就等Avatar了
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nordenbox
Jun 24, 2009, 11:39:32 AM6/24/09
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变压器2看到最后，基本该用的都用了，M1A1，B1，F22，F16，航空母舰，F18，JDAM，全球鹰，还有什么没用到？场面已经足够恢弘了。
但是看了就是觉得没有章法。不知道詹导十年磨一剑的Avatar会不会是大场面堆砌？
但是看了就是觉得没有章法。不知道詹导十年磨一剑的Avatar会不会是大场面堆砌？
面包
Jun 24, 2009, 12:35:27 PM6/24/09
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看多了感觉打斗都是一样的。结尾沙漠大战，我睡着两次。
Ray
Jun 24, 2009, 1:53:29 PM6/24/09
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Jianping Hua
Jun 24, 2009, 3:41:09 PM6/24/09
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hehe
http://www.shootfortheedit.com/forum/showthread.php?p=93240#post93240
Last night with my crew I saw the IMAX version. Once you get used to
the giant format and your eyes adjust, it's an awesome experience. I
have been waiting until the film was final to judge, and I'm really
pleased. You have to make a point to see it this way - It could be the
very best way to see Transformers.
C'mon guys critics? Give me a break. Do you all have short term
memory? They killed the first one, and it still became a world-wide
smash. I made this for the you, the audience!
Michael
http://www.shootfortheedit.com/forum/showthread.php?p=89204#post89204
It has been a long hard road, but really fun one to travel. What you
will notice that is strikingly different than Transformers 1, is the
level of animation detail. The robot characters (42 in all), you
really can feel empathy for them. What is also very different is the
sheer scale of the movie. We have been very tight holding back much of
the best imagery in commercials and trailers.
The way to see this movie is on IMAX. Never before has there been 4k
rendered character animation shot on full IMAX 70 mm film. This is a
first and the results are stunning. You will see Optimus Prime in a
few shots where he is actually perfectly to scale on the IMAX 50 foot
tall screens.
For IMAX, I created a slightly longer cut with more robot fighting.
Four scenes were shot on IMAX cameras so the screen will fill the full
IMAX screen for these scenes.
Haters beware.
Michael
On Jun 24, 10:53 am, Ray <dirtypi...@gmail.com> wrote:
> http://www.bbc.co.uk/blogs/markkermode/2009/06/transformers_190609.html
http://www.shootfortheedit.com/forum/showthread.php?p=93240#post93240
Last night with my crew I saw the IMAX version. Once you get used to
the giant format and your eyes adjust, it's an awesome experience. I
have been waiting until the film was final to judge, and I'm really
pleased. You have to make a point to see it this way - It could be the
very best way to see Transformers.
C'mon guys critics? Give me a break. Do you all have short term
memory? They killed the first one, and it still became a world-wide
smash. I made this for the you, the audience!
Michael
http://www.shootfortheedit.com/forum/showthread.php?p=89204#post89204
It has been a long hard road, but really fun one to travel. What you
will notice that is strikingly different than Transformers 1, is the
level of animation detail. The robot characters (42 in all), you
really can feel empathy for them. What is also very different is the
sheer scale of the movie. We have been very tight holding back much of
the best imagery in commercials and trailers.
The way to see this movie is on IMAX. Never before has there been 4k
rendered character animation shot on full IMAX 70 mm film. This is a
first and the results are stunning. You will see Optimus Prime in a
few shots where he is actually perfectly to scale on the IMAX 50 foot
tall screens.
For IMAX, I created a slightly longer cut with more robot fighting.
Four scenes were shot on IMAX cameras so the screen will fill the full
IMAX screen for these scenes.
Haters beware.
Michael
On Jun 24, 10:53 am, Ray <dirtypi...@gmail.com> wrote:
> http://www.bbc.co.uk/blogs/markkermode/2009/06/transformers_190609.html
Ray
Jun 24, 2009, 4:24:02 PM6/24/09
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Ray
Jun 24, 2009, 4:34:49 PM6/24/09
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I know the guy supplies a lot of work to our industry, but he still
needs to be sent to GITMO for what he's done to American cinema.
needs to be sent to GITMO for what he's done to American cinema.
Jianping Hua
Jun 27, 2009, 1:57:48 AM6/27/09
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Manohla Dargis 巨损的评论：
And make no mistake: Mr. Bay is an auteur. His signature adorns every
image in his movies, as conspicuously as that of Lars von Trier, and
every single one is inscribed with a specific worldview and moral
sensibility. Mr. Bay's subject -- overwhelming violent conquest -- is as
blatant and consistent as his cluttered mise-en-scène. His images,
particularly during the frequent action sequences, can be difficult to
visually track, but they are also consistently disjointed. (And
proudly self-referential: the only director he overtly cites is
himself, with a shot of the poster for his movie "Bad Boys II.") The
French filmmaker Jacques Rivette once described an auteur as someone
who speaks in the first person. Mr. Bay prefers to shout.
And make no mistake: Mr. Bay is an auteur. His signature adorns every
image in his movies, as conspicuously as that of Lars von Trier, and
every single one is inscribed with a specific worldview and moral
sensibility. Mr. Bay's subject -- overwhelming violent conquest -- is as
blatant and consistent as his cluttered mise-en-scène. His images,
particularly during the frequent action sequences, can be difficult to
visually track, but they are also consistently disjointed. (And
proudly self-referential: the only director he overtly cites is
himself, with a shot of the poster for his movie "Bad Boys II.") The
French filmmaker Jacques Rivette once described an auteur as someone
who speaks in the first person. Mr. Bay prefers to shout.
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