cordially
invites
you
to
a
Public
Lecture
at
3.00 pm on Wednesday, 10 April, 2013
in
the Seminar Room, First Floor, Library Building
on
'Dr.
Kotnis
ki
amar
kahani
and
after:
Images
of China in Bombay cinema'
by
Prof.
Patricia
Uberoi,
Institute
of
Chinese
Studies,
Delhi.
Abstract:
China
is
India’s
largest
neighbour,
yet
this
country
has
had
minimal
representation
in
the
Indian
cinematic
imagination.
This
presentation
focuses
on
V.
Shantaram’s Dr
Kotnis
ki
Amar
Kahani (The
Immortal
Story
of
Dr
Kotnis,
1946),
a
much-cited
and
probably
little
watched
Hindi
movie
that
extols
an
iconic
moment
in
the
twentieth
century
history
of
Sino-Indian
relations:
the
participation
of
the
Indian
Medical
Mission
to
China
in
China’s
liberation
struggle
against
Japanese
occupation,
and
the
tragic
death
in
the
field
of
one
of
the
Mission’s
members,
the
eponymous
Dr
D.S.
Kotnis.
In
the
ultimate
analysis,
the
film
appears
to
authorize
the
symbolic
appropriation
of
the
Chinese
‘Other’
to
the
paternalistic
order
of
the
Indian
family
just
as,
in
the
early
years
after
Independence,
India
was
to
patronize
the
assimilation
of
China
to
the
world
order
of
modern
nation-states.
This,
as
we
know,
proved
to
be
an
unsustainable
partnership,
setting
the
stage
for
the
motif
of
betrayal
that
permeates
Chetan
Anand’s Haqeeqat (1964),
the
next
major
cinematic
rendering
of
India–China
relations.
Some
five
decades
on
from
the
border
war
which
forms Haqeeqat’s
subject
matter,
Indian
public
sentiment
continues
to
be
dominated
by
this
deep
sense
of
betrayal
and
mistrust.
Speaker:
Prof.
Patricia
Uberoi has
taught
Sociology
at
the
University
of
Delhi
and
Jawaharlal
Nehru
University,
and
retired
as
Professor
of
Sociology
at
the
Institute
of
Economic
Growth,
Delhi,
where
she
was
also
editor
of
the
well-known
sociology
journal,
Contributions
to
Indian
Sociology.
She
is
currently
Honorary
Fellow
and
Vice-Chairperson
of
the
Institute
of
Chinese
Studies,
Delhi,
where
she
has
been
actively
involved
with
the
Bangladesh-China-India-Myanmar
(BCIM)
Track
Two
regional
dialogue.
She
has
published
widely
on
aspects
of
family,
kinship,
gender
and
popular
culture,
including
cinema,
in
respect
to
both
India
and
China.
All
are welcome.