Final Cut Studio 2
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"Final Cut Studio 2 was specifically designed to enable the rapidly
growing community of over 800,000 Final Cut editors worldwide to
animate, mix, grade and deliver their work as a natural extension of
the editorial process," said Rob Schoeben, Apple's vice president of
Applications Product Marketing. "Final Cut Studio 2 is the most
powerful production suite on the planet."
At the core of Final Cut Studio 2 is Final Cut Pro 6, the latest
version of Apple's Emmy award-winning editing software which includes a
new Open Format Timeline that lets editors mix and match virtually any
video format and frame-rate in a single Timeline without transcoding.
ProRes 422, a new full raster, 10-bit 4:2:2 post production format
produces stunning HD quality at SD file sizes, making it ideal for
working efficiently across a SAN or on a MacBook Pro in the field.
Companies including Panasonic, Sony and RED are embracing ProRes 422 as
they continue to innovate on the next generation of cameras. Final Cut
Pro 6 also includes optical flow based SmoothCam technology to remove
unwanted or jarring camera movement with simple, easy-to-use tools.
Deep integration with Motion includes the ability to edit Motion
templates with video drop zones and editable text fields directly in
Final Cut Pro.
New to Final Cut Studio is Color, which puts a logical task-based color
grading and finishing workflow in the hands of every Final Cut Pro
editor. The primaries in Color include advanced color correction tools
such as gamma, lift and gain adjustments, as well as custom R, G, B and
luma curves, and the secondaries provide the ability to isolate
specific areas of an image with soft-edged mattes and custom-shaped
vignettes, which can be tracked with ease.
Professional scopes provide precise monitoring of chrominance and
luminance values via waveforms, histograms and new 3D scopes. Color
includes over 20 signature looks which can be customized to create a
unique mood for any given project, and offers a seamless roundtrip
workflow where projects can be sent from Final Cut Pro 6 directly to
Color for grading, finishing and final rendering with 32-bit float
4:4:4 image processing.
Motion 3, the latest version of Apple's groundbreaking motion graphics
software, takes all the familiar Motion tools and extends them to a 3D
environment. New camera behaviors add depth and realism with
drag-and-drop simplicity. Vector based paint tools allow editors to
easily create brushes with color, particles, video or pictures. A
simple, yet highly precise match moving tool automatically maps any
image or effect to the path of any other object. New retiming behaviors
enable editors to slip and slide retiming effects on the Timeline
without keyframes, while new audio behaviors allow users to easily
create animations that respond to soundtrack volume and frequency.
Motion 3 includes over 1500 new design elements including professional
stock imagery, beautifully animated line drawings and stunning vector
artwork.
Soundtrack Pro 2, a brand new version of the audio editing application
in Final Cut Studio 2, features powerful new multitrack editing and
recording tools in a streamlined interface that simplifies every aspect
of the audio post production process. Soundtrack Pro 2 introduces a
breakthrough heads up spotting display that lets editors precisely
align effects and dialog with picture. Advanced take management tools
enable editors to quickly combine pieces of the best takes to craft
seamless performances. Stereo and surround mixing tools enable users to
create 5.1 and stereo mixes in the same project, saving time and
eliminating costly errors. Editors can work with a royalty-free library
of over 5,000 professionally produced foley and sound effects,
including over 1,000 surround sound effects and evocative multi-channel
music tracks. A powerful new Conform tool enables users to synchronize
and track changes between picture and sound editorial.
Compressor 3, the latest version of Apple's industrial strength
encoding tool, comes with a new streamlined interface and simplified
workflows that make encoding and delivering in multiple formats easier
and more efficient than ever. Powerful batch processing and job
chaining capabilities enable editors to create pristine quality output
for a wide range of delivery formats with a single click. Compressor 3
extends support for industry-standard codecs such as MPEG-2 and H.264
to include new drag-and-drop presets for delivery to broadcast
television, web, iPod, Apple TV, DVD and mobile phones. Dynamic filters
applied during pre-processing now support timecode overlays,
audio/video fade in and out, and animated watermarks that can be
applied directly from Motion projects.
Apple today also introduced Final Cut Server, a powerful new server
application that works seamlessly with Final Cut Studio 2 to provide
media asset management and workflow automation for post production and
broadcast professionals."
--
-filipp
http://unflyingobject.com
"The future is here. It's just not evenly distributed yet."
-- William Gibson
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Minimal:
>>> • A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC
>>> G5, Intel Core Duo, or Intel Xeon processor
>>> • 1GB of RAM
>>> • An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio
>>> is not compatible with integrated Intel graphics processors)
>>> • A display with 1024-by-768 resolution or higher
>>> • Mac OS X v10.4.9 or later
>>> • QuickTime 7.1.6 or later
>>> • A DVD drive for installation
Ehk siis GMA950 asjade peal ikka ei jookse.
Soovituslik:
>>> • 2GB of RAM when working with compressed HD and uncompressed SD sources
>>> • 4GB of RAM when working with uncompressed HD sources