for my part i'm not sure callahan really succeeds in his defense - too
much time is given to phantom menaces and too many issues avoided or
glossed over...
- can superhero comics be worthwhile art? Here callahan discusses the
subjective/cultural nature of definitions of literature vs genre
fiction... which does make sense; there's nothing that stops anyone
from making great art within the genre of superheroes in various mediums
(usually comics, sometimes movies)...
but the problem with the genre is that it tends to have certain
restrictions and characteristics, mostly due to its main intended target
audience (teenage boys, and the adults they grow into), a shortlist
might be:
- overemphasis on 'realism' (making superheroes believable, even if the
stories are romantic as callahan argues), which means less formal
experimentation with the comics langauge
- depiction of women: skin tight clothing, super-supermodel anatomy etc
- insularity
where callahan does deal with these issues, they don't q seem adequate:
- he says superhero comics have grown up to target older readers, but
i'm not sure he provides enough data to back this up. the long spiel
about romanticism seems very tangential.
- he says that superhero comic's insular nature actually make it " part
of an incredibly complicated experiment in grand-scale storytelling, the
likes of which have never been seen in the history of narrative fiction.
"... which seems a bit dodgy... isn't that like an inbred royal saying
all his diseases and malfunctions represent something special, unlike
other normal families? :p
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> http://www.comicbookresources.com/?page=article&id=17623
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