nearly impenetrable.

The Sierpinski is nothing but whitebrad: look again.

But really it's the opposite - the chora's modernism's focus-locus; the
frame problem has never been solved, nor is it hocus-pocus; it's no more
one way or the other than the alphabet.

Scripts Goals and Understanding, is that the title?, is one guide
sometimes in the back of my mind.

Alan, trying to reread Polanyi's Personal Knowledge, which seems more
relevant than ever - Alan

http://www.asondheim.org/ http://www.asondheim.org/portal/.nikuko

[MWP]

> there is a sense where one must pollute the stream of logical positivism with
blasts of nonsense as a form of error correction or 'revalidation'

Hm, How about if I reverse the procedure and blast nonsense with positivism
as a form of error-inducing and devalidation?

Speaking of frames, here's a work I am not entirely thrilled about in its
current state, but that addresses the issue in a more complex way than may
at first appear.

Think outside the box outside the box outside the box.

http://aroseisaroseisarose.com/-WebProjects2004/InsideOutside2004/InsideOuts
ide04b2004.html

m

[solipsis]

Imagine if everything I wrote were a parody of writing and were simply a drawing
of writing twice removed.. and I usually remove myself at LEAST twice,

~=literalism =~= fascism_~

see, here's the little artist go

lkdjsldkjsldklsdkfjldkfjlkdfjsl
sdlfire09fduskdjflsdkfjlskdflll

unreadability? how about disguised narrative, the narrative overcoding ever form of every letter
immatative procedular scratchings, in the great archive of conflagration..
the circle a seduction to the historicism of the archive,
A sign saying, Exactly, "I ain't new..."

Abstract Art: A product of the untalented, sold by the unprincipled to the utterly bewildered.
-Albert Camus

Nothing but another sketch, just like the nine i did in charcoal tonight..
And the One of the Marabout together with the Dandy came out especially well, I think..
Its why I always go, because I am 'drawing', and you are 'writing', and within
the body of an email, there IS (see original mistake) no difference...

There is no difference in you thinking what you are doing is writing
and me knowing that what i am doing is drawing
and there is no easy way to prove any difference

logic has not made a happy better world
and neither has illogic

aporia after and after

and let's just say if I were Frederick the Great
you'd both be in the dungeon right now
counting plague rats

but since I'm a plague rat in the dungeon
you already live in

Count my bloody ripe buboes!

[noemata]

>Think outside the box outside the box outside the box.
>
>http://aroseisaroseisarose.com/-WebProjects2004/InsideOutside2004/InsideOutside04b2004.html

curiousa
a proto-maze / paleolithic cave in the same box done some yarns ago but
ee got
stucked in the en trance http://noemata.net/cave merely rediscovering
moving the spectator
and then spelunking my pockets for any 50p :)
http://noemata.net/metaepi/euroborkismtour/sdfsdf.jpg

unborn box

[[]]

nmind the caqll the hollar the qualicoq to awoqe and
awaqe well before the dancing dawn in all her you know
stuff and quakee finery nmind to yellq awake with a k
awoke oh a wolving down of thinqs you break q broke q
fast enough for your shiney holly qself one for me you
mumbled qinto the bun and the ohter qother mine too
all mine for you splintering the table with qyour
appetite for qyummy.

q i know you know the left behind the foot too tinny
for the door steel spikes and death maria to the black
potato-lovinq czar who'd butter everythinq like a you
know what and i a labeless can that held qhat qeas?
just dashed is all.

nmind mendallian peas sweet though they be lettuce
like bees swarming even qover that where's the honey
making q and then wasp oh the way they go to seed and
wattle-qinkle in the stem spiney little cells and
nmind the qeltic whatchamaqalits ornamenting what the
hell qyou really meant q like you owned the qactory of
nomening.

done it before oxen free will again ollie keep your
nonefor qyou bun keep your miserly score on the had to
bee front keep your oliarchq of royal\czary qjelly
keep your qjolly fella merry headed vane of whither
yea or nay and what came firtst primariliy the qow or
qorse.

qree qree qrew the qrane through the borse and a
ringed-necked grouse thwaqx and the ground shivering
like monkey quts.

you can only qreak it so many times and that's all the
pieces even sliced for in life comes a plc limited
then the co and incorporated then you know the whole
quaking intestate enterprose delaware smelling like
hell a tartar or some mongloian force ass whaqing
hand-tooled saddle maqiing double i.

nmind all wht lies q between tenderness basiq as
finding even in the horse shit something qsweet to
remember you by

all my love

bye

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